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This timely book explores the challenges facing universities and individual scholars through an examination of the history and theory underlying the concept of academic freedom.Freedom of speech is widely viewed as a central attribute of contemporary liberal democracies in which — within limits — differing opinions have the right to be articulated in public without fear of reprisal. Academic freedom, long regarded as central to the idea of the university is, on the other hand, a right which must be earned through the acquisition of expert knowledge and the application of intellectual rigour in teaching and research. Both hard-won freedoms are argued by many to be under serious threat. The expert contributors to this book, from different global regions, examine both the importance of academic freedom and the severe threats universities face in this context in the twenty-first century. With its interdisciplinary perspective and cross-national emphasis, central issues in this text are illustrated through detailed examination of case studies and consideration of wider developments in the academy. Adopting a longue duree approach, rather than discussing the details of fast moving controversies, the analyses offer insights for an educated public about an issue of pressing, contemporary significance.This book will be of interest to researchers, policy makers, staff and students across higher education and to members of the general public, who are concerned about these important and contested matters.

The Working Men's College (WMC) is the UK's oldest continuously running adult education institution, and a very distinctive example of the British adult education tradition. This volume brings the history of the WMC up to date, following the 1954 centenary history by JFC Harrison.Contributions from a range of professional educators explore topics such as the philosophy of the College, the issue of women's entry, college governance and the notion of community as it applies to changes in the composition of the student body. Additional features include a chapter on the architectural history of the College; an interview with Satnam Gill as the key figure who drove through crucial change at a time when the College might have died; a chapter from the latest member of a family which has been closely involved with the College over four generations; and a range of personal contributions from tutors and students from the past six decades.This book will be of interest to historians of the nineteenth and twentieth centuries, all those in UK adult education, along with local Camden/London community and political groups and the WMC's extensive family of former students and tutors.

Embark on a voyage of discovery into the world of color with this comprehensive visual reference guide from renowned watercolor artist and art teacher Richard Taylor. Open the door to the world of watercolor paints, exploring their properties, color combinations and transformative potential, injecting vibrancy and life into your paintings.For those with some watercolor experience, the struggle to prevent your paintings becoming dull, flat and lifeless is all too familiar. The purpose of this book is to help you move on from this frequent impasse, inspiring you to explore color for yourself using the vibrant, vivid and inspirational paintings, illustrations and diagrams as your constant guide.Designed for effortless learning by a highly experienced artist and art teacher, this resourceful guide presents theory and techniques at a glance. Every page bursts with inspirational images and enthusiastic encouragement for the reader to take on the mantle of creator of their own color mixes. Inspiration, clarity and simplicity are the key components of this guide to artistic autonomy in the realm of choosing and using color.The recurring theme throughout this book is learning exactly how different paints and colors work together and how this knowledge can be used to transform your own paintings. Immerse yourself in the world of complementary colors, shadows and analogous mixes, taking your personal palette to new horizons. Learn about the delicate balance between warm and cool colors while harnessing the dynamics of yellows and purples side by side in your own paintings.With Richard Taylor as your guide, venture into schemes for color mixing, grasping exactly how touches of light and shadow can play upon your paper. Unleash the power of contrasts, breathing life into your subjects while embracing a simplicity of approach and the courage of taking a few chances.This invaluable resource equips you to grasp color theory and effortless application. It contains no secrets, but has harnessed a wealth of teaching experience and painterly knowledge to create this comprehensive guide to color for the watercolor artist. Whether you are an aspiring artist or seasoned watercolor painter, this guide ensures that you will unlock the full potential through the most exciting medium of color.PLEASE NOTE: The paints used in this book are Winsor & Newton Professional Watercolor paints. Other brands can be used but the exact pigments, and therefore the results of mixes, may not be the same.

This is the first volume in a three-volume illustrated history of the evolution of armored manoeuvre warfare in the British army, covering the period from 1914 until 1939. Author Dick Taylor's tour de force covers the evolution of the tank and armored cars in response to the specific conditions created by trench warfare, the history of the use of tanks during the war, as well as the critical period between the wars in which the tank was both refined and neglected. He also looks in detail at the amalgamations and mechanization of the horsed cavalry which led to the formation of the Royal armored Corps in 1939. His detailed and absorbing narrative covers the social and human aspects of the story as well as the technology, and explains how the nation that invented and first fielded the tank in 1916 struggled to maintain the lead after the Armistice.

