Search

From Blank the podcast comes Blank: Why It's Fine to Falter and Fail, and How to Pick Yourself up Again.Blank is an informal, insightful podcast in which well-known people from acting, writing, politics and sports chat about their lives and how they get through tough moments like public failure, writer's block, social anxiety, imposter syndrome, identity crisis, and how they deal with parenting, grief, social media, their careers and switching off.The book is a compendium of the common experiences and lessons encountered while talking to guests such as Jon Ronson, Dawn French, Michael Rosen, Gary Lineker, Stephen Mangan, Dame Kelly Holmes, Reece Shearsmith, Mark Gatiss, Fiona Murden, Rufus Sewell and many more.Blank moments allow us to reset and see things differently. Far from being setbacks, they can be the impetus for clarity and creativity. Identify your blank moments and jump in – you never know what you might find.

blankblankblankblankblankblankblankblankblankblankblankblankblankblankblankblankblankblankblank

She can't stay awake. She sold drugs. She's good at interrogations. She drinks in the mornings. She ate a rabbit. She smashed up a shop. She stabbed a man. She used a hammer. She had a baby. She can't find her mother. She's covered in blood and doesn't know why. Alice Birch's heartbreaking new play reaches across society to explore the impact of the criminal justice system on women and their families.

Bla_K is a collection of previously out-of-print essays and new works by one of Canada's most important writers and thinkers. Through an engagement with her earlier work, M. NourbeSe Philip comes to realize the existence of a repetition in the world: the return of something that, while still present, has become unembedded from the world, disappeared. Her imperative becomes to make us see what has gone unseen by writing memory upon the margin of history, in the shadow of empire and at the frontier of silence. In heretical writings that work to make the disappeared perceptible, Bla_K explores questions of timeliness, recurrence, ongoingness, art, race, the body politic, and the so-called multicultural nation. Through these considerations, Philip creates a linguistic form that registers the presence of what has seemingly dissolved, a form that also imprints the loss and the silence surrounding those disappearances in its very presence.

When Jessica wakes up from a coma, she has no memories of her life before the accident at her family's bison ranch. As she struggles to reconnect with her family and friends, she experiences all the signs of traumatic brain injury—confusion, sadness, fear and rage. Returning to school is a nightmare—especially when she overhears someone say he thinks she is faking her amnesia. When a new friend presents an alternative to staying in her old life, Jessica must confront the reality of what it means to leave her past behind.

Certain moments in British Romantic poetry and art depict a state from which the attributes of existence – time and space, subject and object, language and visuality – have fallen away, leaving a domain prior to the world and to thought, the condition of mere existence. As Blank Splendour demonstrates, poems by Wordsworth, Coleridge, Keats, and Clare as well as paintings by Turner evoke a condition that transpires in a time without time, a life without life. David Collings argues that these works invite us to move beyond the subtle remnants of ontology that linger in current versions of posthuman thought, such as affect theory and speculative realism, by opening up a domain of affect without affect, a world without objects. Anticipating the philosophers Emmanuel Levinas and Maurice Blanchot, these works bring into view the mode of a deconstruction that emerged before the linguistic turn, one that meditates on the blank condition underlying modernity. Ultimately, Blank Splendour reveals how these works speak to our own moment, when thought, forced to contemplate its own extinction, enters a new form of mere existence.

An Edgar Award nominee's “best [mystery] yet—an understated small town tragedy handled in his level—dead-level—fashion” (Kirkus Reviews). A young college student is found murdered in her dorm room, a blank sheet of typing paper on her stomach. The only thing chief of police Mario Balzic knows is that the girl was lonely, a nearly friendless orphan who was so quiet, so unassuming, that no one at school knew much about her. But everyone has secrets. And if anyone is going to find out hers, it's Balzic—Rocksburg, Pennsylvania's most discerning detective. “Constantine is a marvelous writer. May Mario Balzic thrive.” —The New York Times “K.C. Constantine is one of the most talked about mystery writers on the American scene. Constantine has a smooth style, and his plots are loaded with unexpected twists and turns.” ―Boston Globe “Constantine writes a terrific mystery.” ―Providence Journal

John Boorman's Point Blank (1967) has long been recognised as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study of the film examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of'point blank'. On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favouring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic.

