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This chronicle of natural history argues that the modern environmental crisis and rise in science skepticism codeveloped with the rise of ever narrower scientific disciplines For millennia, the field of natural history promoted a knowledgeable and unifying view of the world. In contrast, the modern rise of narrow scientific disciplines has promoted a dichotomy between nature and culture on the one hand and between scientific and folk knowledge on the other. Drawing on the fields of anthropology, history, and environmental science, Michael R. Dove argues that the loss of this historic holistic vision of the world is partly to blame for contemporary environmental degradation and science skepticism. Dove bases this thesis on a study of four pioneering natural historians across four centuries: Georg Eberhard Rumphius (seventeenth century), Carl Linnaeus (eighteenth century), Alfred Russel Wallace (nineteenth century), and Harold C. Conklin (twentieth century). Dove studies their field craft and writing; the political, cultural, and environmental circumstances in which they worked; the sources of their insight; and the implications of their work for modern society. Most of all, the book seeks to discover what enabled those natural historians to straddle boundaries that today seem impassable and to distill that wisdom for a modern world greatly in need of a holistic vision of people and environment.

The story of humanity's evolving relationship with the natural world from pre-history to the present day Nature has long been the source of human curiosity and wonderment, and the inspiration for some of our deepest creative impulses. But we are now witnessing its rapid impoverishment, even destruction, in much of our world. In this beautifully illustrated book, Jeremy Mynott traces the story of nature—past, present and future. From the dramatic depictions of animals by the prehistoric cave-painters, through the romantic discovery of landscape in the eighteenth century, to the climate emergency of the present day, Mynott looks at the different ways in which humankind has understood the world around it. Charting how our ideas about nature emerged and changed over time, he reveals how the impulse to control nature has deep historical roots. As we reach an environmental crisis point, this vital study shows how human imagination and wonder can play a restorative role—and reveal what nature ultimately means to us.

Natural Designs chronicles the life and work of the earliest and most influential Spanish historian of the New World, Gonzalo Fernández de Oviedo (1478–1557). Through a combination of biography and visual and textual analysis, Elizabeth Gansen explores how Oviedo, in his writings, brought the European Renaissance to bear on his understanding of New World nature.Oviedo learned much from the humanists with whom he came into contact in the courtly circles of Spain and Italy, including Giovanni Battista Ramusio and Pietro Bembo, and witnessed Christopher Columbus regaling Queen Isabel and King Ferdinand with news from his inaugural voyage to the Indies. Fascinated by the Caribbean flora and fauna Oviedo encountered on his arrival to the Caribbean in 1514, he made them the protagonists of his writings on the Indies. From his consumption of the prickly pear cactus, which led him to believe his death was imminent, to the behavior of the iguana, which defied his efforts to determine if the lizard was fish or flesh, his works reveal the challenges at the heart of Spain's encounter with the biological wonders of the Americas.Natural Designs foregrounds Oviedo's role as a writer, illustrator, and editor of New World nature. As much as Oviedo is credited as a pioneer in the literary genre of American natural history, his contributions to early modern conceptions of the flora and fauna of the Indies are still not widely understood and appreciated. Gansen situates us in the early sixteenth century to reappraise the works of the Spanish historian who first shaped these realities.

“Like al-Qazwīnī himself, Travis Zadeh has written a deliciously baggy tome, full of delights and diversions in its tour of the cosmic horizons. This is a book to get lost in, whether one wants to or not.” —Nile Green, Los Angeles Review of Books “As Zadeh concludes, reformers and modernists have closed the rich and varied archive revealed in Wonders and Rarities…In this beautifully written and engaging text, Zadeh takes his readers back to the world of surprise and enchantment that preceded this closure.”—Malise Ruthven, Financial Times “This book about a book, like the book it describes, is a rare and marvelous thing.” —Justin Marozzi, The Spectator During the thirteenth century, the Persian naturalist and judge Zakariyyāʾ Qazwīnī authored what became one of the most influential works of natural history in the world: Wonders and Rarities. Exploring the dazzling movements of the stars above, the strange minutiae of the minerals beneath the earth, and everything in between, Qazwīnī offered a captivating account of the cosmos. Wonders and Rarities inspired generations as it traveled through madrasas and courts, unveiling the magical powers of nature. But Qazwīnī's compendium eventually came to stand as a strange, if beautiful, emblem of medieval ignorance. Restoring Qazwīnī to his place as a herald of the rare and astonishing, Travis Zadeh dramatically revises the place of wonder in the history of Islamic philosophy, science, and literature. Wonder provided an enduring way to conceive of the world—at once constituting an affective reaction, an aesthetic stance, a performance of piety, and a cognitive state. Yet through the course of colonial modernity, Qazwīnī's universe of marvels helped advance the notion that Muslims lived in a timeless world of superstition and enchantment, unaware of the western hemisphere or the earth's rotation around the sun. Recovering Qazwīnī's ideas and his reception, Zadeh invites us into a forgotten world of thought, where wonder mastered the senses through the power of reason and the pleasure of contemplation.

The essays and original visualizations collected in Natural Things in Early Modern Worlds explore the relationships among natural things - ranging from pollen in a gust of wind to a carnivorous pitcher plant to a shell-like skinned armadillo - and the humans enthralled with them.Episodes from 1500 to the early 1900s reveal connected histories across early modern worlds as natural things traveled across the Indian Ocean, the Ottoman Empire, Pacific islands, Southeast Asia, the Spanish Empire, and Western Europe. In distant worlds that were constantly changing with expanding networks of trade, colonial aspirations, and the rise of empiricism, natural things obtained new meanings and became alienated from their origins. Tracing the processes of their displacement, each chapter starts with a piece of original artwork that relies on digital collage to pull image sources out of place and to represent meanings that natural things lost and remade. Accessible and elegant, Natural Things is the first study of its kind to combine original visualizations with the history of science. Museum-goers, scholars, scientists, and students will find new histories of nature and collecting within. Its playful visuality will capture the imagination of non-academic and academic readers alike while reminding us of the alienating capacity of the modern life sciences.

A nuanced reframing of the dual importance of reading and observation for early modern naturalists.Historians traditionally argue that the sciences were born in early modern Europe during the so-called Scientific Revolution. At the heart of this narrative lies a supposed shift from the knowledge of books to the knowledge of things. The attitude of the new-style intellectual broke with the text-based practices of erudition and instead cultivated an emerging empiricism of observation and experiment. Rather than blindly trusting the authority of ancient sources such as Pliny and Aristotle, practitioners of this experimental philosophy insisted upon experiential proof. In A Centaur in London, Fabian Kraemer calls a key tenet of this master narrative into question—that the rise of empiricism entailed a decrease in the importance of reading practices. Kraemer shows instead that the early practices of textual erudition and observational empiricism were by no means so remote from one another as the traditional narrative would suggest. He argues that reading books and reading the book of nature had a great deal in common—indeed, that reading texts was its own kind of observation. Especially in the case of rare and unusual phenomena like monsters, naturalists were dependent on the written reports of others who had experienced the good luck to be at the right place at the right time. The connections between compiling examples from texts and from observation were especially close in such cases. A Centaur in London combines the history of scholarly reading with the history of scientific observation to argue for the sustained importance of both throughout the Renaissance and provides a nuanced, textured portrait of early modern naturalists at work.