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Subtitled Library for Radioactive Afterlife, Susanne Kriemann's books P(ech) B(lende) (2016) and Ge(ssenwiese) K(anigsberg) (2020) are dedicated to the invisibility and after-effects of radioactivity. Produced by several authors, these books-as-library bring together multiple textual genres and forms of representation to explore the "radioactive afterlife", which not only indicates the horizon of survival after a nuclear catastrophe, but also the survival of images, given the impossibility of representing an invisible, immeasurable phenomenon. [ABSTRACT FROM AUTHOR]

This article offers a reflection on the writing of the sīra , the "life of the Prophet," based on the study of the catalogs of the Egyptian National Library and the Library of al-Azhar. The cross-analysis of the classifications of medieval and modern sciences, and the categories used by cataloguers at the end of the 19th century and in the first half of the 20th century, shows that the sīra was irreducible to the "biography of the Prophet," and covered a much larger set of texts. The rest of the article offers a description of the corpus of 491 works of sīra and the 1,119 manuscripts and printed matter which are its material manifestations. We come to the conclusion that this corpus can be used to describe the culture of the sīra in Egypt and in the Arab provinces of the Ottoman Empire. Two results appear particularly important: the constitution of series of texts (basic text, commentaries, glosses) makes it possible to describe a major part of the culture of commentary in the Ottoman period; the examination of the corpus also offers an interesting perspective on the transition between manuscript culture and printed culture in 19th century Egypt. [ABSTRACT FROM AUTHOR]

This essay presents aspects of Artaud’s writing experience, based on some of his first texts – “Umbilical Limbo” and “Nerve Scales” –, read together with Freud’s theory of dreams, the notion of writing in Lacan and the concepts of “absence of the book” and “absence of the work” in Blanchot. At the same time, a reading operator is formulated for the writer’s work, derived from similarities and differences between literature and psychoanalysis: the navel of the writing. [ABSTRACT FROM AUTHOR]

This article deals with a reading of HOLZ, a woodcut magazine by Olivier Deprez and Roby Comblain, who is also in charge of the exhibition of this work which is meant to be seen as much as to be read. It analyzes the place of this both hybrid and medium-specific project in the career of the artiste, highlighting the many correspondences with Deprez's commitment to engraving as a visual technique but also as a storytelling technique. The article also examines the singularities of the treatment of the book as object in light of the contemporary crisis of the book, in literature as well as in comics. [ABSTRACT FROM AUTHOR]

Cette communication propose un commentaire de l'ouvrage 24 textes fondateurs de la psychiatrie, paru en 2013 sous la direction de Marc Masson. Ces textes publiés aux Annales Médico-Psychologiques , entre 1843 et 1966, sont tous introduits et commentés par des membres de la Société Médico-Psychologique. Ils illustrent le rôle essentiel joué par celle-ci au cours de l'histoire de la psychiatre. This communication offers a commentary on the book 24 textes fondateurs de la psychiatrie , published in 2013 under the direction of Marc Masson. These texts, published in the Annales Médico-Psychologiques , between 1843 and 1966, are all introduced and commented on by members of the Société Médico-Psychologique. They illustrate the essential role played by the latter during the history of the psychiatry. [ABSTRACT FROM AUTHOR]