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Your search keyword '"Nash, Kate"' showing total 26 results
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26 results on '"Nash, Kate"'

6. Positively Purple.

Author

Nash, Kate

Subjects
EMPLOYMENT of people with disabilities, WORK environment & accessible design, EMPLOYEE recruitment, CONSUMERS with disabilities, SOCIAL acceptance
Abstract

It can be difficult to navigate the workplace with a disability. In Positively Purple, Kate Nash, a disability rights advocate and CEO of PurpleSpace, a professional development hub for people with disabilities, offers practical advice for building supportive workplaces for all employees. You'll learn how to build trust, avoid the bigotry of low expectations, and create spaces where people with disabilities feel valued and included.

Published
2024

7. DRESS CODE.

Author

NASH, KATE

Subjects
DRESS codes, FASHION, FASHION shows, SHOE design, DANCE costume
Abstract

This article from Utah Valley Magazine features interviews with three individuals who have unique fashion senses influenced by their careers and life experiences. Stephanie Feild, the wife of a world champion bareback rider, dresses up in cowgirl boots and silk dresses for rodeo events. Charity Reid, a professional dancer, wears custom costumes that reflect her talent and story. Chris Burke, a former Nike employee, has a collection of Air Jordans and a passion for sneakers. Each individual emphasizes the importance of personal style and feeling confident in what you wear. [Extracted from the article]

Published
2024

10. HOMEWARD SHAWL.

Author

NASH, KATE

Subjects
SHAWLS, STATE fairs
Published
2024

12. FAMOUS FACES.

Author

NASH, KATE

Subjects
INTERNET celebrities, INFLUENCER marketing
Published
2023

13. BEST in SHOW.

Author

NASH, KATE

Subjects
HOME theaters, BATHROOMS, SUSTAINABLE construction, KITCHEN cabinets
Published
2023

15. Four steps to make published content more accessible: The founder of PurpleSpace reveals how book publishers can anticipate the needs of disabled readers and release titles that are accessible to all

Author

Nash, Kate

Subjects
Book publishing -- Target marketing, Disabled persons -- Social aspects, Access for the disabled -- Social aspects, Business, international, Publishing industry, Retail industry
Abstract

One billion people around the world live with some form of disability, making up around 15% of the global population. Since the mid 1990s, there has been a legal duty [...]

Published
2022

17. HERE COMES THE SUN.

Author

Nash, Kate

Subjects
EYE protection, FURNITURE design, MENSTRUATION, PROTECTIVE clothing, SWIMMING pools
Published
2023

22. HENHOUSE HAT & COWL.

Author

NASH, KATE

Subjects
HATS
Abstract

Both the hat and cowl are worked in the round from the bottom up. The sprawling hexagonal cable pattern, vaguely reminiscent of chicken wire, gives the Henhouse Hat & Cowl set its name, while shaping at the crown of the hat reveals a small cabled fl ower. CABLE 16-st rep * Work as given in directions Knit Purl pattern repeat sl 2 sts onto cn, hold in back, k2, k2 from cn sl 2 sts onto cn, hold in back, k2, p2 from cn sl 2 sts onto cn, hold in front, p2, k2 from cn CROWN 16-st to 1-st rep * Work as given in directions knit purl k2tog p2tog ssp no stitch pattern repeat sl 1 st onto cn, hold in back, k2, p1 from cn sl 2 sts onto cn, hold in front, p1, k2 from cn sl 2 sts onto cn, hold in back, k2, k2 from cn sl 2 sts onto cn, hold in back, k2, p2 from cn sl 2 sts onto cn, hold in front, p2, k2 from cn sl 2 sts onto cn, hold in back, k2tog, k2tog from cn sl 3 sts onto cn, hold in back, k2, (k2tog, k1) from cn DIAGRAM: HENHOUSE HAT & COWL DIAGRAM: HENHOUSE HAT & COWL PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR). [Extracted from the article]

Published
2022

23. BIMBLE SOCKS.

Author

NASH, KATE

Subjects
SOCKS, FAMILY size, YARN, KNITTING
Abstract

Heel placement: Next rnd With waste yarn, k16 (20, 24, 28, 32, 36), break waste yarn, return 16 (20, 24, 28, 32, 36) sts to left needle. YARN MillaMia Naturally Soft Sock PATTERN Page 67 BIMBLE SOCKS KATE NASH Difficulty Yarn Weight 1 Finished Size 3¾ (4¾, 5¾, 6½, 7½, 8½)" foot circumference and 5½ (6¼, 7, 8, 9, 9¾)" long from back of heel to tip of toe; foot length is adjustable. Yarn MillaMia Naturally Soft Sock (75% wool, 25% polyamide; 219 yd [200 m]/1¾ oz [50 g]): #502 Linen (cream; MC), 1 (1, 1, 1, 2, 2) ball(s); #522 Laurel (green-blue; CC1), #531 Herb (olive; CC2), and #513 Amethyst (purple; CC3), 1 ball each. [Extracted from the article]

Published
2022

24. Deepfakes, Documentary and the Dead: "I Wasn't Putting Words into His Mouth. I Was Just Trying to Make Them Come Alive.".

Author

Nash, Kate

Subjects
*DOCUMENTARY films, *BIOGRAPHICAL films, *BIOGRAPHY (Literary form), *POSTHUMOUS films, *MASS media
Abstract

The moral questions raised by synthetic media are considered in the context of posthumous documentary biography. Two possibilities are explored: firstly, that synthesis of the voice in biographical documentary deceives in a distinctive way and secondly, that it is possible for synthetic media to harm the subject of posthumous documentary. [ABSTRACT FROM AUTHOR]

Published
2022
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25. Digital witnessing : towards Holocaust memory practice in a post-survivor age : an investigation into the first generation of digital Holocaust memory projects

Author

Marrison, Kate, Nash, Kate, and Cole, Tim

Abstract

The anticipated arrival of the digital turn in Holocaust Studies is entangled with the inevitable and imminent passing of the survivor community. Thus, the first generation of digital Holocaust memory projects have emerged hoping to preserve survivor testimony in what Lagerkvist (2017) terms "the digital afterlife". These include recordings of survivor testimony in virtual reality, mixed reality applications at former sites of Nazi persecution, as well as 3-dimensional interactive installations of survivor biographies. Taking these institutional projects as its central focus, this thesis explores a range of case studies including The Last Goodbye VR experience, The Liberation AR mobile application, as well as Dimensions in Testimony. This research also considers videogames as an important media in the growing corpus of digital Holocaust memory projects more widely, and therefore moves beyond the institutional focus to critically consider Call of Duty: WWII. Emerging at the intersection between Holocaust studies and media theory, this work investigates the shift from what Wieviorka (2006) termed the "Era of the Witness" to what is being referred to as the "Era of the User", as a greater emphasis is being placed on the participant. Indeed, as living memory continues to fade into history, the locus of authenticity is shifting to realm of experience with priority afforded to affect as a form of embodied knowing. Taking a phenomenological approach, this research investigates the positionality of the user within these projects, which invite us to examine, enact, and perform in various ways. In this context, I argue that new media technologies might expand our capacities to witness and open up new possibilities for moral response. Advancing on recent studies which seek to foreground imagination as an essential conduit for memory practice, then, I put forward an understanding of "digital Holocaust witnessing". In turn, this thesis grapples with notions of performance, embodiment, simulation, interaction, and agency, which are becoming increasingly important as we continue to tangle technology with established modes of memory practice.

Published
2022

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