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Copyright of Pensamiento, Palabra y Obra is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ciencia y Sociedad is the property of Ciencia y Sociedad and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes Silvina Pachelo's illustrated edition of Esteban Echeverría's El matadero with the aim of exposing how the Buenos Aires painter rewrites one of the foundational works of Argentine literature through a visual code. Taking as a starting point the concept of the illustrator as critic, proposed by Lorraine Janzen, I argue that the illustrations offer a space of visibility to the female subjects who, marginalized in Echeverría's text, point to the endemic state of violence against women in Latin America and that, especially in the last ten years, has been exposed in literature through different aesthetic formalizations. The result is a tense but productive dialogue between word and image that updates, once again, a work that seems to be inexhaustible in its interpretation. [ABSTRACT FROM AUTHOR]

Copyright of Estudios Atacameños is the property of Estudios Atacamenos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales de Historia del Arte is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article deals with how Zapatismo has aesthetically addressed its political transformation and the aesthetic fruits it has achieved. To this end, the text interprets how the Zapatista identity has been created and re-created through the visual language of the 203 murals found in the territories of the Zapatista Rebel Autonomous Municipalities, and how this identity challenges official Mexican revolutionary imagery and creates a new activist iconography for Zapatista bases and the Zapatista solidarity movement. The work on iconographic creation and restructuring has been theoretically inspired by Geneviève Zubrzycki. The article concludes that the Zapatista murals have common features, the result of an amalgamation of not explicit conceptions of various external and internal subjects that have been confronting the link between art and social transformation in different ways. [ABSTRACT FROM AUTHOR]

Copyright of Ateneo Leones is the property of Asociacion Cultural Ateneo Leones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)