40 results on '"Linstead, Stephen"'
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2. Seeing and Hearing in the Poetics and Cinematics of Process Research
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Linstead, Stephen, primary
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- 2022
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3. Confucian connections: Foucault and guanxi
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Ding, Ling, primary, Linstead, Stephen A., additional, and Field, Ambrose, additional
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- 2022
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4. Preface: The Margins of Discourse: Reflexivity and Humanity
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Linstead, Stephen A., primary and Lehman, Iga Maria, additional
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- 2023
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5. Introduction
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Letiche, Hugo, primary, Linstead, Stephen A., additional, and Moriceau, Jean-Luc, additional
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- 2020
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6. The Magic of Organization
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Letiche, Hugo, primary, Linstead, Stephen, additional, and Moriceau, Jean-Luc, additional
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- 2020
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7. Organizational Kitsch
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Linstead, Stephen, primary
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- 2017
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8. Theory as Artefact: Artefact as Theory
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Linstead, Stephen A., primary and Grafton-Small, Robert, additional
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- 2017
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9. The Rhythm of the Martyrs? Barricades, Boundaries and Arts-Based Interventions in Communities with a History of Violence
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Linstead, Stephen, primary and Maréchal, Garance, additional
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- 2016
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10. The magic of organization. Afterword
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Letiche, Hugo, Linstead, Stephen A., Moriceau, Jean-Luc, University of Leicester, Département Droit, Economie et Finances (DEFI), Institut Mines-Télécom [Paris] (IMT)-Télécom Ecole de Management (TEM)-Institut Mines-Télécom Business School (IMT-BS), Institut Mines-Télécom [Paris] (IMT), Laboratoire en Innovation, Technologies, Economie et Management (EA 7363) (LITEM), Université d'Évry-Val-d'Essonne (UEVE)-Université Paris-Saclay-Institut Mines-Télécom Business School (IMT-BS), Institut Mines-Télécom [Paris] (IMT)-Institut Mines-Télécom [Paris] (IMT), University of York [York, UK], Hugo Letiche, Stephen A. Linstead, Jean-Luc Moriceau, LITEM-NPR, Université Paris-Saclay-Institut Mines-Télécom Business School (IMT-BS)-Université d'Évry-Val-d'Essonne (UEVE), Télécom Ecole de Management (TEM)-Institut Mines-Télécom [Paris] (IMT)-Institut Mines-Télécom Business School (IMT-BS), Institut Mines-Télécom Business School (IMT-BS), University Hospitals of Leicester, Stephen Linstead, and Département Droit, Economie et Finances (IMT-BS - DEFI)
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[SHS.GESTION]Humanities and Social Sciences/Business administration ,Anthropocène ,Magic ,[SHS]Humanities and Social Sciences - Abstract
International audience; Magic is to be understood as human–world relatedness, wherein human consciousness, its will and desires, have an effect on natural phenomena, collective fate and physical circumstances.For a long time, Modernism thought that the relationship between human consciousness or agency, and thenatural world or environment, was a closed book, wherein rationality was themaster and the environment was its object.But the mind–world relationshiphas become destabilized in the twenty-first century; ‘magic’ or human–world relatedness is back as a crucial theme. We believe that there is no ossible conclusion to magic – it never stops.
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- 2020
11. The magic of organization. Introduction
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Letiche, Hugo, Linstead, Stephen A., Moriceau, Jean-Luc, University of Leicester, Département Droit, Economie et Finances (DEFI), Institut Mines-Télécom [Paris] (IMT)-Télécom Ecole de Management (TEM)-Institut Mines-Télécom Business School (IMT-BS), Institut Mines-Télécom [Paris] (IMT), Laboratoire en Innovation, Technologies, Economie et Management (EA 7363) (LITEM), Université d'Évry-Val-d'Essonne (UEVE)-Université Paris-Saclay-Institut Mines-Télécom Business School (IMT-BS), Institut Mines-Télécom [Paris] (IMT)-Institut Mines-Télécom [Paris] (IMT), University of York [York, UK], Hugo Letiche, Stephen A. Linstead, Jean-Luc Moriceau, LITEM-NPR, Département Droit, Economie et Finances (IMT-BS - DEFI), and Télécom Ecole de Management (TEM)-Institut Mines-Télécom [Paris] (IMT)-Institut Mines-Télécom Business School (IMT-BS)
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[SHS.GESTION]Humanities and Social Sciences/Business administration ,Turn-to-Ontology ,Magic ,Organization studies ,[SHS]Humanities and Social Sciences - Abstract
International audience; The question of magic should be taken seriously and rethought today and in particular in connection with financial management and organization. Magic has long been seen as irrationalism or primitivism, and then in a postmodern moment it was framed as renewed creativity and innovation. We believe that a third phase must be opened. Today, magic should be investigated as illuminating the investigation of other possibilities of being.
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- 2020
12. Organizational bystanding: whistleblowing, watching the works go by or aiding and abetting?
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Linstead, Stephen
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bystanding, witnessing, bullying, moral responsibility, ethics, fidelity - Abstract
The psychology of bystanding has a long history of research, and although some of this has been considered with regard to the role of bystanders in bullying in schools and the health and social sectors, it has not been extended to organizations more generally. There is thus a dearth of theoretical development on what makes organizational bystanding different, and of course there is also a lack in the corresponding research base. This paper integrates work in social and moral philosophy with that in psychology, education and human resource management to develop typologies of responsibility, and of bystanding in general, and presents some core principles for the further development of work on specifically organizational bystanding.