A comprehensive and practical guide full of advice and inspiration for anyone wishing to capture the beauty of the urban landscape. The wonderful thing about drawing buildings is that, wherever you travel around the globe, you will never be short of subjects to inspire you. From the most elaborate of Renaissance cathedrals, through to the humble garden shed, you will always be able to practise your skills and learn a few techniques in the process. This hands-on and inspirational book will encourage you to meet the exciting challenges of drawing and painting buildings using a variety of media and a wide range of techniques, including pencil, pen, graphite powder, watercolour, water-soluble pencils and Indian ink. As you work through this book, you will look at materials and their qualities then move on to explore how to put these materials to best use when drawing specific types of building. You will be led gently through levels of learning, with easy and more challenging exercises progressing your knowledge and developing your skills. As the book is divided into discrete sections, you can dip in to a particular type of building that you wish to draw, and use the information and illustration provided, while extended teaching exercises take you through the way the author approaches composing and completing a drawing. Fully annotated paintings, working drawings and extended projects reveal how each effect was achieved. Detailed artworks in a range of styles and media are thoroughly annotated to demonstrate key techniques and important details and there are invaluable exercises for understanding perspective, negative and positive space, tone, choosing details and constructing large-scale images. The book includes thorough studies of a wide range of different architectural styles, from town houses to rural cottages and barns, from churches and classical architecture to continental cafes and street scenes. Taylor's exquisite drawings and paintings demonstrate the quality of the results that can be achieved by following his helpful guidance and advice.

This monograph has arisen out of a number of attempts spanning almost five decades to understand how one might examine the evolution of densities in systems whose dynamics are described by differential delay equations. Though the authors have no definitive solution to the problem, they offer this contribution in an attempt to define the problem as they see it, and to sketch out several obvious attempts that have been suggested to solve the problem and which seem to have failed. They hope that by being available to the general mathematical community, they will inspire others to consider–and hopefully solve–the problem. Serious attempts have been made by all of the authors over the years and they have made reference to these where appropriate.

The next step for beer geeks looking to expand their knowledge with science, food and drink pairings, home brewing recipes, and more The second book from the independent brewery's founders, BrewDog: Craft Beer for the Geeks aims to go deeper into the science and styles of craft beer in this full-color, gorgeously designed taproom bible. With sections such as'The Science of Flavor'and'Why Temperature Is King,'beer geeks will be satisfied with the wealth of knowledge presented by these craft beer experts. Recipes and sections on beer and food pairing will thrill food and beverage enthusiasts who want to go further in exploring flavor combinations. A'DIY Dog'section on at-home brewing exemplifies the punk, open-source ethos that Brewdog is known for. With 18 recipes, BrewDog is a must-own for the beer revolutionist in your life.

An overview on one of the most successful infantry formations used by Alexander the Great and his successors to dominate the ancient world.The Macedonian pike phalanx dominated the battlefields of Greece and the Near and Middle East for over two centuries. It was one of the most successful infantry formations of the ancient world, only rivaled by the manipular formation of the Roman legions. The phalanx was a key factor in the battlefield success of Alexander the Great and after his death dominated the armies of his Successors (the Diadochoi), who ruled from Greece and Egypt to the borders of India. Richard Taylor gives an overview of the phalanx's development, organization, equipment and training. He analyses the reasons for its success, with an emphasis on case studies of the many battles in which it was used, from Philip II's reign to the Mithridatic Wars. He discusses whether the famous defeats by the Romans necessarily mean it was inherently inferior to the manipular legion tactics, and considers what other factors were in play. The clear, accessible and well-researched text is supported by diagrams and battle maps, making this an outstanding study of this mighty formation.

For the first time in one volume, this book presents in concise, chronological form, Sergei Eisenstein's most significant work, including his famous theories of montage and articles on subjects as diverse as sound, film language and Russian history. The selection ranges from early writings on his silent masterpieces The Strike, October and The Battleship Potemkin, to later works, hatched in the hostile and paranoid environment of Stalin's Soviet Union. Drawn from the acclaimed four-volume Selected Works, this collection, which includes a new introduction and explanatory notes by Richard Taylor as well as many illustrations, further illuminates the startling originality, diversity and power of the greatest and most flamboyant of all Russian film-makers.Legendary director Sergei Eisenstein has emerged as cinema's most influential theorist and author of some of the most important aesthetic writings of the twentieth century.

