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Copyright of Területi Statisztika is the property of Hungarian Central Statistical Office and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Serbian Journal of Management is the property of Serbian Journal of Management and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper examines the ways in which the digitalization of the music industries has impacted the work of musicians locally, in the semi-peripheral country of Hungary. In particular, it focuses on the ways in which the work of musicians is shaped by gender relations. It aims to critique the democratization discourse of the digitalization of musical production by exploring, first, the local policy and industry context of digitalized musical labor, and, secondly, the role of gender relations within the household in the labor and careers of musicians in Hungary. [ABSTRACT FROM AUTHOR]