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This article explores the visual responses (with political, spiritual and social connotations) to the visual statements about the role of Rome and the pope in Western Christendom made by Pope Urban V (1362–1370) at the time of his return to the Urbe from Avignon in 1367–9. It investigates the plurality of responses to these papal statements, the chain of further visual communications that these statements set in motion as well as their longue durée by engaging with the reception of the pontiff's powerful messages by different audiences, both secular and ecclesiastic, from Rome to the Italian peninsula more broadly, and southern France, in the following 50 years. [ABSTRACT FROM AUTHOR]

Bernardo de Toro (Seville 1570–Rome 1643) was a devotee of the Immaculate Conception and the last leader of a mystic group called the Brotherhood of La Granada. This article analyses what Toro did to create two shrines dedicated to the Brotherhood in the convents of La Concepción (Lebrija) and La Encarnación (Seville) of which neither has survived. This article reassembles their original components, which included the remains of the four leaders of the Brotherhood and investigates how Toro combined the relics of the four men, their portraits and the image of the Immaculate Conception in order to safeguard their spiritual legacy. [ABSTRACT FROM AUTHOR]