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The Subversive Edge of Psychoanalysis examines the radical and non-conformist perspectives of both classical and contemporary psychoanalysis. The chapters included in this book span the course of David James Fisher's career. They contextualize significant cases from the recent history of psychoanalysis, critically analyze key aspects of psychoanalytic work, consider the role of psychoanalysis in the history of the twentieth century, and provide biographical sketches of major figures in the field. The book concludes with a cogent interview of the author by a distinguished psychohistorian, depicting how subjectivity, family themes, politics, and cultural affinities marked his choice of subject matter and methodology, his identifications, and his antipathies.The Subversive Edge of Psychoanalysis will appeal to mental health professionals and students with an interest in psychoanalytic practice and theory and academics and researchers who are fascinated by the subversive, non-conforming aspects of both classical and contemporary psychoanalysis.

Vaudeville, as it is commonly known today, began as a response to scandalous variety performances appealing mostly to adult, male patrons. When former minstrel performer and balladeer Tony Pastor opened the Fourteenth Street Theatre in New York in 1881, he was guided by a mission to provide family-friendly variety shows in hopes of drawing in that portion of the audience – women and children – otherwise inherently excluded from variety bills prior to 1881. There he perfected a framework for family-oriented amusements of the highest obtainable quality and style. Historical Dictionary of Vaudeville contains a chronology, an introduction, an extensive bibliography, and the dictionary section has more than 1,000 cross-referenced entries on performing artists, managers and agents, theatre facilities, and the terminology central to the history of vaudeville. This book is an excellent resource for students, researchers, and anyone wanting to know more about vaudeville.

Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O'Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live.Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.

The Theater of Tony Kushner is a comprehensive portrait of the forty-year long career of dramatist Tony Kushner as playwright, screenwriter, essayist, and public intellectual and political activist.Following an introduction examining the influences of Kushner's development as an artist, this updated second edition features individual chapters on his major plays, including A Bright Room Called Day, Hydriotaphia, or The Death of Dr. Browne, Angels in America, Slavs! Thinking About the Longstanding Problems of Virtue and Happiness, Homebody/Kabul, Caroline, or Change, and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, along with chapters on Kushner's adaptations, one-act plays, and screenplays, including his two Academy Award-nominated screenplays, Munich and Lincoln.A book for anyone interested in theater, film, literature, and the ways in which the past informs the present, this second edition of The Theater of Tony Kushner explores how his writings reflect key elements of American society, from politics and economics to race, gender, and spirituality, all with the hope of inspiring America to live up to its ideals.

Historic, wildly dangerous, nerve-wracking, heroic and uniquely thrilling, the Isle of Man TT is one of the greatest sporting events in the world. Featuring input from past and present riders, TT teams, manufacturers and fans alike, James Driver-Fisher reveals why the Isle of Man's greatest ever races mean so much to so many TT devotees.

This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O'Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.

Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.

Your course is set and the light is green. Enable your business to navigate the hairpin turns of the financial close process with this end-to-end overview. Guided by practical workflow scenarios and customer examples, learn how to maximize the potential of SAP's financial close solutions. From start to finish, manage data integrity issues, optimize your financial close processes, and handle system integration. Close your books in record time with this one-stop resource for all your financial closing needs!1. Streamlined Financial Close Workflow Align your business workflows to support a streamlined financial close process. 2. A Financial Close Action Plan Learn how to build a business case, create a clear action plan for your financial close process, and avoid the common barriers.3. Reporting Proactively address disclosure management and weather regulatory change with finesse and flexibility. 4. Real-Time Visibility Visualize your financial close success and identify issues with real time analysis and the Financial Closing Cockpit.5. Practical Case Studies and Examples Learn how industry peers have improved their financial close processes and reduced risk.Highlights include:General Ledger close Controlling close Inventory management Entity close management Intercompany reconciliation Information management Process governance Financial consolidation Disclosure management Financial reporting

Drug prescribing is one of the most important parts of clinical practice. Yet it remains one of the most commonly failed components of undergraduate assessments, and accounts for an uncomfortably high proportion of medical errors. To remedy this, the Prescribing Safety Assessment (PSA) exam has been introduced in the UK. It is compulsory and will set a minimum standard for safe prescribing. Failure will preclude GMC registration. Pass the PSA is written specifically for the exam, with one chapter dedicated to each PSA section. Each chapter includes: - The marking scheme for the PSA exam section and how to approach it. - All the theory condensed into a few pages of memorable, illustrated text. - Multiple worked questions covering the most common exam scenarios. In addition: - Introduces a simple, memorable and failsafe approach to prescribing (the'PReSCRIBER'mnemonic). - Specifies the universal basic principles of prescribing for all sections. - Over 300 worked questions, structured identically to the exam. - Data interpretation made memorable and simple including ECG, ABGs, chest X-rays and basic bloods. Common traps highlighted throughout. - Two mock exams.