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- 2019
13. Book review: Gerald RAUNIG, Gene RAY, & Ulf WUGGENIG (2011) Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’
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Linstead, Stephen
- Abstract
(no abstract available) Reviewed byStephen LINSTEADUniversity of Yorkstephen.linstead@york.ac.uk
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- 2019
14. Debt and Slavery: A Short Film-Based Panel Symposium
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Prichard, Craig, primary, Alakavuklar, Ozan Nadir, additional, Crane, Andrew, additional, Creed, W E Douglas, additional, LeBaron, Genevieve, additional, Linstead, Stephen, additional, Mir, Ali H., additional, and Nazir, Omer, additional
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- 2020
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15. Filming the organized human
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Linstead, Stephen Andrew
- Abstract
As long ago as 1968 Dwight Waldo of the UC Berkeley Institute of Government Studies drew attention to the contributions that novelists had made to the understanding of organization and administration. Waldo argued that the study of management and administration 2must establish a working relationship with every major province in the realm of human learning”l Czarniawska-Joerges and Guillet de Monthoux (1994) drew on Waldo to argue that good novels can make for better management. Pulitzer Prize winning Harvard educationalist and medic Robert Coles (1989) demonstrated the power of storytelling in developing the “moral imagination” of legal and medical professionals who had to make moral and ethical decisions affecting the lives of others. In 2011, Colby et al, in what has come to be known as the Carnegie 2 Report, pointed out that although the landmark “Carnegie 1” (Pierson 1959) had inaugurated the LERCAT paradigm (logical empiricism, rational choice and agency theory) which has dominated the field ever since, the report itself had argued for greater balance that included the humanities, although this steer was never followed amidst the frenzy of economic physics-envy. As Waldo put it, the point was not just to “increase administrative effectiveness, efficiency and economy – the long accepted criteria – but to extend administrative horizons, sharpen administrative vision, and – dare I say it? – increase administrative wisdom.” (Waldo 1994: ix). Some recent calls for the humanities to be reintegrated into management education have fallen into the trap opened up by Carnegie 1 that the management humanities might be constructed as the conscience of the management sciences, sitting on the manager’s right shoulder to steer his poised finger away from the decision-making button that will consign jobs and lives to the darkness. This, of course, is just as much of a fantasy as LERCAT, or Wall Street’s “Greed is Good”. Waldo, as I read him, expects more integration – more Kierkegaardian willingness to risk being wrong because you feel a decision is morally right. If the humanities are about anything it’s engaging with the mess that it is to be human, which means that the humanities are by definition messy. Humanities in crisis? The humanities are crisis and the mobility it represents: living with it, and in it. Beyond it? Well, maybe, but don’t expect too much. Critically exploring and reinventing the human? Aren’t we in reality in the midst of doing that on an everyday basis – whilst of course being explored and invented at the same time - when we allow the illusion of doing otherwise to slip? The call for this stream echoes Grey’s (2003) call for “license to think freely” in which researchers become “more inclusive and contextually sensitive by engaging with the disciplines of the humanities – history, literature, classics, philosophy, religion, law, ethics, languages, the fine and performing arts”. Interestingly, film isn’t singled out here, perhaps because it already has its own corners of the fine arts, the performing arts and even philosophy (with more than a century of cinematic thought) and has engaged with all of the rest on this list. The visual turn in management studies has included some work on film as a mode of humanistic inquiry (Nesteruk 2015); reflections on how digital technologies are changing the face of management education to be more humanistic (Billsberry, J. 2013; Schultz, P. L. and Quinn, A. S. 2014); and how video methods can help participatory work by including a filmmaker in the research team. Alvarez et al (2004) argued for the utility of bringing movie directors into the classroom, but the development of management researchers and scholars as movie makers themselves remains, at best nascent. Yet if we are serious about bringing the humanities together in our research, this surely is a step we need to take – our students are already taking it anyway. But is it more that some sort of meta-representational medium through which the other humanities speak or express themselves? Can film itself be research? In our field? (Wood et al 2017). In 2018, UK Research and Innovation (UKRI), the country’s umbrella research funding body, through its arm the Arts and Humanities Research Council, at its annual Research in Film Awards, held at BAFTA, gave its Blue Riband Award of Best Research Film, to a short film made by a Management School academic (Linstead 2017). This was the first time it had happened, which won’t surprise you, although that it happened at all should raise an eyebrow. The film has been featured in dedicated reports in the Times, a double page centre spread in the Daily Mirror, has a BBC Online page, and was covered by BBC TV and ITV news, as well as BBC and Independent Radio, had its own TV run, has been acquired for the British Film Institute Archive Collection, gathered over 50 selections and awards. A performance based roadshow featuring it has begun touring and played the Edinburgh Fringe, and the roadshow/soundtrack CD has received and is receiving airplay and reviews. As far as can be determined by methods currently available, its various modes have had around 7 million views/reads/listens to date. Film is taken seriously as research by a broad spectrum of consumers. The film Black