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This paper provides an evaluation of the main characteristics of Chinese domestic cultural policy and international cultural trade strategy. The objective is to assess whether China has developed a type of pattern addressing the culture and trade issue, and to advance meaningful lessons to reconcile cultural diversity and trade liberalization in the context of international law. This paper starts with a brief introduction of Chinese cultural industries and Chinese cultural laws and policies. The analysis then dives into Chinese international agreements, including WTO agreements, the UNESCO Convention 2005, Chinese FTAs, and the BRI. Chinese international cultural practices can be grouped into cultural trade liberalization commitments and cultural cooperation mechanisms. This paper argues that China takes a cautious attitude towards liberalizing cultural trade while holding a relatively open position towards promoting cultural cooperation. The cultural cooperation approach deserves more attention as an alternative route for reconciling cultural diversity and free trade in international law. [ABSTRACT FROM AUTHOR]

The Great Tea Road (Wanli chadao) is a 13,000 km trade route that for two centuries connected Qing China and Tsarist Russia. It has been identified in recent years as an important category of China's route heritage. The rediscovery of the Great Tea Road, and other Chinese route heritage, is being framed in a 'mobility narrative', that is, a narrative that describes how mobility and exchange over space and time contribute to the formation of the Chinese nation or Zhonghua minzu. Since 2013 the Great Tea Road has been incorporated into the 'authorised mobility narrative' of the Belt and Road Initiative (BRI), and in particular to the BRI agreement linking China, Mongolia and Russia. In 2019 the Great Tea Road was placed on the China list for World Heritage application. This paper examines the rise of the Great Tea Road in contemporary China and describes the various actors that play a formative role in developing the narratives and policies associated with such route heritage. It finds that the Chinese combination of 'mobility narrative' and 'heritage bureaucracy' provides a discursive and institutional frame that is able to mobilise significant resources in the pursuit of cultural policy and heritage diplomacy. [ABSTRACT FROM AUTHOR]

The transition from a centrally planned economy to a market economy with socialist characteristics has had a profound effect on China's cultural industries. This paper adopts a case study approach to illustrate the challenges that have shaped the administration of public museums as a consequence of China's economic reforms. By drawing upon an example of cross-cultural collaboration between Western cultural institutions and China's Nanjing Museum (南京博物院: nanjing bowuyuan), we uncover the tensions that exist between China's cultural policy preferences and the encroaching values of the market economy. In doing so, this article contributes towards a richer exposition of the local practices guiding cultural management, reflecting the broader challenges endemic among China's cultural industries. Primarily, we seek to illustrate how market imperatives have influenced local practices, creating a context unique to China that deviates from the central tenets of neoliberal development and market management. [ABSTRACT FROM AUTHOR]