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This article examines the constructive roles of community and faith-based radio in building resilience and trust in Kenya after post-election violence. Since the 2007/08 post-election violence, Kenya has had two hotly contested elections (2013 and 2017), which have contributed to the lack of trust in electoral institutions and government and the ongoing mistrust between and among different communities. Both mainstream and community media have been criticized for playing destructive roles during post-election violence in Kenya with little focus on any of their constructive roles in the post-conflict period. A key point in this article is that community radio can be used to facilitate peaceful social dialogue and build trust and resilience between and among different communities in Kenya. This is based on the fact that they actually show promising potentials to promote dialogue and better understanding among conflicting communities. [ABSTRACT FROM AUTHOR]

This article investigates the role that community media play in the translocal negotiation of local culture in Latin America. Translocal is a concept that captures the way that local cultural producers engage with national and transnational forces in shaping everyday cultural practices. This study focuses on community radio station Ecos de Manantlán in Zapotitlán de Vadillo, Mexico (Radio Zapotitlán), during the years 2006–2012. Radio Zapotitlán is officially categorized as a campesino or agricultural laborer/peasant station and presents its campesino identity through radio and Internet content. Analyses of that content, along with interviews with station associates and listeners, reveal the complex cultural mediations between local media producers, national regulators, and transnational donors. This study investigates the local production of a transnationally funded radionovela, or radio soap opera, as a window onto the station’s role as a cultural mediator. This article argues that station participants used the radionovela to express local values and meanings and to marginalize the educational goals of the transnational agency funding the project. Radio Zapotitlán offers a concrete case of cultural negotiation in which local interests engage with – and transform – donor-funded content aimed at the local community. [ABSTRACT FROM AUTHOR]