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Courteous Exchanges explores the significant overlap between Edmund Spenser's Faerie Queene and Shakespeare's plays, showing how both facilitate the critique of Renaissance aristocratic identity. Moving from a consideration of Castiglione's Book of the Courtier as a text that encouraged reader engagement, the book offers new readings of Shakespeare's plays in conjunction with Spenser. It pairs Love's Labour's Lost, Much Ado About Nothing, The Merchant of Venice, and The Winter's Tale with The Faerie Queene in order to explore how topics such as education, gender, religion, race, and aristocratic identity are offered up to reader and audience interpretation.

This scholarly biography traces the life and art of Lebanese-American neo-expressionist, Nabil Kanso (1940–2019). It explores key moments across the artist's transnational career by foregrounding his longest-running, internationally toured exhibition, the Journey of Art for Peace (1985–1993). More specifically, it traces the historical trajectory of his 10 × 28 mural-scale painting, Lebanon, from the circumstances of its production at the height of the Lebanese Civil War in 1983, through its short-lived exhibition history with the Split of Life series in the few years that followed. The book scaffolds an understanding of the artist as an activist and works toward offering distinctly spatial readings of his painterly practice, of which the act of bearing witness is highlighted as permeating the entirety of his oeuvre. It concludes with a contemporary recontextualization of Lebanon in the country's current social, political, and cultural climate, and emphasizes the artist's work as essential to the theorization of larger traditions of political and protest art. The first of its kind and the result of a research fellowship wherein the author was invited to be the first to work through the artist's unpublished archive, this book lays the groundwork for scholarship on the art of Nabil Kanso—an essential yet hitherto unstudied pioneer of the neo-expressionist art movement of the 1960s. It draws extensively on primary source material, including personal notes, diaries, sketchbooks, correspondences, paintings, watercolors, photographs, recorded interviews, and the like. To best animate that source material within the context of this publication, each chapter is prefaced with short narrative anecdotes inspired by the artist's personal notes to better ground the subsequent research and scholarship in the artist's own terms and experiences. Born in Beirut, Kanso, like many of his generation, would seek sought refuge abroad from political instability in his home country. It is through this intrinsic proximity to, yet physical distance from, the cycles of violence and corruption in Lebanon that Kanso would go on to create his grandest greatest mural-scale series. This book, more than anything, explores the artist's oeuvre as an attempt to bear witness and offer testimony to those moments, an inclination that would see the artist grapple with some of the most ferocious crimes against humanity committed throughout his lifetime. As such, this book pairs close readings of Kanso's art and personal practice with both historical and contemporary context meant to animate the relevance of his vast yet never-before-seen artistic archive.

How an early modern understanding of place and movement are embedded in a performative theory of literature How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies'movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester's pleasure garden for Queen Elizabeth's 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden's visitors: Philip Sidney, who would later contend that literature's golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser's Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem's dreamlike space. Exploring the artistic creations of three of the era's major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.

This volume brings together an impressive collection of important works covering nearly every aspect of early Native American history, from contact and exchange to diplomacy, religion, warfare, and disease.

Renaissance humanism takes as one of its subjects for inquiry the category of the human itself. As Intricate Movements: Experimental Thinking and Human Analogies in Sidney and Spenser shows, late sixteenth-century English poets found some remarkably radical ways to interrogate and redefine the status of humans.The recent vogue for posthumanist theory encourages a view of non-human objects and animals in Renaissance literature as pathways to essentially anti-humanist thought. On the contrary, this book argues that Sidney, Spenser, and their contemporaries employ animals, earth, buildings, and fictions as analogies employed toward a better understanding of what makes humans a special category, both ontologically and ethically. Horses and riders are studied by Sidney as a way to understand readers and writers; the 1580 Dover Straits Earthquake provides Spenser and Gabriel Harvey an opportunity to explore human emotion; liturgical spaces are represented by Sidney and Spenser in order to reassess human community; and fictional persons are interrogated by Spenser as models for human interpersonal epistemology.This volume seeks to return critical assessments of the period's engagement with the non-human back to human concerns. Focusing on several early modern analogies between human and non-human entities, Intricate Movements argues Sidney's and Spenser's thinking about the human is both radically experimental and, ultimately, humane.

