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At the theoretical level, Bartsch shows that Plato's I Republic i and the creation myth underpinning the ideal city, Kallipolis, have been the subject of considerable discussion in China. I Plato goes to China i is an expanded version of the Martin Lectures that Shadi Bartsch delivered at Oberlin College in 2018. [Extracted from the article]

There are growing concerns about the role of identity narratives in spreading misinformation on social media, which threatens informed citizenship. Drawing on the social identity model of deindividualization effects (SIDE) and social identity theory, we investigate how the use of national identity language is associated with the diffusion and discourse of COVID-19 conspiracy theories on Weibo, a popular social media platform in China. Our results reveal a pattern of identity communication contagion in public conversations about conspiracies: national identity language usage in original posts is associated with more frequent use of such language in all subsequent conversations. Users who engaged in discussions about COVID-19 conspiracies used more national identity expressions in everyday social media conversations. By extending the SIDE model and social identity theory to misinformation studies, our article offers theoretical and empirical insight into how identity–contagious communication might exacerbate public engagement with misinformation on social media in non-Western contexts. [ABSTRACT FROM AUTHOR]

In the field of international relations, it has long been believed that nationalism generates adverse foreign policy preferences. This article revisits this long-standing assumption by investigating how stimulating nationalistic sentiments shapes mass foreign policy preferences in two contexts, namely when celebrating national achievements and greatness with a focus on the national Self and when invoking negative historical memories in relation to a salient Other. Using a survey experiment conducted in China, which capitalized on visual stimuli drawn from real-world sources to stoke respondents' nationalistic sentiments, this article shows that not all rises of nationalism are the same. Adverse foreign policy preferences, such as a preference for a hawkish approach, an uncompromising attitude, and a dislike for the status quo, emerge when nationalistic sentiments are stoked by invoking negative historical memories but not by celebrating general national achievements and greatness. [ABSTRACT FROM AUTHOR]

Representations of ethnic minority women often symbolized China's efforts in nation-building. This study uses insights from the post-alteric frame to analyze the images of the Khitan empress Xiao Yanyan in the 2020 TV series the Legend of Xiao Chuo (LXC). It uses a critical multimodal discourse analysis of the series and viewer comments to examine three images of Xiao as her relationships with two romantic partners unfolds: the unruly and innocent child; the self-sacrificing political victim; and the pan-Chinese superheroine. Taming the great Khitan empress has created a spectacular matriarchal fiction for cosmopolitan Chinese post-feminists and endorsed the grand narrative of assimilating ethnic minorities into the building of China's identity as a pan-Chinese "melting-pot." [ABSTRACT FROM AUTHOR]

The Chinese government is fond of invoking the 'hurt feelings of 1.4 billion Chinese citizens' to protest foreign actions and policies. However, this rhetoric might be nothing more than propaganda and attempts to leverage nationalist sentiment. How much do citizens in China actually care about issues completely unrelated to their daily livelihoods? To answer this, the study employs a representative survey to investigate the extent to which rhetoric about 'hurt feelings' is consistent with public opinion on four contemporary socio-political disputes involving the NBA, Marriott International, Mercedes-Benz and the city of Prague. Across the scenarios, we found that the Chinese government did not exaggerate the displeasure of audiences—citizens are aware of the cases, were indeed upset by them and advocated for retaliatory measures that were surprisingly more forceful than those adopted in reality. These emotions were largely driven by nationalistic sentiment rather than personal experiences or encounters, suggesting the success of state propaganda in steering the public opinion toward outcomes favourable to the state. These findings support recent studies highlighting the peculiar case of rising nationalism in China, and have important implications for the impact of public opinion on Chinese policymaking. [ABSTRACT FROM AUTHOR]

China and Japan continue to partly live in the shadow of World War II (WWII) with recurrent expressions of anti-Japanese nationalism in China periodically ebbing bilateral relations. How does the Chinese government manage anti-Japan public manifestations of nationalism and what factors explain it? The government has to walk a fine line by managing the nationalism it has bred without undermining its own rule and considering elite divisions, heightened public nationalism, and the developments in its external environment. Six case studies from the Hu-Wen era provide a comprehensive understanding of what pertains to Chinese nationalism, the means used to express it, and more importantly the way the government chose to tackle them. While nationalism can be a mean of garnering legitimacy and exercising pressure on Japan to bend to its wishes, the Chinese government is embarked on the sinuous task of preventing an escalation beyond its control at both the domestic and international levels. [ABSTRACT FROM AUTHOR]

In the post-COVID era, the prevalence of "fandom nationalism" on Chinese social media has led to the development of two distinct attitudes toward Squid Game among Chinese netizens. Some nationalist netizens are dedicated to accusing Squid Game of plagiarism or dismissing it as a "cultural invasion." Another group of fans, due to the ever-tightening Chinese Internet governance, use fandom nationalism as a disguise to protect themselves against cyberbullying by declaring an anti-Korean political stance before posting positive comments about Squid Game. Therefore, two such divergent attitudes eventually led to a negotiation between fan culture and state power, where on the one hand fandom nationalistic practices were accepted by the mainstream for party-state propaganda, but on the other, in order to prevent being censored, fan culture had to be subordinated to the state's governance. [ABSTRACT FROM AUTHOR]