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The paradox is inherent in many works of art of the twentieth century. Particularly clear, the paradox in art showed its essence in the beginning of the 21st century, when distorted reality, problems of meaning, unusual attitude to reality broke down the stereotypes of life established by centuries and could express their essence through an enigma. The paradox always attracted to itself with its non-standard and protest nature. The protest in each era manifested itself in different axonometric projections of human being. Art is a shadow of reality that the artist throws at the object of description according to the angle of his talent. Interest in paradox in works of art testifies to the corresponding psycho-emotional state of society, it reflects reality in its artistic colors, as well as clearly demonstrates the specificity of perception of reality, the way of demonstrating the spiritual world and the level of comprehension of being. The purpose of this study is to trace the influence of art as a manipulative factor in the presentation of reality and the influence of the subjective creative view of an artist on the change of aesthetic categories that have formed in society as classical. The thesis that architecture reflects the general function of culture in soothing and restoring spiritual peace for modern post-industrial society is not sufficient to satisfy the emotional perception of space. To achieve the multidimensionality of the viewer's interpretations required of contemporary art, architecture resorts to a manipulative method of reflecting the reality of the spatial environment. [ABSTRACT FROM AUTHOR]

Although the meta-narrative of the unique process and the ultimate goal of human society has lost attention in post-industrial society. Social behavior at different levels still rely on consensus and common habitus of members. In most social activity field, the transfer of knowledge and mutual understanding often depend on the construction of narration. Such kind of narration of basic concepts and categories can be regarded as "meta-narrative" inside the social field. Such kind of "meta-narrative" is no longer a discourse of power that simply serves to support or oppose the legitimacy of the current social system, but is more closely related to the experience of individuals. This "meta-narrative" that everyone can express shows common cognitive foundations and collaborative norms in social activities. It's multi-dimensional and has a more free and variable meaning space. The traditional meta-narrative topic is still active in the discourse of microscopic social fields, especially in the literary and artistic creation. The content of contemporary works under those topics is not only influenced by the norm of traditional meta-narrative and artistic forms, but also by history, culture, social system, value of the times, public news, and common experiences of members. Under the topic of "Chinese narrative of heroism", this research selects students to pick the hero characters in history, literature, film or cartoon works that influenced them most. Related typical narratives will be deconstructed and compared, so as to find "meta-narrative" of "qualified hero" and value basis in the youths. We also analyzed features of Chinese narrative of heroes. The conclusion provides a narrative model and a number of feasible methods to organize heroic story with values and culture conscious in art works and educations. [ABSTRACT FROM AUTHOR]

The relevance of the topic is due to the fact that information and communication technologies are currently an important basis for the development of the knowledge economy. The article examines the main directions of organizational and economic development during the transition to a post-industrial society. The role of information technologies in the formation of the digital economy is revealed. The author of the article describes measures to increase the rate of economic growth and innovative development of society through the introduction of information technologies. The transition to a post-industrial society has allowed information and communication technologies to become one of the main components of the development of the digital economy based on knowledge. The dynamic growth of the technical and economic characteristics of high-tech innovative products contributes to a significant increase in computing power and intellectual potential of products, a rapid change in outdated standards and technological platforms of information and communication systems and networks [1]. At the same time, the functioning of ultra-high-speed networks, mobile devices and information systems is aimed at improving the quality of multimedia content and a wide range of services provided to the population. [ABSTRACT FROM AUTHOR]