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Historian and Yellowstone researcher Scott Herring uses his long-running and eccentric knowledge of the park to describe Yellowstone oddities that rarely or never make it into books, such as hidden graves in the backcountry, archaeological discoveries that defy known history, weird hauntings that can't be explained, and very strange qualities of the geysers that only a few people know. These surprising, outlandish, and sometimes eerie facts about Yellowstone cover both natural history and human history, and they are carefully researched, including interviews with park insiders. From bad behaving bears to bizarre landscapes, this book shows visitors hidden mysteries and strange surprises that lie behind the park's famous scenery.

In the winter of 1894, the magazine Forest and Streamsent one of its most talented writers, Emerson Hough, to Yellowstone National Park to document the decline in bison. Under the tutelage of legendary guide Billy Hofer, Hough learned to ski on 12-foot-long wooden slats. He witnessed the arrest of notorious poacher Ed Howell—caught red-handed skinning a bison—and met pioneering photographer F. Jay Haynes.Undertaking a tough, 200-mile trip on skis, Hough, Haines and Hofer came up with the best census of the park's bison and elk that anyone had yet achieved. Hough wrote up the expedition in a series of 14 articles. His reporting motivated the United States Congress to pass the anti-poaching Lacey Act and helped turn public opinion against a proposed railroad through the park.Moreover, Hough's articles are immensely entertaining. He remains one of the wittiest writers ever to describe the park, and his series, edited and annotated by University of California writing professor Scott Herring, is as fun to read as it is historically significant.Includes nine Yellowstone National Park photos by F. Jay Haynes.

What happens when the avant-garde grows old? Examining a group of writers and artists who continued the modernist experiment into later life, Scott Herring reveals how their radical artistic principles set out a new path for creative aging.Aging Moderns provides portraits of writers and artists who sought out or employed unconventional methods and collaborations up until the early twenty-first century. Herring finds Djuna Barnes performing the principles of high modernism not only in poetry but also in pharmacy orders and grocery lists. In mystery novels featuring Gertrude Stein and Alice B. Toklas along with modernist souvenir collections, the gay writer Samuel Steward elaborated a queer theory of aging and challenged gay male ageism. The Harlem Renaissance dancer Mabel Hampton dispelled stereotypes about aging through her queer of color performances at the Lesbian Herstory Archives. Herring explores Ivan Albright's magic realist portraits of elders, Tillie Olsen's writings on the aging female worker, and the surrealistic works made by Charles Henri Ford and his caregiver Indra Bahadur Tamang at the Dakota apartment building in New York City.Showcasing previously unpublished experimental art and writing, this deeply interdisciplinary book unites new modernist studies, American studies, disability studies, and critical age studies. Aging Moderns rethinks assumptions about literary creativity, the depiction of old age, and the boundaries of modernism.

The metropolis has been the near exclusive focus of queer scholars and queer cultures in America. Asking us to look beyond the cities on the coasts, Scott Herring draws a new map, tracking how rural queers have responded to this myopic mindset. Interweaving a wide range of disciplines—art, media, literature, performance, and fashion studies—he develops an extended critique of how metronormativity saturates LGBTQ politics, artwork, and criticism. To counter this ideal, he offers a vibrant theory of queer anti-urbanism that refuses to dismiss the rural as a cultural backwater.Impassioned and provocative, Another Country expands the possibilities of queer studies beyond its city limits. Herring leads his readers from faeries in the rural Midwest to photographs of white supremacists in the deep South, from Roland Barthes's obsession with Parisian fashion to a graphic memoir by Alison Bechdel set in the Appalachian Mountains, and from cubist paintings in Lancaster County to lesbian separatist communes on the northern California coast. The result is an entirely original account of how queer studies can—and should—get to another country.

At the start of the twentieth century, tales of “how the other half lives” experienced a surge in popularity. People looking to go slumming without leaving home turned to these narratives for spectacular revelations of the underworld and sordid details about the deviants who populated it. In this major rethinking of American literature and culture, Scott Herring explores how a key group of authors manipulated this genre to paradoxically evade the confines of sexual identification. Queering the Underworld examines a range of writers, from Jane Addams and Willa Cather to Carl Van Vechten and Djuna Barnes, revealing how they fulfilled the conventions of slumming literature but undermined its goals, and in the process, queered the genre itself. Their work frustrated the reader's desire for sexual knowledge, restored the inscrutability of sexual identity, and cast doubt on the value of a homosexual subculture made visible and therefore subject to official control. Herring is persuasive and polemical in connecting these writers to ongoing debates about lesbian and gay history and politics, and Queering the Underworld will be widely read by students and scholars of literature, history, and sexuality.