Snow (Linstead 2017) was an output funded by a grant from the UK Heritage Lottery Fund OH-15-6509 in partnership with the charity People and Mining and the National Union of Mineworkers, the purpose of which was to support a broader commemorative and educational intiative by making a short historical documentary. On December 12/13, 1866, 361 men and boys were killed in an explosion at the Oaks Colliery in Barnsley, South Yorkshire, UK. Despite being the world's worst industrial loss of life in the 19th century, it remained relatively unremembered until 2015, when a group of ex-miners, trade unionists, and local historians attempted to raise money to erect a memorial for its 150th anniversary. Included in the grant was provision for doctoral-level intern to advise on the diverse range of historical resources the film needed to draw on, including contested accounts of the numbers of dead involved, and the exact cause of the initial explosion. What emerged was a contradictory set of accounts with no definitive version of events – the two official reports laid on Parliament on May 7 1867 largely concurred but favoured different causes, and although Parliament accepted the number of dead as being 361, there was no definitive list of names, and none of the lists that existed documented that total (and those that existed were fraught with error). Remembering the disaster was therefore challenged by a degree of uncertainty as to what exactly was being remembered. This was a practical issue for the memorial,as the volunteers and donors wanted to see a definitive list of names “carved in stone”. But first, they had to find out what happened, and to whom, and whether anybody cared. Access was enabled to a range of sources held in local libraries, private collections and the NUM archive, many of which had not been consulted, and a number of these were made available to the public for the first time as we digitised them in the process of carrying out our research. The film Black Snow emerged from a process that was both organic and disciplined, artistic and technological, narratively both creative and precise, as a 23 minute documentary that tells three interlocking stories: the story of a historical community devastated by the disaster, struggling to survive; the story of a contemporary community, decimated by the loss of industry, rediscovering itself in the struggle to remember; and the story of a sculptor, struggling to make one last masterpiece, finding that he was also caught up in the historical narrative. The film offers an emotional narrative that seeks to explore history as a living phenomenon in the present and givers an account of an extraordinary achievement by ordinary people. Local ex-miners and their families were used to voice historical characters, share their stories, guide us both above and below ground. and even recreate the disaster itself through Virtual Reality footage. Drawing on this experience I propose to present a rather practical show and tell demonstration of some of the principles and techniques of making a high quality research film. Stream participants will have online access to the film (it can be viewed on a variety of devices including a mobile phone) before the conference, and I will therefore focus on the backstory to its making, with shot by shot illustrations of how and why a sequence was put together and the part the elements play in this. General aesthetic compositional principles for critically affective performance texts are discussed in Linstead (2018), and I will refer to these only in passing, focussing more on the experience of writing/directing/editing and, most especially, working with others and embracing their innate creastivity. My training is in ethnographic documentary, but in the film I will discuss there is some displacement and extension of the classic “following people around with a camera” mode. There’s less fly-on-the-wall and fly-in-the soup than fly-talking-to-other-flies-about-soup,fly-trying-to-create-a-world-that-was-real-for-longdead-flies and fly-trying-to-make-a-bit-of-art-for-non-flies. I’ll use and adapt the framework set out by Callahan (2015): Pre-Production: selecting cinematic topics, approaches and sources for engaging the extraordinary everyday; Production: Hospitality-as-method for involving others; Post-production: editing-as-critique for an affective strategy. Throughout this I’ll address my position as what Ruth Behar (1996) calls a “vulnerable observer” – only ethnography that gets to you is likely to produce film that might get to others, and what to do when your vulnerable others reach their hierophanic spaces (Poulos 2009). I’ll also discuss my inherently Deleuzian rhizomatic position (Stewart 2007) in terms of what art educators have come to call A/R/Tography and show what that means in practice (Irwin 2013; Irwin et al 2006). As Irwin et al put it: A/r/tography is a research methodology that entangles and performs what Gilles Deleuze and Felix Guattari (1987) refer to as a rhizome. A rhizome is an assemblage that moves and flows in dynamic momentum. The rhizome operates by variation, perverse mutation, and flows of intensities that penetrate meaning, […] It is an interstitial space, open and vulnerable where meanings and understandings are interrogated and ruptured. Building on the concept of the rhizome, a/r/tography radically transforms the idea of theory as an abstract system. So although it might not appear so, especially from a LERCAT perspective in making film in the way that I do, I consider myself to be doing theory, and I think that this offers enormous scope for the integration of a range of humanities into management and organizational thought, without the risk of foreclosing moral or intellectual outcomes. References Alvarez, J. L., Miller, P., Levy, J., & Svejenova, S. (2004). Journeys to the self: Using movie directors in the classroom. Journal of Management Education, 28, 335-355. Behar, R. (1996) The Vulnerable Observer: Anthropology That Breaks Your Heart New York, NY: Beacon Billsberry, J. (2013) From Persona Non Grata to Mainstream: The Use of Film in Management Teaching as an Example of How the Discipline of Management Education Is Changing Journal of Management Education 37(3) 299–304 