In a rapidly changing world, the ways in which economic forces affect both personal and global change can be difficult to track, particularly in the arts. This collection of twenty new essays explores both obscure and famous plays dealing with economic issues. Beginning with the Industrial Revolution, the text moves from Marx's theories to Wall Street speculation, nineteenth century immigration issues, the excesses of the Gilded Age and the 1920s, the Great Depression, World War II and millennial economic challenges.

From legends like Eugene O'Neill, Tennessee Williams, and Arthur Miller to successful present-day playwrights like Neil LaBute, Tony Kushner, and David Mamet, some of the most important names in the history of theater are from the past 80 years. Contemporary American theater has produced some of the most memorable, beloved, and important plays in history, including Death of a Salesman, A Streetcar Named Desire, Barefoot in the Park, Our Town, The Crucible, A Raisin in the Sun, and The Odd Couple.Historical Dictionary of Contemporary American Theater presents the plays and personages, movements and institutions, and cultural developments of the American stage from 1930 to 2010, a period of vast and almost continuous change. It covers the ever-changing history of the American theater with emphasis on major movements, persons, plays, and events. This is done through a chronology, an introductory essay, an extensive bibliography, and over 1,500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American theater.

This revised edition of the late James Fisher's much praised Watching Birds is the work of Dr Jim Flegg, Director of the British Trust for Ornithology.In his Preface Dr Flegg writes:'It is a daunting task to revise the bird book on which you cut your teeth: it is the surest measure of the man who wrote it that what is needed, after thirty-odd years, is an updating and not a sweeping revision.'Among James Fisher's deservedly popular writings Watching Birds was probably the most read and consulted. After several reprints (published by Penguin Books) he planned to re-write it, and it is wholly appropriate that the work should now be done by Dr Flegg who, like the original author, has done much to help arouse and stimulate a widening interest in watching and understanding the life and world of birds.It is an indication of that interest today that radio and TV programmes (in which Dr Flegg has frequently participated) have audiences of millions. Such numbers are hardly surprising since few leisure activities offer as effective or as gratifying an antidote to the pressures of modern life as birdwatching - and few can be as readily and inexpensively pursued at almost any time, anywhere.Watching Birds has been an introduction and an item of basic equipment to tens of thousands of birdwatchers in the past, and this new and revised edition is assured of an even wider audience.Jacket colour photograph by Jim Flegg.

The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.

The fifty-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The Historical Dictionary of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfield; critics; architects; designers; and costumes.

Most of this book (with the exception of ch. 5 and 6) appeared in German as Psychoanalytische Kulturkritik und die Seele des Menschen.

A dozen essays by a range of established scholars and performing artists address issues in post-1969 American gay and lesbian theatre and drama, the period after the raid at the Stonewall Inn helped spawn a'gay revolution.'The collection covers playwrights, millennial dramatists, and actors while exploring the history of gay-themed theatre and drama, the breadth of stage roles, and the dramatic representation of homosexual characters from various perspectives. These include the impact of AIDS, contemporary American politics, images of homophobia, gay-themed plays aimed at Theatre for Youth audiences, and other topics.

Der Autor James D. Fisher entwirft einen kritischen Rahmen zur Beurteilung des vieldeutigen, reichen intellektuellen Vermächtnisses Bruno Bettelheims. Die Biographie Bettelheims, sein psychoanalytisches Verständnis des Faschismus und des Antisemitismus wird kenntnisreich dargestellt. Fisher bietet außerdem eine kritische Analyse von Bettelheims »Ein Leben für Kinder«, seinem umfassendsten Werk über die Komplexität moderner Familienerziehung. Das Buch enthält außerdem ein aufgezeichnetes letztes Gespräch, in welchem Bettelheim dem Autor die dringendsten Anliegen am Ende seines Lebens mitteilt und die Möglichkeit des Selbstmords diskutiert, welcher dann wahr werden sollte.

The Theater of Tony Kushner is a comprehensive portrait of the life and work of one of America's most important contemporary playwrights.

A collection of papers, largely based on clinical work, which covers a range of concepts and mechanisms which are central to any psychoanalytic psychotherapy with children, adolescents, or adults. It addresses an issue which lies at the heart of human relationships, that of intimacy.