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Drawing on folklore, oral history, songs, historic ethnography, literature, and archaeology, this study investigates the economic, social, and material evidence of traditional late nineteenth- to early twentieth-century wakes along coastal Ireland through the lens of an archaeological case study on the island of Inishark. We analyze material practices of "good" and "bad" deaths, and explore the myriad ways that islanders used everyday material culture in mortuary rituals, particularly wakes and funerals. We argue that material culture could hold multiple symbolic valences throughout its history, especially everyday items used in ritual contexts. Finally, we describe the material residues associated with mourning practices on Inishark. [ABSTRACT FROM AUTHOR]

In his 1909 work 'Rites De Passage', Arnold van Gennep acknowledges that a ritual often contains 'rites within rites'. So, it was with the ancient ritual of the Irish wake, at the center of which was another ritual, that of the keen, the Irish funeral lament. The past tense is used tentatively here, as in this article the author explores the resilience of the ritual and how, rather than becoming extinct, the keen seems to spend periods of time underground before erupting again in a new form, attuning itself to a more contemporaneous social situation. Drawing on ethnographic and bibliographic research undertaken between 2010 and 2018, the author traces some of the history of the keen within the ritual of the Irish wake and funeral and gives instances of how it is being reconfigured in the 21st century. This continuation of the ritual, albeit in a new format, seems to speak to a deep emotional and spiritual need that may not be satisfied by more conventional religion in Ireland. Finally, the author considers the keen's relevance and place in Irish society today. [ABSTRACT FROM AUTHOR]