Callahan, W. A. (2015) The Visual Turn in IR: Documentary Filmmaking as a Critical Method Millennium: Journal of International Studies, 43(3) 891–910. Colby, A., Ehrlich, T., Sullivan, B., & Dolle, J. (2011). Rethinking undergraduate business education: Liberal learning for the profession. San Francisco, CA: Jossey-Bass. Coles, R. (1989) The Call of Stories: Teaching and the Moral Imagination. Boston, MA Houghton Mifflin. Czarniawska, B and Gagliardi, P (1994) Good Novels, Better Management: Reading Organizational Realities in Fiction London: Routledge Czarniawska, B and Gagliardi, P (2006) Management Education and Humanities London: Edward Elgar Hassard, J. Burns, D. Paula Hyde, P and Burns J-P (2018) A Visual Turn for Organizational Ethnography: Embodying the Subject in Video-Based Research Organization Studies, 39(10) 1403–1424 Irwin, R. L. (2013) Becoming A/r/tography, Studies in Art Education, 54:3, 198-215 Irwin, R. L. Ruth Beer, R. Springgay, S. Grauer, K. Xiong, G. & Bickel, B. (2006) The Rhizomatic Relations of A/r/tography, Studies in Art Education, 48:1, 70-88 Linstead, S. A. (2017) Black Snow. Director. Barnsley:b ellebete productions. Documentary film. https://vimeo.com/240733883/fcf7ff878f Linstead, S. A. “Feeling the Reel of the ‘Real’: Framing the Play of Critically Affective Organizational Research between Art and the Everyday” Special Issue on Organizational Creativity, Play and Entrepreneurship, Organization Studies 39, 2-3, pp. 319–344 Nesteruk, J. (2015) Digital Storytelling: Bringing Humanistic Inquiry to Management Studies Journal of Management Education, 39(1) 141–152 Pierson, F. (1959). The education of American businessmen: A study of university-college programs in business administration. New York: McGraw-Hill. Poulos, C. (2009) Accidental Ethnography: An Inquiry into Family Secrecy Walnut Creek, CA: Left Coast Press. Schultz, P. L. and Quinn, A. S. (2014) Lights, Camera, Action! Learning About Management With Student-Produced Video Assignments Journal of Management Education 38(2) 234–258. Statler M. and Guillet de Monthoux, P. (2015) Humanities and Arts in Management Education: The Emerging Carnegie Paradigm Journal of Management Education 39,1:3-15. Stewart, K. (2007) Ordinary Affects Durham, NC: Duke University Press. Waldo, D. (1968) The Novelist on Organization and Administration Berkeley CA: Institute of Government Studies. Wood, M. Salovaara, P. and Marti,L. (2018) Manifesto for filmmaking as organisational research Organization 25:6, 825-835
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- 2019
16. Workplace Remembrance - why we need to do more (blogpost full draft)
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Linstead, Stephen Andrew
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- 2019
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17. Popular Culture as Carnaval (Clash)
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Linstead, Stephen Andrew
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- 2019
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18. Feeling the Reel of the Real : Framing the Play of Critically Affective Organizational Research between Art and the Everyday
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Linstead, Stephen Andrew
- Abstract
This paper considers a number of issues hampering the application of arts based “playful” methods in organization studies once the close relationships between ethnography and aesthetic research, and the connections between art and everyday experience, are recognised. Drawing particularly from the creative ethnographies of Kathleen Stewart, Dwight Conquergood and H. L. Goodall Jr it suggests that the performative nature of artistic cultural texts lies in their intention to move their audience towards new sensitivities, awareness, and even learning. Critique is not oppositional to such development, being essential for fully creative movement. The paper therefore suggests that what is needed are critically affective performative texts. For such texts to be socially, politically and epistemologically defensible, and thus a viable form for researchers to consider adopting, it is necessary to understand how they work to generate critical momentum, and what possible lines are available for justifying and evaluating creative approaches that challenge orthodox organizational research in being neither objective, representational nor expressive. The paper outlines four “moments” of critical leverage – aesthetic, poetic, ethical and political - that work in play with each other to create powerful artistic texts, and illustrates them by drawing on work-related literature, music, poetry and art, including workplace ethnographies. This framework enables the location or artistic and “playful” methods epistemologically and ontologically relative to other modes of research and offers a robust justification for their further use in the field of organization studies.
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- 2018
19. The Rhythm of the Martyrs : Barricades, Boundaries and Arts-Based Interventions in Communities with a History of Violence
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Linstead, Stephen Andrew, Marechal, G., Lightfoot, G., Moriceau, J.L., and Letiche, Hugo
- Published
- 2016
20. Feeling the Reel of the Real: Framing the Play of Critically Affective Organizational Research between Art and the Everyday
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Linstead, Stephen A., primary
- Published
- 2017
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21. Postmodern Organizations
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Linstead, Stephen, primary
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- 2017
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22. O LADO SOMBRIO DO CAMINHO: ESTUDOS CRÍTICOS EM ADMINISTRAÇÃO E RELAÇÕES PÚBLICAS CRÍTICAS
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Linstead, Stephen Andrew, primary
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- 2015
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23. Feeling the Reel of the Real: Framing the Play of Critically Affective Organizational Research between Art and the Everyday.
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Linstead, Stephen A.