Leading Shakespeare scholars from around the world gathered at the First World Shakespeare Congress held in Vancouver in August 1971. This volume presents a carefully selected edition of twenty of the papers presented at the Congress, including all available papers in the plenary sessions, a few of the pecial sessions papers,'an address at a banquet,'and the reports of the chairmen of the Investigative Committees. The contributors focus on eight general themes: C. Walter Hodges and Herbert Berry on the Elizabethan playhouse; M.C. Bradbrook, Charlton Hinman, and Fredson Bowers on text and canon; Jonas A. Barish and G.R. Hibbard on verse and prose; Norman Rabkin on critical approaches to Shakespeare; David Bevington and Wolfgang Clemen on Shakespeare and his Elizabethan contemporaries; H.D.F. Kitto and Michel Grivelet on Shakespeare and the dramatists of other ages; Jean Jacquiot and R.W. Ingram on Shakespeare and other arts, and Grigori Kozintsev and Bernard Beckerman on Shakespeare in theatre and film in the twentieth century. Three papers presented at special sessions are included: Jill Levenson on the silences in King Lear; Robert Wrimann on Shakespeare's wordplay; and John C. Meagher on editorial annotation in relation to a few problems in King Lear. The high level of scholarship and remarkable diversity of approach in Shakespeare studies are clearly demonstrated in this collection.

This two-volume set showcases the achievements of African American entrepreneurs and the various businesses that they founded, developed, or promote as well as the accomplishments of many African American leaders—both those whose work is well-known and other achievers who have been neglected in history.Nearly everyone is familiar with New York City's Wall Street, a financial center of the world, but much fewer individuals know about the black Wall Streets in Durham and Tulsa, where prominent examples of successful African American leaders emerged. Encyclopedia of African American Business: Updated and Revised Edition tells the fascinating story that is the history of African American business, providing readers with an inspiring image of the economic power of black people throughout their existence in the United States. It continues the historical account of developments in the African American business community and its leaders, describing the period from 18th-century America to the present day. The book describes current business leaders, opens a fuller and deeper insight into the topics chosen, and includes numerous statistical tables within the text and in a separate section at the back of the book. The encyclopedia is arranged under three broad headings: Entry List, Topical Entry List, and Africa American Business Leaders by Occupation. This arrangement introduces readers to the contents of the work and enables them to easily find information about specific individuals, topics, or occupations. The book will appeal to students from high school through graduate school as well as researchers, library directors, business enterprises, and anyone interested in biographical information on African Americas who are business leaders will benefit from the work.

This two-volume set showcases the achievements of African American entrepreneurs and the various businesses that they founded, developed, or promote as well as the accomplishments of many African American leaders—both those whose work is well-known and other achievers who have been neglected in history.Nearly everyone is familiar with New York City's Wall Street, a financial center of the world, but much fewer individuals know about the black Wall Streets in Durham and Tulsa, where prominent examples of successful African American leaders emerged. Encyclopedia of African American Business: Updated and Revised Edition tells the fascinating story that is the history of African American business, providing readers with an inspiring image of the economic power of black people throughout their existence in the United States. It continues the historical account of developments in the African American business community and its leaders, describing the period from 18th-century America to the present day. The book describes current business leaders, opens a fuller and deeper insight into the topics chosen, and includes numerous statistical tables within the text and in a separate section at the back of the book. The encyclopedia is arranged under three broad headings: Entry List, Topical Entry List, and Africa American Business Leaders by Occupation. This arrangement introduces readers to the contents of the work and enables them to easily find information about specific individuals, topics, or occupations. The book will appeal to students from high school through graduate school as well as researchers, library directors, business enterprises, and anyone interested in biographical information on African Americas who are business leaders will benefit from the work.

