This article comments on the alarm expressed by some Afro-American readers, dedicated publishing professionals and retailers that new books in the rising genre of urban or hip-hop literature are far outselling classic African American literature by writers like Nobel laureate Toni Morrison. This new street fiction has been criticized for being sensational—obsessed with thug life, street sensibilities, crime, sex and drama—and the writing has even been described as illiterate. At the 2004 BookExpo America in Chicago, Illinois, Victoria M. Stringer, who self-published "Let That Be the Reason," a novel she wrote while serving a prison term, told the audience at a panel sponsored by the African American Booksellers Conference about how reading was her lifeline during the years she was in jail. Stringer's Triple Crown Publications is now one of the fastest-growing imprints for urban or street fiction, and it will publish 40 titles this year. And she herself has just signed a contract with Simon & Schuster's Atria to publish her next novel. Stringer represents a new generation of writers committed to the search for their own authentic voices, and readers will eventually be the richer for it. Every genre displays a different level of accomplishment among its authors. In street fiction, a few writers are genuinely gifted storytellers. That said, almost all writers fine-tune their writing skills with each new book they write. Examining a writer's growth from book to book is an important task of any book review. Perhaps the new readers who are first introduced to the pleasures of books through hip-hop literature or erotic fiction will discover these books are a portal to works across a much broader literary spectrum.