- Subjects
ETHNOLOGY ,ORGANIZATIONAL research ,EMPLOYMENT ,AUTOETHNOGRAPHY - Abstract
This article considers a number of issues hampering the application of arts-based 'playful' methods in organization studies once the close relationships between ethnography and aesthetic research, and the connections between art and everyday experience, are recognized. Drawing particularly from the creative ethnographies of Kathleen Stewart, Dwight Conquergood and H. L. Goodall, Jr. it suggests that the performative nature of artistic cultural texts lies in their intention to move their audience towards new sensitivities, awareness, and even learning. Critique is not oppositional to such development, being essential for fully creative movement. The article therefore suggests that what is needed are critically affective performative texts. For such texts to be socially, politically and epistemologically defensible, and thus a viable form for researchers to consider adopting, it is necessary to understand how they work to generate critical momentum, and what possible lines are available for justifying and evaluating creative approaches that challenge orthodox organizational research in being neither objective, representational nor expressive. The article outlines four 'moments' of critical leverage - aesthetic, poetic, ethical and political - that work in play with each other to create powerful artistic texts, and illustrates them by drawing on work-related literature, music, poetry and art, including workplace ethnographies. This framework enables the location of artistic and 'playful' methods epistemologically and ontologically relative to other modes of research and offers a robust justification for their further use in the field of organization studies. [ABSTRACT FROM AUTHOR]
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- 2018
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24. Re-reading masculine organization: Phallic, testicular and seminal metaphors
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Linstead, Stephen A, primary and Maréchal, Garance, additional
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- 2015
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25. The Dark Side of the Open Road: Critical Management Studies and Critical Public Relations
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Linstead, Stephen A., primary
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- 2015
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26. Luck of the draw? Serendipity, accident, chance and misfortune in organization and design
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Gabriel, Yiannis, primary, Muhr, Sara Louise, additional, and Linstead, Stephen, additional
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- 2014
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27. Feeling the Reel of the Real: Framing the Play of Critically Affective Organizational Research between Art and the Everyday
- Author
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Hjorth, Daniel, Strati, Antonio, Drakopoulou Dodd, Sarah, Weik, Elke, and Linstead, Stephen A.
- Abstract
This article considers a number of issues hampering the application of arts-based ‘playful’ methods in organization studies once the close relationships between ethnography and aesthetic research, and the connections between art and everyday experience, are recognized. Drawing particularly from the creative ethnographies of Kathleen Stewart, Dwight Conquergood and H. L. Goodall, Jr. it suggests that the performative nature of artistic cultural texts lies in their intention to move their audience towards new sensitivities, awareness, and even learning. Critique is not oppositional to such development, being essential for fully creative movement. The article therefore suggests that what is needed are critically affective performative texts. For such texts to be socially, politically and epistemologically defensible, and thus a viable form for researchers to consider adopting, it is necessary to understand how they work to generate critical momentum, and what possible lines are available for justifying and evaluating creative approaches that challenge orthodox organizational research in being neither objective, representational nor expressive. The article outlines four ‘moments’ of critical leverage – aesthetic, poetic, ethical and political – that work in play with each other to create powerful artistic texts, and illustrates them by drawing on work-related literature, music, poetry and art, including workplace ethnographies. This framework enables the location of artistic and ‘playful’ methods epistemologically and ontologically relative to other modes of research and offers a robust justification for their further use in the field of organization studies.
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- 2018
- Full Text
- View/download PDF
28. Debt and Slavery: A Short Film-Based Panel Symposium.
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Prichard, Craig, Alakavuklar, Ozan Nadir, Crane, Andrew, Creed, W. E. Douglas, LeBaron, Genevieve, Linstead, Stephen, Mir, Ali H., and Nazir, Omer
- Abstract
This symposium addresses the problem of debt bondage as a form of modern slavery. It involves panel responses to the showing of a short film entitled: "Debt: Of labour and Love". The film recounts the life and conditions of two workers in Indian brick kilns who are bonded to the debt owed to their employers and local lenders. It shows the disciplinary effects of debt. Panel presentations will use this film as the means of discussing a range of issues and challenges related to debt and modern slavery in various contexts and locations. [ABSTRACT FROM AUTHOR]
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- 2020
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29. The Dark Side of the Open Road: Critical Management Studies and Critical Public Relations.
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Linstead, Stephen A.
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Recent financial and environmental disasters have energised corporations to rethink their public relations strategies, and corporate communications specialists have been called upon to develop a range of "peace-time" communications strategies rather than retrospective damage limitation subsequent to a crisis. This has also stimulated scholars and practitioners in the field to engage in some critical reflection on their practices. Yet so far this emerging Critical Public Relations (CPR) has been only marginally influenced by Critical Management Studies (CMS), and CMS has given little attention to PR. This paper reviews the historical origins of PR alongside the rise of critical social science and reveals considerable resonances in their parallel lines of development and the struggles of meaning in which they engage between public good and corporate interests. The paper takes one conceptual example of a concern of CMS - the connections of desire and power - and reads PR through this lens, focusing on the case of Edward Bernays celebrated PR coup "Torches of Freedom". Tracing the history of PR through desire leads us to conclude that there is much common ground covered by CMS and PR, although the connections are rarely made; that CMS offers a useful set of conceptual tools to PR, whilst PR opens out a neglected set of narratives to CMS; and that as both CMS and PR find themselves questioning their future direction, they may well learn from each other to an extent that they have not so far achieved. The paper concludes by outlining how PR and CMS might develop collaborative lines of inquiry deploying Fourier and Grey's threefold criteria of non-performativity, denaturalization and reflexivity. [ABSTRACT FROM AUTHOR]
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- 2015
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30. The impact of Athena Swan accreditation on the lived experiences of early- and mid-career researchers : a qualitative study of an Athena Swan gold award-holding department
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Mathew, Ruby Christine, Linstead, Stephen, and Einarsdottir, Anna
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378.1 - Abstract
The Athena Swan (AS) charter was established in 2005 as a benchmark charter to address gender inequality issues in UK higher education institutions. In addition to providing a framework for implementing equality and diversity policies and practices among participating members, the bronze, silver and gold awards given by the AS certify participating institution's commitment to and progress towards gender equality initiatives. Despite the increasing significance of the AS benchmark in the UK higher education sector, studies have seldom examined how the impact reported in the studies has shaped the lived experiences of the institutional members. This is especially important for women academics in their early- and mid-career stages in Science, whose voices are rarely recorded in relation to their daily life in AS-accredited departments. Therefore, this thesis adopts a Straussian grounded theory approach using a case study to examine the impact of AS accreditation on the lived experiences of early- and mid-career academics in Science disciplines in a department recognised as excellent in terms of successfully implementing Athena Swan principles within its culture. This thesis empirically contributes to the literature on the impact of AS accreditation by showing that despite the case study department being recognised as excellent by the AS benchmark charter, the lived experiences of the early- and mid-career academics do not reflect the AS principles of inclusivity in their workspaces. Moreover, AS accreditation can be seen as window dressing with limited impact on the real-life experiences of early- and mid-career researchers. The AS gold action plans, without understanding the specific needs of the postdoctoral researchers, have resulted in its failure to improve the everyday working lives of early- and mid-career researchers who explained the loss of faith in gender equality initiatives like Athena Swan. Thus, in the context of this thesis, it is argued that the Athena Swan has, essentially, failed as an instrument to improve gender equality in academia Furthermore, this thesis has wider implications for performative theory in relation to subcultural spaces wherein the departmental culture was found to be weak in promoting values of inclusion and support across the subcultures. Thus, the spaces become performative for women, requiring them to perform the ideal scientist role in accordance with the hegemonic norms in their subcultural spaces, suggesting that the AS accreditation of the department has not challenged the ideal scientist norm in Science disciplines.
