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Using recently declassified archival material pertaining to the Chartered Bank of India Australia and China, this article foregrounds quantitative evidence that sheds new light on the history of British banks in Asia. It shows that Hong Kong came to play a critical role in the bank's note issue strategy after the Straits Settlements had moved off the silver standard in 1906. Locally denominated notes issued on mainland China complemented the Hong Kong issue. However, their circulation volume dropped dramatically during the anti-British boycott that followed the May Thirtieth Incident (1925). [ABSTRACT FROM AUTHOR]

This paper examines the hypothesis that there is a single economic market for the international steam coal industry and investigates the degree of steam coal market integration over time. A regression test of convergence is employed to test for group convergence within a panel of steam coal exporting countries. The long-run relations between international steam coal prices are tested through cointegration analysis and the Kalman Filter analysis is employed to examine the convergence path of the price series. Monthly Free on Board (F.O.B.) prices for Australia, China, Colombia, Indonesia, Poland and South Africa between January 1995 and July 2007 are used. Considering the outcomes of the three econometric techniques as a whole, we conclude that the international steam coal market is generally integrated. [ABSTRACT FROM AUTHOR]

The deployment of strategic stories, that is, stories designed to prevail over adversaries, is at work in domestic politics as well as in diplomacy. In both cases, the strategy has two aims: to create a division between 'us' and 'them', and at the same time to ascribe moral supremacy to 'our side' while posing 'their side' as an existential threat. Strategic storytelling specialises in discrimination and foe creation, but the nature of the actors involved has changed in the digital era. Now, 'we' and 'they' are organised into decentralised and mediated classes based on common identities, enabling collective action at planetary scale (e.g. climate activism, gender and ethnic justice, far-right extremism). At the same time, media platforms and news organisations are part of the apparatus by which strategic narratives are weaponised for warfare. Thus, I argue, digital media analysis needs to understand the 'strategic turn' in storytelling, and its deployment by states and 'non-state actors' alike, in this case, news media. Alternative models of worldmaking, in which popular culture acts as a pedagogic platform for class formation and activism, enter an ecology in which narrative is already a weapon of war – where it's aircraft carriers, all the way down. [ABSTRACT FROM AUTHOR]