Between 1880 and 1940, Navajo and Ute families and westward-trending Anglos met in the “bullpens” of southwestern trading posts to barter for material goods. As the products of the livestock economy of Navajo culture were exchanged for the merchandise of an industrialized nation, a wealth of cultural knowledge also changed hands. In Both Sides of the Bullpen, Robert S. McPherson reveals the ways that Navajo tradition fundamentally reshaped and defined trading practices in the Four Corners area of southeastern Utah and southwestern Colorado. Drawing on oral histories of Native peoples and traders collected over thirty years of research, McPherson explores these interactions from both perspectives, as wool, blankets, and silver crossed the counter in exchange for flour, coffee, and hardware. To succeed, traders had to meet the needs and expectations of their customers, often interpreted through Navajo cultural standards. From the organization of the post building to gift giving, health care and burial services, and a credit system tailored to the Navajo calendar, every feature of the trading post served trader and customer alike. Over time, these posts evolved from ad hoc business ventures or profitable cooperative stores into institutions with a clearly defined set of expectations that followed Navajo traditional practices. Traders spent their days evaluating craft work, learning the financial circumstances of each Native family, following economic trends in the wool and livestock industry back east, and avoiding conflict. In detail and depth, the many voices woven throughout Both Sides of the Bullpen restore an underappreciated era to the history of the American Southwest. They show us that for American Indians and white traders alike in the Four Corners region during the late 1800s and early 1900s, barter was as much a cultural expression as it was an economic necessity.

First published in 1962, David E. Miller's award-winning work on the Hole-in-the-Rock episode was arguably his greatest achievement as a historian. One of the great set-pieces of Mormon history, the San Juan Mission had become clouded by myth and hagiography when Miller first became attracted to its study in the 1950s, and few reliable sources were at that time available.Not content with exhausting archival material, Miller contacted all locatable descendants of the members of the original party, and thereby brought to light a great number of previously unexploited sources. The Hole-in-the-Rock study achieved additional depth from his intimate knowledge of the actual trail acquired on repeated traverses by Jeep and on foot.A member of the LDS Church, Miller wrote of the Mormons with sympathy and understanding, but with a commitment as well to the critical standards of the historical profession.A must-read for anyone interested in American History.

Who's Who among African Americans provides biographical and career details on more than 20,000 notable African American individuals, including leaders from sports, the arts, business, religion and more.

“The one food book you must read this year.'—Southern Living One of Christopher Kimball's Six Favorite Books About FoodA people's history that reveals how Southerners shaped American culinary identity and how race relations impacted Southern food culture over six revolutionary decades Like great provincial dishes around the world, potlikker is a salvage food. During the antebellum era, slave owners ate the greens from the pot and set aside the leftover potlikker broth for the enslaved, unaware that the broth, not the greens, was nutrient rich. After slavery, potlikker sustained the working poor, both black and white. In the South of today, potlikker has taken on new meanings as chefs have reclaimed it. Potlikker is a quintessential Southern dish, and The Potlikker Papers is a people's history of the modern South, told through its food. Beginning with the pivotal role cooks and waiters played in the civil rights movement, noted authority John T. Edge narrates the South's fitful journey from a hive of racism to a hotbed of American immigration. He shows why working-class Southern food has become a vital driver of contemporary American cuisine. Food access was a battleground issue during the 1950s and 1960s. Ownership of culinary traditions has remained a central contention on the long march toward equality. The Potlikker Papers tracks pivotal moments in Southern history, from the back-to-the-land movement of the 1970s to the rise of fast and convenience foods modeled on rural staples. Edge narrates the gentrification that gained traction in the restaurants of the 1980s and the artisanal renaissance that began to reconnect farmers and cooks in the 1990s. He reports as a newer South came into focus in the 2000s and 2010s, enriched by the arrival of immigrants from Mexico to Vietnam and many points in between. Along the way, Edge profiles extraordinary figures in Southern food, including Fannie Lou Hamer, Colonel Sanders, Mahalia Jackson, Edna Lewis, Paul Prudhomme, Craig Claiborne, and Sean Brock. Over the last three generations, wrenching changes have transformed the South. The Potlikker Papers tells the story of that dynamism—and reveals how Southern food has become a shared culinary language for the nation.