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- 2021
31. International co-operation between Chinese and UK Higher Educational Institutions in the Arts
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Ding, Ling, Field, Ambrose, Linstead, Stephen, and Cole, Bruce
- Subjects
378.1 - Abstract
This research discusses the concept of guanxi, and how guanxi affects international co-operation between Chinese and UK higher education institutions in the arts. This study uses Foucault's philosophy of dispositif to build a new theoretical model called the guanxi dispositif (GD) model, which is an original idea that comprises a combination of Western and Eastern philosophies and discourse analysis. The research questions posed are: RQ1. How deep is the involvement of guanxi in co-operative categories in arts related HEIs? RQ2. How widely of guanxi's involvement in the area? RQ3. How do higher education organisations use guanxi in their relationships with their partner institutions in the Arts and Humanities? In order to answer these questions, pragmatic paradigm and Methods-Strands Matrix (MM) research designs were used to build the fieldwork of this research, which was largely composed of questionnaires and interviews employed in a quality-quantity-quality process to analyse meta-inference. The findings suggest that: 1) guanxi exists in most forms of international co-operation conducted by Chinese people in higher education institutions; 2) guanxi increase the efficiency of co-operation, especially in relationship setup; 3) Chinese people tend to use guanxi in international co-operation, and Western practitioners prove willing to use it more during China-related collaborations; 4) guanxi exists in a simplified but not weakened form in modern China. Future studies should continue to test the theoretical framework of the guanxi dispositif (GD) model formulated by this research.
- Published
- 2021
32. The impact of multiple institutional logics on professional identities of auditors
- Author
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Siriviriyakul, Sudthasiri, Linstead, Stephen, and Hunter, Carolyn
- Subjects
657 - Abstract
This research explores the impact of multiple institutional logics (Thornton and Ocasio, 1999) or the macro-level values that guide appropriate behaviours in the auditing profession on individual auditors and their professional identities. Due to national deregulation, globalisation, and market competition, there has been an increase in commercialism and business focus in the auditing profession (Hanlon, 1996; Crittenden et al., 2003; Sikka, 2015; Guo, 2016). The study employed an interpretivist, qualitative approach with 27 semi-structured interviews and participant-produced drawings (Kearney and Hyle, 2004) of statutory, external auditors from small, medium, and big-four audit firms in the UK. The findings demonstrated the coexistence of three institutional logics including the technical, ethical, and commercial logics, highlighting tensions and complementarity of the multiple logics as experienced by individual auditors. This thesis argues that there are differences between the technical and ethical logics, traditionally combined under the umbrella of a professional logic in the current literature (Gendron, 2002). Participants negotiated tensions among multiple institutional logics by identifying with certain logic(s) and distancing from the other logic(s) or by compartmentalising their identification with different logics across time. Findings extend the understanding of how institutional logics may complement one another through presenting three types of complementarity including the facilitating, by-product, and stand-alone nature. Next, this research found that individual auditors constructed three forms of professional identities in relation to multiple institutional logics including a guardian of public interests, an advisor, and a value-added watchdog. Various forms of identity work were performed to construct, reconstruct, revise, and secure these identities. The main institutional logics shaping these identities were the ethical and/or commercial logics. Finally, this thesis also has a methodological contribution regarding the use of participant-produced drawing to conceptualise abstract ideas, stimulate further discussion, and understand institutional logics and identities of individuals at the microlevel.
