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Puerperal insanity has been described as a nineteenth-century diagnosis, entrenched in contemporary expectations of proper womanly behaviour. Drawing on detailed study of establishment registers and patient case notes, this paper examines the puerperal insanity diagnosis at Dundee Lunatic Asylum between 1820 and 1860. In particular, the study aims to consider whether the class or social status of the patients had a bearing on how their conditions were perceived and rationalized, and how far the puerperal insanity diagnosis, coloured by the values assigned to it by the medical officers, may have been reserved for some women and not for others. This examination of the diagnosis in a Scottish community, suggesting a contrast in the way that middle-class and working-class women were diagnosed at Dundee, engages with and expands on work on puerperal insanity elsewhere. [ABSTRACT FROM AUTHOR]

English painter Barbara Bodichon received a dynamic home education, consisting of engaging lessons, reading sessions, family discussions, sketching excursions, and trips at home and abroad. As an adult, Bodichon led a nomadic life, living between Algeria and England and travelling across Europe and America. Seeking to unpack travelling and travel letters as sources of learning, this paper studies Bodichon’s correspondence as epistolary articulations of herBildung(self-cultivation). It argues that, conforming toBildung’s idea of forging one’s individuality in interaction with the world, her travelling provided her with a variety of settings through which she extended towards the unknown and incorporated it into her sense of being. In turn, letters functioned as forums where she made sense of encountering the difference through which she individualised her subjectivity. Notwithstanding, a revised reading ofBildungpermits teasing out to what extent Bodichon’s self-cultivation was developed at the expense of certain social categories. [ABSTRACT FROM PUBLISHER]

The late-nineteenth century saw private book collecting gain a renewed respectability and cultural cachet as a leisure pursuit for the upper- and middle classes. This paper examines representations of collectors in the literature belonging to a new genre of writing which emerged for the ‘book-hunter’: a late-Victorian variant of the book-collecting passion which could encompass aesthetes and antiquarians as well as aspiring amateurs of more moderate means. It will show how, during the 1880s and 1890s, this particular type of collecting practice was used rhetorically in a range of printed material to venerate ‘gentlemanly’ book-buying, in contrast to feminine forms of engagement with old books in particular. In spite of women's comparative lack of advantage in the market for antiquarian editions, however, I argue that such a critique would not have been articulated so forcefully had women not been taking a determined interest in rare books. Evidence from central London booksellers during this period suggests that a variety of women were making antiquarian collections of their own. Male bibliophiles who denigrated female book-buyers in the periodical press were attempting to partially invent a homosocial tradition of collecting in order to distance their own pursuit from what they saw as the more emasculating elements of modern consumerism. This was a response not just to developments in contemporary print culture, but also to the growing appreciation of second-hand goods of all kinds among affluent female consumers with aesthetic and literary tastes shaped independently of male judgments. [ABSTRACT FROM PUBLISHER]