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Every year millions of sportsmen and women take to America's fields and forests equipped with some type of shotgun. Millions of others participate annually in shotgun sports such as skeet, trap and sporting clays. In Modern Shotgunning, Dave Henderson gives readers a nuts-and-bolts look at modern shotguns. He explains chokes, stocks, barrels, and optics, as well as cleaning and safety practices. He also discusses how to choose the appropriate shotgun, shotgun games, gun fit, hand loading, and building your own specialty guns. Henderson doesn't write above his readers either, offering plainly written advice based on years of experience in the field and at the range. He writes without boast that in a year he probably shoots more rounds than do most hunters in a lifetime. Neither is Henderson leaning toward the heavy-wallet crowd, for he knows the average hunter may not care for or cannot afford two-thousand-dollar shotguns, souped-up slug guns or optics. He offers tips for the budget-conscious, such as creating a cleaning rod from a soft pine dowel with a bicycle handlebar grip on one end and using Bounty paper towels rolled to bore diameter as a cleaning patch. Modern Shotgunning is ideal for beginners but not to be overlooked by veterans.

An exploration of the greatest albums, experiences, and tunes from more than a century of electronic sound From anarchic sound art manifestos of the early 1900s to the three minute radio-friendly hits of the late 20th century, via tape manipulations, WWII surplus gadgetry, synthetic versions of the Beatles, and the development and domination of the synthesizer, the sequencer, and their descendants which form the basic building blocks of much of the music we listen to today, the history of electronic music is a strange wonderland of cosmic highs and offbeat creativity; a story never less than compelling in its experimentalism and competitiveness. Key works by familiar early innovators such as Schaeffer, Cage, Stockhausen, Henry, and Varese are explored, along with modern envelope pushers such as Aphex Twin and Squarepusher and lesser-known, unsung heroes and key equipment, such as the IBM 7090 Computer, Digital to Sound Transducer, and the CSIRAC Computer. Key recordings are used as chronological touchstones for the story, and provide the reader with highly recommended entry points into this sometimes challenging universe.

The story of electronic music and composition has, in recent decades, become a significant musical legacy. Seen by many as a novelty for a long time, the synthesiser and drum machine derived pop of the late 1970s and early 1980s finally landed the squeals and squelches of solder and circuit y in the mainstream, validating an extensive period of painstaking research and experimentation dating back to the late 19th Century. The connect ion between Edgard Varese, La Roux, Brian Eno, The Human League and The Plastic Cow Goes Moo is a complex and solder-heavy one. A Plugged In State Of Mind explores this long and exhaustive legacy and unearths the greatest albums, experiences and tunes from over a century of electronic sound. From anarchic sound art manifestos of the early 1900s to the three minute radio-friendly hits of the late Twentieth Century, via tape manipulations, WWII surplus gadgetry, synthetic versions of the Beat les and the development and domination of the synthesiser, the sequencer and their descendants which form the basic building blocks of much of the music we listen to today, the history of electronic music is a strange wonderland of cosmic highs and offbeat creativity; a story never less than compelling in its experimentalism and competitiveness. Key works by familiar early innovators such as Schaeffer, Cage, Stockhausen, Henry and Varese are explored, along with modern envelope pushers such as Aphex Twin and Squarepusher and lesser known unsung heroes and key equipment, such as The IBM 7090 Computer and Digital To Sound Transducer and The CSIRAC Computer. Key recordings are used as chronological touchstones for the story, and provide the reader with highly recommended entry points into this sometimes challenging universe. The author's familiar, joyful style also lends a very accessible air to the subj ect. A companion CD set is also scheduled for release around the time of publication, and we anticipate a good deal of press and enthusiasm for a subject that any music fan or enthusiast for human technological development will find intriguing.