- Published
- 2019
33. Organizational development in the United Arab Emirates : prospects for change in the Public Sector
- Author
-
Almahri, Salem, Linstead, Stephen, and Common, Richard
- Subjects
352.3 - Abstract
Although Organisational Development (OD) has become a feature of large contemporary organisations there remains a lack of OD research in the Middle East. A number of factors exist within Arab countries that could facilitate or inhibit OD interventions, thereby questioning the validity and generalisability of Western theories and models when applied to the Middle East. The purpose of this study was to explore different aspects of OD in public sector organisations in the UAE. The research aims to determine the attitudes of leaders and employees towards OD interventions and resulting change within a traditional organization. It also examines problems of achieving fundamental attitude change in the top management of traditional organisations. Additionally, it also contributes towards Human Resource Development thinking on the context, role and impact of OD interventions and identifies practical challenges confronting leaders in transforming traditional public sector organisations into project-oriented organizations. The research utilises a mixed method (qualitative and quantitative) approach. The findings of the study indicate that ISO implementation as an OD intervention can help traditional organisations to transform into a project-based organisations by improving overall effectiveness, reducing costs, improving the overall service quality. Other useful findings include managing resistance to change, institutionalising change, and training the employees to implement ISO as an OD intervention. The study has some limitations including small sample size; time available with respondents; and questionnaire response rate. Nevertheless, this research contributes to our knowledge of the utilization of ISO interventions for Organisation Development and offers some practical evidence-based strategies for transforming traditional public sector organisations into project based organisations.
- Published
- 2018
34. Employee voice and the ambiguity of organisational size : a comparative case study of employee voice mechanisms and practices used by a multinational engineering company and one of their suppliers in each of their manufacturing operations including how their respective degrees of employee voice influence productivity, product quality and health and safety issues
- Author
-
Walburn, John, Linstead, Stephen, and Suter, Jane
- Subjects
658 - Abstract
This thesis compares the level of employee voice operating between two companies from the same industrial sector, one being a large multinational and the other a SME with a view to evaluate if size is a determinant. The findings are that whilst the level of voice is not statistically significantly associated with size and is not very different between the two organisations, size is not the direct determinant, it is other factors often connected with size that control it; namely the degree of formality and proceduralism. The very procedural nature of the organisation in the multinational appears to be a key factor retarding the involvement by employees whilst in the SME it is the lack of procedures designed to encourage participation which appears to be a factor retarding employee voice. Furthermore, both companies suffer from an absence of direct involvement of shop floor personnel due to the absence of team meetings, for differing reasons; a lack of confidence in the ability of team leaders in the SME and the lack of their permanent allocation to teams in the MNE. It is stressed that these findings can only be assumed correct for these two particular companies but the research strategy could usefully be applied to other pairs of company differing in size but from different sectors and using longitudinal studies, rather than this type of cross-sectional study. There is however a warning that before any useful data can be accumulated regarding productivity and other operational outcomes, meaningful measures of potential outcomes must be in place or designed and agreement on how any such operational improvements are to be attributed to the level of employee voice and engagement by employees.
- Published
- 2017
35. A study of organisational change and corruption
- Author
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Ratnasari, Gusti Ayu Indah, Linstead, Stephen, and Baxter, Lynne
- Subjects
658.4 - Abstract
The link between organisational change and corruption has been largely neglected in the literature, despite myriad studies conducted by researchers in many different fields on both phenomena. To fill the gap, this study provides empirical evidence about the interplay between organisational change and corruption. Case study is employed as a research strategy. The organisational change initiative being studied is the reformation or modernisation of a tax authority. The empirical data include 21 interviews, 21 drawings (from two focus groups), and 10 photographs. Thematic analysis was employed to analyse the interviews and visual data. The main finding of this study is that there is interplay between organisational change and corruption, in which change does not only affect corruption, but also that corruption affects organisational change. On one side of the interplay, this study shows that instead of inducing corruption (as suggested in the literature), organisational change can reduce corruption. In addition to literal accounts, metaphors have been used to show that organisational change has reduced the space for corruption, changed employees' involvement in corruption, and shifted the nature of corruption from systemic to individual. However, this finding cannot be separated from the context, i.e., the pre-existed corruption prior to change. This overlooked context explains why the findings of this study are different to the previous studies’. On the other side of the interplay, which has been unexplored, this study contributes by showing that corruption, both pre- and post-change, can affect organisational change (and employees' emotions) positively and negatively. Pre-change corruption can trigger employees' willingness to change. The factors that influence these positive reactions are dissonant feelings, spiritual awareness, and employees’ involuntary involvement in past corruption. The finding also shows that post-change corruption triggers employees’ negative emotions in the form of collective shame, hurt, and injured pride. The use of visual methods in this study has provided an alternative way to study organisational change and, in particular, corruption, which has hitherto been dominated by quantitative methods. It is found that different forms of information are provided by the interviews and visual data. Drawings provide more negative accounts. Perhaps this demonstrates the potential ability of the drawing technique in unveiling such accounts. Other findings show that drawings produced different types of metaphors than those from the interviews. However, as suggested in this study, the use of metaphors is strongly related to context. This finding reinforces the finding mentioned earlier about the important role of context in the study of organisational change management.
- Published
- 2016
36. The service users' role in corrupting public officials : a study of legal practitioners' accounts of interactions within the Lagos Lands Bureau
- Author
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Osia, Salome, Baxter, Lynne, and Linstead, Stephen
- Subjects
345 - Abstract
This research examines how legal practitioners discursively construct corruption from their experience as users of the services of a public institution. In the legal field, corruption is a word rarely used in connection with practitioners, it is substituted with a less felonious alternative, ‘misconduct’. As a result, this research focuses on how legal practitioners talk about their interaction with the public institution, especially their construction of corrupt transactions. Contrary to the popular assumptions that participants in corrupt transactions are unwilling to talk about their involvement, the findings revealed that participants are willing to talk about their involvement in corrupt practice, but mainly through the use of euphemisms. The empirical contribution of this study suggests on one hand that the extensive use of euphemisms in the construction of the self, processes of corrupt interaction and actions, illustrates the significance of language use in the study of corruption. On the other hand, it emphasises the extent of ‘ethical fading’ and moral disengagement amongst professional service users which is due in part to their popular typecasting as victims, and the inherently contradictory principles of practice within the legal field.