Originally published in 1985 this book is a critique and comparison of the nature, structure and provision of university adult education in England and the USA. The focus is both contemporary (twentieth century) and historical and is interdisciplinary, involving both social scientific and historical modes of enquiry and analysis. A central concern of the book is the liberal tradition as it has operated in its different ways and the erosion of this tradition and its consequences for the contemporary structure of university adult education form a large part of the book's discussion.

When former Kentucky Poet Laureate Richard Taylor took a job at Kentucky State University in 1975, he purchased a fixer-upper—in need of a roof, a paint job, city water, and central heating—that became known to his friends as'Taylor's Folly.'The historic Giltner-Holt House, which was built in 1859 and sits close by the Elkhorn Creek a few miles outside of Frankfort, became the poet's entrance into the area's history and culture, and the Elkhorn became a source of inspiration for his writing.Driven by topophilia (love of place), Taylor focuses on the eight-mile stretch of the creek from the Forks of the Elkhorn to Knight's Bridge to provide a glimpse into the economic, social, and cultural transformation of Kentucky from wilderness to its current landscape. He explores both the natural history of the region and the formation of the Forks community. Taylor recounts the Elkhorn Valley's inhabitants from the earliest surveyors and settlers to artist Paul Sawyier, who memorably documented the creek in watercolors, oils, and pastels. Interspersed with photographs and illustrations—contemporary and historic—and intermixed with short vignettes about historical figures of the region, Elkhorn: Evolution of a Kentucky Landscape delivers a history that is by turns a vibrant and meditative personal response to the creek and its many wonders.Flowing across four counties in central Kentucky, Elkhorn Creek is the second largest tributary of the Kentucky River. Known for its beauty and recreational opportunities, Elkhorn Creek has become an increasingly popular location for canoeing, kayaking, and camping and is one of the state's best-known streams for smallmouth bass, bluegills, and crawfish. Like Walden Pond for Henry David Thoreau, the Elkhorn has been a touchstone for Taylor. A beautiful blend of creative storytelling and historical exploration of one of the state's beloved waterways, Elkhorn celebrates a gem in the heart of central Kentucky.

“… These poignant essays come from the heart and the soul of a sensitive and intellectually gifted man who has become a national champion and advocate for the millions of people living with this disease.”—Linda L. Buettner, Ph.D., CTRS, FGSA, Professor of Health Science, Florida Gulf Coast University“This is not an ordinary book. It is an extraordinary collection of anecdotes, ruminations, insights, comparisons, literary allusion and blinding insights. Be prepared to be challenged. Be prepared to reflect on your own human failings and joy at not having Alzheimer's disease. But most importantly, be prepared to read this book.”—Dementia Journal (UK)Full of questions, reflections, frustrations, and humor, this collection of provocative essays offers readers a rare exploration of the world of individuals with Alzheimer's disease. Diagnosed at age 58, psychologist Richard Taylor shares a revealing account of his slow transformation and deterioration over a 6-year period after his diagnosis. With remarkable clarity and candor, Taylor gives voice to the thoughts, fears, and desires of all people with Alzheimer's disease and offers valuable insights for their caregivers. More than 80 brief essays and vignettes poignantly address issues faced by those with Alzheimer's disease, including loss of independence and personhood, communication difficulties with caregivers, and never-ending uncertainty about the future.Winner of numerous awards and accolades including the American Journal of Nursing (AJN) Book of the Year award, a National Mature Media Bronze award, the John Mackey Award, and Pioneer Network's Carter Williams Legacy award, this is a captivating read for anyone affected personally or professionally by Alzheimer's disease, especially individuals with early-stage Alzheimer's disease, family caregivers, and professional caregivers such as nurses, social workers, counselors, and therapists.