Art school Britain in the 1960s and 1970s – a hotbed of experimental DIY creativity blurring the lines between art and music. In Blank Canvas, multi-genre musician turned university lecturer Simon Strange paints a picture of the diverse range of people who broke down the barriers between art, life and the creative self. Tracing lines from the Bauhaus'blank slate'through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across music, gender and race spectrums, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. Illustrated is a picture of two decades erupting in a devastatingly diverse flow of outspoken originality as an eclectic range of musical styles and cultures fused. Does modern day music education suffocate the soul and inhibit the impact of the bohemian artist? This book asks questions of today's artists, musicians, and educators, looking for the essence of creativity and suggests how lessons learnt in and around art school education show a path for the cultural evolution of both musicians and artists hoping to create the future. Audience will include university students at all levels in popular music, popular culture and creative arts education. Academics, educators and researchers working in popular culture and creativity. May also appeal to a more general reader interested in popular culture and creativity. With a Blank Canvas, anything is possible…

Counsellor to consultant in three short steps to murder!!! Retired Social Services Associate Mental Health Director Robert Stanton reluctantly became a private counsellor. However, he got his compensation when he met Carol, a lady from his past, whose skills in administration made them an effective business team. Will the past remain the past? Wanting to be a professional magician was his childhood passion – solving a World War 2 murder, catching a modern-day killer and making the Pope happy was not!! Nonetheless, he will need to have a few tricks up his sleeve to keep ahead of what's going on around him. All this happened because his first client disappeared, as did her brother. Then there is the Hines house on the hill and an Italian internment hut. All this began happening in a Tomato Nursery in a quiet suburban town!!!

When Marcy Gregg awoke from a coma, 13 years had vanished from her memory.She was 30 years old; she thought she was still 17. She didn't recognize the man who introduced himself as her husband. She stared at pictures of the three children they said were hers, trying desperately to remember them, but her mind was blank.Terrified and confused, Marcy did the only thing she could think of: she faked it. She told the doctors she was starting to remember and bluffed her way through visits from friends and family. Against all odds, it worked: she was released to a home, family, and life she should have known intimately—but seemed to be a stranger's. How was she going to pull off the biggest acting challenge imaginable—and would her memories ever return?Ghost Boy meets What Alice Forgot in this amazing true story of a woman who lost herself and tried to fight her way back on her own—but who found unexpected beauty in hope, faith, and second chances.

In about:blank, Tracy Fuad builds a poetics of contemporary dissociation. Funny, plaintive, and cutting, this formally inventive debut probes alienation in place and in language through the author's consideration of her own relationship to Iraqi Kurdistan. about:blank—the title of which is the universal URL for a blank web page—complicates questions of longing and belonging. Interrogating the language of internet chatrooms, Yelp reviews, and the Kurdish dictionary, the poems here leap surprisingly between subjects to find new meaning. Written before and during the years the author spent living in Iraqi Kurdistan, the collection documents the alienation of being inside, outside, and between language(s) and the always-already terror of grammar. At once haunted and humorous, about:blank inhabits and exhibits the disorientation and fragmentation that is endemic to the internet era, and mourns the loss of a more embodied existence. Excerpt from “Iraq Vag Panic” We approach the fertile crescent: Hewlêr, Kirkuk, Baghdad – three neon shocks. Across the aisle a woman opens up a document that just says ART. Then selects the text in baby blue and makes it shrink. Timing, says the healer. Such a powerful force in life.

Book four in the Deadly Intent series/b> Fury Special Agent Brooks Allen is pissed as hell when he learns one of his friends'in-laws is suspected of drug-trafficking. Big time. She's been selling merchandise filled with illegal narcotics. Fear A free-spirit with a zest for life, Natasha Simpson loves her new beginning in the small town of Bisbee, Arizona. Things couldn't get any better. Natasha runs into Brooks, and enjoys the company of the man who works with her cousin's husband. But when Natasha accidentally makes the discovery that her products contain cocaine, not only is her life threatened, but every person she loves is in danger. Fate Brooks grows certain Natasha is innocent, then discovers the tangled web she's caught in. Along the way, he loses his heart to her—now he just needs to make sure he doesn't lose her…permanently.

#2tagefilmriss Wieso. Bin. Ich. Hier? Das fragt sich Carolin, als sie nach zwei Tagen ohne Erinnerung in der Psychiatrie aufwacht. Keine Ahnung, warum und wie sie dort gelandet ist. Keine Ahnung, warum sie dort festgehalten wird. Allerdings ahnt sie, dass es mit dem Verschwinden ihrer Freundin und Mitbewohnerin Odile zu tun hat. Odile, die sich um Carolin gekümmert hat, seit sie in die WG auf dem Hausboot gezogen war. Odile, diese faszinierende, charismatische Kunststudentin, die über mysteriöse Verbindungen zu einem Privatclub namens'Abraxas'verfügte, vor einigen Wochen jedoch spurlos verschwand...

How to release old assumptions from previous generations, and embrace new ones, so that the church will thrive.