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In the article, the author discusses the Western genre in the Canadian literary market in the 21st century. Other topics include the importance of cultural studies like literature and films in influencing how to protect the environment and how to shift away from plastics and fossil fuels, and the focus on some novels like "The Outlander," "The Sisters Brothers," and "Saltwater Cowboys."

The article discusses the topics of transnationalism and Christianity in early Canadian Western literature and films. Other topics include the modern axis of colonialism in North America, the portrayal of symbolic law enforcers in Canadian Westerns, and the symbolism of the image of the cross based on genre, geography, and religion in Canadian and American films and literature.

This paper engages selected moments in Austin Clarke's literary journey to argue that in spite of his involvement in the development of Canadian literature (CanLit) during the 1960s and 1970s, the Canadian literary establishment continues to pay little critical attention to his contributions. This lack of recognition is specifically evident in recent writings about Canadian literature and the literary figures who spearheaded its development after Canada's Multiculturalism policy of 1971. Canada's becoming officially multicultural required a new narrative of Canada and new literary depictions of Canadians in their national literature, as ethnically diversified but of a single citizenship. I argue that Clarke's legacy as a Black writer should be given more prominence in Canadian institutions because today this legacy is under threat of erasure as the number of Canadian Black voices telling mainstream stories about Black people's experiences is evidently in decline. [ABSTRACT FROM AUTHOR]

An introduction is presented in which the editor discusses about the articles in the issue including essay studies on Robert Kroetsch works like "Gone Indian and New World Myth", "What the Crow Said" and "Alibi and The Puppeteer."

A literary criticism is presented for the book "Alias Grace" by Margaret Atwood. Topics discussed include the epigraphs that precede the novel, which are taken from works by authors William Morris, Emily Dickinson, and Eugene Marais, the role of murder in the novel, and the use of hypnosis in the novel.