- Published
- 2016
37. Organisational change in an inter-organisational context : the perspective of territoriality : a study on the Office of Integrated Administration System (Satuan Administrasi Manunggal Satu Atap – SAMSAT) Surabaya
- Author
-
Ekowati, Dian, Linstead, Stephen, and Baxter, Lynne
- Subjects
658.4 - Abstract
This study investigates organisational change in an inter-organisational context, focusing on the dynamics of the changes, including different roles and functions of each contributing organisation and the relationship amongst these organisations. The issue of interorganisational change is considered important conceptually and contextually. Conceptually, whilst organisational change has been studied extensively, studies on the context of interorganisational changes are limited. Importantly, this study takes territoriality as a lens to frame the dynamics of the changes. Territoriality has been extensively studied in the field of anthropology, geography, political and also sociology; but there are limited studies on organisational territoriality. Most existing studies investigate territoriality as an expressed behaviour, to mark and defend territories. In light of this gap, this study offers a different perspective, by framing territoriality not only as an expressed behaviour, but also proposing it as a process in investigating changes in an interorganisational context. Contextually, this study takes the case of an office of an integrated administration system, which is responsible for managing vehicle registration, taxing and insurance. The role of this organisation has been under spotlight, considering its contributing organisations’ position in the post-reform Indonesia. Most reform lessons are further sourced from Western context or from developed countries; hence this study provides evidence on change from a rather different context, by presenting the case of a public organisation in a developing country and from Eastern, or Asian context. To help with the investigation, this study employed a qualitative method, by using an approach informed by grounded theory. In breaking down collected information and mapping the results, the method thus helped to ask questions on who, what actions, what context, what aims, how they did it and also how the conduct was. Data was collected through the use of semi-structured interviews with 16 informants, who were contacted through a snowballing mechanism. Supporting documents were also collected from the organisations involved, as well as publicly available documents, to help with the analysis. In summary, this study argues that territoriality can be seen as a process rather than only an expressed behaviour. In addition, organisational change involves a deterritorialisation process, which without it, a change cannot take place. This strengthens the notion that territoriality is a process. This study also deconstructed the notion of ‘sectorial-ego’, an Indonesian-specific term for silo mentality. This ego represents territoriality as an expressed behaviour and in order to change, public organisations need to be able to manage their territories, by deterritorialising vertical interests and at the same time, compromising their territories horizontally, in the context of interorganisational collaboration.
- Published
- 2015
38. Professional identity construction amongst Thai pharmacists
- Author
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Ninkhate, Fon, Linstead, Stephen, and Schofield, Jill
- Subjects
658 - Abstract
Internationally, the pharmacy profession’s paradigm of practice has been shifting from a product-oriented role to a patient-oriented role. Despite increasing public interest, there has been a lack of research into the experiences of pharmacists as they make the transition to a patient-oriented role. Furthermore, it is important to understand how individual pharmacists construct their identity in making this transition, as well as how they behave or react within the role prescribed by their work contexts. This issue of analysing identity construction at the personal level, especially in professionals, is one which empirical research has failed adequately to investigate. With a focus on Thailand, this research thus explores how the paradigm shift to a patient-oriented role influences pharmacists’ identity construction in two different work contexts: a public hospital setting and a private drugstore setting. This enables a comparison of how pharmacists construct identities differently in the two contexts, thus highlighting how a particular context influences individuals’ identity construction by providing multi-discursive resources. This thesis employs negotiated order theory and the social arena concept to examine how pharmacists negotiate to establish their role boundaries, and how they engage with the consequences of these role boundaries. It is found that pharmacists construct identities differently, depending on the context in which their role is situated. Consequently, identity construction is influenced by personal identity, role identity and work and family contexts, as well as professional values. In summary, this thesis contributes to currently under-researched areas of the pharmacy profession literature associated, in particular, with identity and negotiation. At the theoretical level, the thesis also sheds light on using negotiated order theory and the social arena concept to examine negotiations in the less institutionalised context of private drugstores. Finally, the thesis offers a more comprehensive model for identity construction, which includes the role of personal identity, role identity, contexts and social interactions to explain how pharmacists construct their identity, and in so doing highlights the dynamics behind the identity construction process.
- Published
- 2015
39. Beyond an island experience: towards an archipelago of collaborative learning
- Author
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Doherty, Daniel, Ward, Jenna, and Linstead, Stephen
- Abstract
This paper constitutes an autoethnographic account of one’s delegate’s inner process post participation in the September 2016 Art of Management and Organisation Conference (AoMO) in Bled, Slovenia. This account troubles issues concerning the persistence of learning and social connection post the ‘island’ experience of a conference itself. It charts the ‘call and response’ patterns of written exchange between the autoethnographer and his respondents, relating the effects of this reflexive ‘call and response’ on both parties sense of self and sense of professional direction. The paper suggests that through this written exchange the conference experience ceases to be a nostalgia infused island and instead becomes a generative archipelago that clusters learning and propulsive action towards itself.
- Published
- 2016
40. A safe haven for emotional experiences:Perspectives on the participation in the arts
- Author
-
Chemi, Tatiana, Ward, Jenna, and Linstead, Stephen
- Subjects
organisations ,emotions ,art - Published
- 2016
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