This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

This book has two purposes: first to argue that there is a greater need now than ever before for liberal adult education for the working class. Such provision would both help to ameliorate the gross inequalities of our society and provide some counter-balance to the increasingly utilitarian and vocational orientation of post-school education. Secondly, the book aims to describe and analyse in some detail the community-based programme for various ‘disadvantaged'working class groups that has been developed by a British Pioneer Work team concerned with adult continuing education. The methods, objectives and overall practice described in this case study are of relevance to those working in all sectors of adult and community education. This book is edited by two members of staff concerned with Pioneer Work development from the outset, and the contributors include other members of the Pioneer Work team of lecturers and researchers.

Have you ever stayed in a bed and breakfast and thought how exciting it would be to open your own B&B? This book shows you the business side of opening your home to visitors. The clearly written text, along with dozens of easy-to-follow worksheets and explanatory samples, shows you how to plan everything.

The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.

Modern economies are described as ‘knowledge based'. This book investigates the meaning of such a statement, assessing the relevance of knowledge and the channels through which knowledge is exchanged, both from a theoretical and an empirical perspective. Moving within the realm of complexity theory, the authors provide a methodological assessment of the knowledge diffusion debate as well as presenting theoretical and applied models of knowledge diffusion and innovation. They illustrate how geography plays a role in shaping innovative patterns and how dense networks generally result in more innovative environments. The book concludes that establishing the right connections within such dense networks appears to be more crucial than any other factor, thus highlighting the importance of linkages (or the effects of their absence) within innovation systems.Proposing a taxonomy of knowledge-sharing patterns, this book will be warmly welcomed by academics, researchers and postgraduate students in the areas of the economics of innovation, evolutionary economics and knowledge economics.

I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Volume 3 follows on from the 1922-34 writings of Volume 1 and parallels Volume 2's essays on the theory of montage. In the period covered by this volume, Eisenstein's film-making ran into the difficulties generated by the Soviet authorities'increasingly restrictive definition of Socialist Realism, by the show trials and the purges, the Second World War, and the post-war proclamation of rigid cultural orthodoxy by Stalin's henchman, Zhdanov. Here we experience Eisenstein's reaction to this hostile environment, as filmmaker, theorist and teacher, from his public obeisance over'Bezhin Meadow'to his private defiance with'Ivan the Terrible'.

I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as'The Battleship Potemkin'(1925) and'October'(1927). In the 1930s his style changed, partly to accommodate the arrival of sound, and his ideas on audio-visual counterpoint developed. Between 1937 and 1940 he elaborated his ideas on montage in a series of essays, most of which remained unpublished until after his death and which are published in English for the first time in this volume. They present the essence of Eisenstein's thinking on cinema and aesthetics more generally and reveal him as one of the most significant philosophers of art of the twentieth century.

Unleash your inner artist in just a couple of days with this hands-on beginner's guide to drawing full of techniques, projects, and inspiration.Learn to Draw in a Weekend leads the reader through basic techniques and skill-building exercises to a variety of fully developed projects. Developing artists go from indoor drawing on Saturday to a beautiful Sunday of drawing outside. Beginning with simple shapes and lines drawings, they soon learn to add texture, depth, and color. Each project is packed with encouraging advice and helpful tips for a variety of drawing media, including graphite pencils, colored pencils, Conte, pastel, charcoal and watercolor pencils. The volume also features inspirational artworks, and professional advice from the author and acclaimed artist Richard Taylor.

The Report of the National Committee of Inquiry into Higher Education chaired by Sir Ron Dearing was published in July 1997. It represents the first officially sponsored systematic examination of the United Kingdom's system of higher education since the Robbins Report over 25 years ago. This book is an authoritative evaluation of the cogency, relevance and prospects for success of the Dearing vision and recommendations. Like the members of the comittee, the authors have sought to take a holistic view; to consider the underlying implications of genuine lifelong learning for the university system, and how institutions and the system will need to adjust. The outcomes are threefold: a description of what a UK higher education system that is genuinely part of a national learning society might look like, as well as the impetus this provides for radical reform; identification of features of its historical (especially recent) development, as well as wider social forces, which might inhibit or encourage its performance in this way; and an assessment of the coherence, desirability and practicality of the Dearing proposals in bringing about this end.

Writer, surfer, and househusband Richard Taylor is mad about beaches and islands, and was inspired by a house exchange that whisked him and his family from a freezing Ottawa winter to a year of some of the world's best surf on the east coast of Australia. In an era of packaged paradises and cyber surfers, the forty-something writer's first case of the mid-life blues seduced him into recapturing his youthful romance with surfing.

