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Various alternative forms of communication have emerged, such as community radio, radio podcasts, publications in networks, and press releases. These tools have served communities of eastern and southwestern Antioquia and the organizations COA and MOVETE, to sustain their causes over time, make the communicative task massive, and extend an invitation to more people to take action in favor of the defense of the territory. This has the advantage that popular communication strategies allow many stakeholders to become not only consumers and receivers of the information that other people produce, but also creators and transmitters of their own information, which emerges from the dynamics of their daily lives, by helping to reduce the communication gap between mass media and the excluded communities. [ABSTRACT FROM AUTHOR]

This article examines the constructive roles of community and faith-based radio in building resilience and trust in Kenya after post-election violence. Since the 2007/08 post-election violence, Kenya has had two hotly contested elections (2013 and 2017), which have contributed to the lack of trust in electoral institutions and government and the ongoing mistrust between and among different communities. Both mainstream and community media have been criticized for playing destructive roles during post-election violence in Kenya with little focus on any of their constructive roles in the post-conflict period. A key point in this article is that community radio can be used to facilitate peaceful social dialogue and build trust and resilience between and among different communities in Kenya. This is based on the fact that they actually show promising potentials to promote dialogue and better understanding among conflicting communities. [ABSTRACT FROM AUTHOR]

The promulgation of the Broadcasting Service Act (BSA), which contains a three-tier model of the broadcasting system, was supposed to revolutionise the broadcasting media sphere in Zimbabwe. It was supposed to change the dynamics of radio broadcasting in Zimbabwe by increasing the opportunity for public, commercial and community broadcasting sectors. However, the three-tier model of broadcasting has remained on the paper, creating a strong debate on community radio licensing among media activists, practitioners, academics, the government and other media policy stakeholders on the government's reluctance in issuing community radio licences. While some studies have focused on the strategies used by community broadcasting activists to communicate with their target audiences in Zimbabwe, this research seeks to contribute to the growing body of literature on community broadcasting policy and the contestations which have resulted in the impasse of the licensing of community radios in Zimbabwe. Based on the Four Theoretical Approach to Community Media, in-depth interviews with Zimbabwean media policy stakeholders as well as documentary analysis, this study explores the contestation of ideas that characterised community broadcasting reform processes in Zimbabwe. [ABSTRACT FROM AUTHOR]

This article shows in a concise way the proposal of a model for reception studies of community radios. This is result of a collaborative research process with five community radio stations in Bogotá, Cundinamarca, Boyacá and Santander. Under the assumption that it is an open model and that it does not claim universality, the authors leaves some guiding theoretical and methodological assumptions and presents a route so that other community radio experiences can adapt it to their own history and contexts of conformation. [ABSTRACT FROM AUTHOR]

This article investigates the role that community media play in the translocal negotiation of local culture in Latin America. Translocal is a concept that captures the way that local cultural producers engage with national and transnational forces in shaping everyday cultural practices. This study focuses on community radio station Ecos de Manantlán in Zapotitlán de Vadillo, Mexico (Radio Zapotitlán), during the years 2006–2012. Radio Zapotitlán is officially categorized as a campesino or agricultural laborer/peasant station and presents its campesino identity through radio and Internet content. Analyses of that content, along with interviews with station associates and listeners, reveal the complex cultural mediations between local media producers, national regulators, and transnational donors. This study investigates the local production of a transnationally funded radionovela, or radio soap opera, as a window onto the station’s role as a cultural mediator. This article argues that station participants used the radionovela to express local values and meanings and to marginalize the educational goals of the transnational agency funding the project. Radio Zapotitlán offers a concrete case of cultural negotiation in which local interests engage with – and transform – donor-funded content aimed at the local community. [ABSTRACT FROM AUTHOR]

This study examines how community radio operates transnationally through a media ethnography of the Latin American Association of Radio Education (ALER) executive secretariat in Quito, Ecuador. Findings show that ALER staff members share a common vision of their work based around 4 themes: collective self-representations, unity, inclusion, and transformation. Having a shared collective conviction in the transformative function of radio shapes how ALER staff conceptualize its journalistic production. This research advances knowledge of how community radio scales-up to the transnational level and the shared values underlying this journalistic practice. [ABSTRACT FROM PUBLISHER]