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1. Applying the Prism Model to design arts and humanities medical curricula.

2. The production of gender-specific scholarly literature in Romania: the weak institutionalisation of Gender Studies in higher education.

3. Lands that make us: decoding maps, landscapes, and identities in Aaniya Asrani's Portraits of Exile.

4. Facilitating difficult conversations through art: creating an anti-racism digital image library for health professions education.

5. The 'two cultures' in Australia.

6. Humanities-Oriented Physical Education for Social and Emotional Learning.

8. Feeling, cognition, and the eighteenth-century context of Kantian sympathy.

9. Research assessment, emotional practices, and the social hierarchy: what can you afford to feel?

10. Troubling circulating discourses on planet earth. Attending to complexities through a mobile-loitering gaze.

11. Lively Emu dialogues: activating feminist common worlding pedagogies.

12. But who are all these journal articles for? Writing, reading and our unhandsome condition.

13. The unnerved and unhoused: a rhetorical analysis of save Austin now's campaign to disband unhoused individuals from Austin, Texas.

14. Mathematics in the Humanities: A Survey of Two Courses to Address Math Appreciation in Students.

15. What might the 'art of critique' in humanities and social sciences academic writing look like?

17. Joy is a News Value.

18. The sonic aesthetics of writing: pedagogy, timbre, and thought.

19. When faith intersects with gender: the challenges and successes in the experiences of Muslim women academics.

20. How to Become Erasure Proof.

21. How is comparative philosophy understood in Iran?

22. Towards a computational cultural policy studies: examining infrastructures of taste and participation.

23. Adam Smith's genealogy of religion.

24. Practice submissions – are doctoral regulations and policies responding to the needs of creative practice?

25. Hunting for points: the effects of research assessment on research practice.

26. Creating meaning. The importance of Arts, Humanities and Culture for critical thinking development.

27. Contributing to the creative economy imaginary: universities and the creative sector.

28. Is RE still not working? Reflections on the Does RE Work? project 5 years on.

29. New directions in environmental justice studies: examining the state and violence.

30. Beyond borders: trans-local critical pedagogy for inter-Asian cultural studies.

31. Blended and co-existing worlds in intersectoral mobilities of European PhD graduates in the social sciences and humanities.

32. Leisure Sciences and the Humanities.

33. 'Heavy mountains' for Chinese humanities and social science academics in the quest for world-class universities.

34. WHAT IS NEW MATERIALISM?

35. Adaptive Transitions: The Long‐Term Perspective on Humans in Changing Coastal Settings.

36. A labour of love: the affective archives of popular music culture.

37. Defending letters: a pragmatic response to assaults on the humanities.

38. The work of the teacher-educator in Australia: Reconstructing the “superhero” performer/academic in an audit culture.

39. From historical chains to derivative futures: Title registries as time machines.

40. Zhi 志 in Mencius: a Chinese notion of moral agency.

41. Lessons for experimental philosophy from the rise and “fall” of neurophilosophy.

42. Being there in the flex: humanities and social science collaborations with nonacademic actors.

43. FAIR data principles and their application to speech and oral archives.

44. Mapping inclusive education within the discipline of Pedagogy. Comparative analysis of new study programmes in Slovenia.

45. Curriculum contestation in a post-colonial context: a view from the South.

46. ‘All the Rest is Dance’: another look at Levinas.

47. Rethinking ‘knowledge exchange’: new approaches to collaborative work in the arts and humanities.

48. Missed Encounter.

49. Challenging change: transformative education for economically disadvantaged adult learners.

50. The Frankfurt School, Science and Technology Studies, and the Humanities.