This book aims first to prove the local Langlands conjecture for GLn over a p-adic field and, second, to identify the action of the decomposition group at a prime of bad reduction on the l-adic cohomology of the'simple'Shimura varieties. These two problems go hand in hand. The results represent a major advance in algebraic number theory, finally proving the conjecture first proposed in Langlands's 1969 Washington lecture as a non-abelian generalization of local class field theory. The local Langlands conjecture for GLn(K), where K is a p-adic field, asserts the existence of a correspondence, with certain formal properties, relating n-dimensional representations of the Galois group of K with the representation theory of the locally compact group GLn(K). This book constructs a candidate for such a local Langlands correspondence on the vanishing cycles attached to the bad reduction over the integer ring of K of a certain family of Shimura varieties. And it proves that this is roughly compatible with the global Galois correspondence realized on the cohomology of the same Shimura varieties. The local Langlands conjecture is obtained as a corollary. Certain techniques developed in this book should extend to more general Shimura varieties, providing new instances of the local Langlands conjecture. Moreover, the geometry of the special fibers is strictly analogous to that of Shimura curves and can be expected to have applications to a variety of questions in number theory.

The KINO Russian Cinema series has been expanding to provide students and general readers with readable, companion handbooks to important and interesting films of Russian cinema from its beginnings to the late 1990s. This volume investigates the production, context and reception of the film'Battleship Potemkin', the people who made it, and the film itself, including its place in Russian and World cinema.

Europe has changed radically since 1989 and continues to change at great speed. This book deals with the principle problems and challenges confronting Europe in the aftermath of the Cold War and the collapse of European communism.Whilst endeavouring to strike a balance between East, West, North and South, the volume is more concerned with the changing political, economic and cultural morphology of Europe, and of the relations within it, than with the formal institutional arrangements of the European Community and its successor, the European Union. There are already numerous books on the institutional development of the EU, but relatively few with a wider compass and institutional interpretations of European integration.The book shows that the study of European integration should be taken in the round, avoiding a narrow and self-centered concern with the development of the'lesser Europe'of the EU. It demonstrates that integration should be seen as neither an inexorable predetermined process, nor as an automatic consequence of high levels of economic interdependence, but rather as something that proceeds in fits and starts and sometimes suffers reverses.

In Eisenstein Rediscovered Ian Christie and Richard Taylor present the first true East-West symposium on Eisenstein with an unparalleled diversity of views and methodologies. Two newly discovered texts by Eisenstein are here translated fro the first time, and all the contributors make extensive use of material only recently available - variant scripts, drawings, diaries and other writings - to probe behind the familiar facade. The `new'Eisenstein that emerges is in all respects a more engaging and contemporary figure than is traditionally perceived, his wit, eroticism and exlectic passions defining a distinctively modern sensibility whose rediscovey is long overdue.

This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography.Whereas most books on Soviet giants have glorified the directorial giants of the `golden age'of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.

First published in 1978, Social Work is concerned with relating social methods and objectives to political ideology. Social work grew out of the fertile tradition of mainstream Liberal radicalism in the nineteenth century, and to appreciate its largely implicit contemporary value framework it is essential to analyse the ideologies of ‘Conservatism'and ‘social democracy'which have dominated Britain in the twentieth century. The links between social work methods and aspirations and political ideology are thus explored in some detail. A key argument which closely involves social work relates to the potential for social change within the existing institutional structures. The question of ‘Legitimation'is thoroughly examined in this context from all viewpoints, and the conclusions for social work development are discussed. This book will be of interest to students of social work, sociology and political science.

This highly literate account by the son of President Zachary Taylor follows the author's Confederate commands in all three major theatres of the war, and provides a unique view of the Reconstruction period.'Taylor possessed literary art that approached the first rank.'–Douglas Southall Freeman.

Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.

Here are three tragedies from early Kentucky history: the defeat of a small army of Kentuckians by Indians at Blue Licks in 1782, the murder of a slave by two of Thomas Jefferson's nephews in western Kentucky in 1807, and the bizarre Beauchamp-Sharp murder in Frankfort in 1825. Taylor mixes history with good storytelling and a look at how human shortcomings sometimes lead to ruin.