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When the eleven- and twelve-year-olds on the Cannon Street YMCA All-Star team registered for a baseball tournament in Charleston, South Carolina, in June 1955, it put the team and the forces of integration on a collision course with segregation, bigotry, and the southern way of life. White teams refused to take the field with the Cannon Street All-Stars, the first Black Little League team in South Carolina. The Cannon Street team won the tournament by forfeit and advanced to the state tournament. When all the white teams withdrew in protest, the Cannon Street team won the state tournament. If the team had won the regional tournament in Rome, Georgia, it would have advanced to the Little League World Series. But Little League officials ruled the team ineligible to play in the tournament because it had advanced by winning on forfeit and not on the field, denying the boys their dream of playing in the Little League World Series. Little League Baseball invited the Cannon Street All-Stars to be the organization's guests at the World Series, where they heard spectators yell, “Let them play! Let them play!” when the ballplayers were introduced. This became a national story for a few weeks but then faded and disappeared as Americans read of other civil rights stories, including the torture and murder of fourteen-year-old Emmett Till.Stolen Dreams is the story of the Cannon Street YMCA All-Stars and of the early civil rights movement. It's also the story of centuries of bigotry in Charleston, South Carolina—where millions of enslaved people were brought to this country and where the Civil War began, where segregation remained for a century after the war ended and anyone who challenged it did so at their own risk.

The Art of the Political Putdown is a book of over 300 witty verbal jabs and ripostes from politicians around the world, all of whom share a common sharp tongue.Liberal or conservative, humor can be a powerful weapon in any politician's arsenal, and political journalists Chris Lamb and Will Moredock have seen their fair share of quips, witty remarks, and sarcastic pleasantries.In mining the past few thousand years of political history, they've unearthed a treasure trove of humorous exchanges, from ancient Rome to modern day, to compile this collection of hilarious comebacks and putdowns.• Features 11 brief essays analyzing the use of humor and wit in various political contexts• Even-handed, intelligent, and lighthearted political humor that gives readers from the Left and the Right something to laugh about• Contains 20 political cartoon-style illustrationsThe Art of the Political Putdown is filled with famous and lesser-known politicians at their sassiest, along with short essays and illustrations.This is a comprehensive, nonpartisan collection of witticisms, scathing burns, and mic-drop-worthy insults throughout history. • A rare political humor book with something for everyone, and a welcome reminder that politics can also be a source of laughter• Perfect for politics and history buffs and for anyone who appreciates smart humor and top-notch wit• Great for those who loved Whose Boat Is This Boat?: Comments That Don't Help in the Aftermath of a Hurricane by the Staff of The Late Show with Stephen Colbert, Shade: A Tale of Two Presidents by Pete Souza, and The Wit & Wisdom of Winston Churchill by James C. Humes

Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated. One of the influential factors in sports coverage is the upswing in the number of women sports reporters in the last forty years. Sports Journalism also examines the ethics of sports journalism, how sports coverage frequently has differed from that of non-sports news, and how the internet has spawned a set of new ethical issues.

Jackie Robinson believed in a God who sides with the oppressed and who calls us to see one another as sisters and brothers. This faith was a powerful but quiet engine that drove and sustained him as he shattered racial barriers on and beyond the baseball diamond. Jackie Robinson: A Spiritual Biography explores the faith that, Robinson said, carried him through the torment and abuse he suffered for integrating the major leagues and drove him to get involved in the civil rights movement. Marked by sacrifice and service, inclusiveness and hope, Robinson's faith shaped not only his character but also baseball and America itself.

The campaign for racial equality in sports has both reflected and affected the campaign for racial equality in the United States. Some of the most significant and publicized stories in this campaign in the twentieth century have happened in sports, including, of course, Jackie Robinson in baseball; Jesse Owens, Tommie Smith, and John Carlos in track; Arthur Ashe in tennis; and Jack Johnson, Joe Louis, and Muhammad Ali in boxing. Long after the full integration of college and professional athletics, race continues to play a major role in sports. Not long ago, sportswriters and sportscasters ignored racial issues. They now contribute to the public's evolving racial attitudes on issues both on and off the field, ranging from integration to self-determination to masculinity.From Jack Johnson to LeBron James examines the intersection of sports, race, and the media in the twentieth century and beyond. The essays are linked by a number of questions, including: How did the black and white media differ in content and context in their reporting of these stories? How did the media acknowledge race in their stories? Did the media recognize these stories as historically significant? Considering how media coverage has evolved over the years, the essays begin with the racially charged reporting of Jack Johnson's reign as heavyweight champion and carry up to the present, covering the media narratives surrounding the Michael Vick dogfighting case in a supposedly post-racial era and the media's handling of LeBron James's announcement to leave Cleveland for Miami.

The campaign to desegregate baseball was one of the most important civil rights stories of the 1930s and 1940s. But most of white America knew nothing about this story because mainstream newspapers said little about the color line and still less about the efforts to end it. Even today, as far as most Americans know, the integration of baseball revolved around Branch Rickey's signing of Jackie Robinson to the Brooklyn Dodgers'organization in 1945. This book shows how Rickey's move, critical as it may have been, came after more than a decade of work by Black and left-leaning journalists to desegregate the game. Drawing on hundreds of newspaper articles and interviews with journalists, Chris Lamb reveals how differently Black and white newspapers, and Black and white America, viewed racial equality. Between 1933 and 1945, Black newspapers and the communist Daily Worker published hundreds of articles and editorials calling for an end to baseball's color line, while white mainstream sportswriters perpetuated the color line by participating in what their Black counterparts called a “conspiracy of silence.” The alternative presses'efforts to end baseball's color line, chronicled for the first time in Conspiracy of Silence, constitute one of the great untold stories of baseball—and the civil rights movement.

In the spring of 1946, following the defeat of Hitler's Germany, America found itself still struggling with the subtler but no less insidious tyrannies of racism and segregation at home. In the midst of it all, Jackie Robinson, a full year away from breaking major league baseball's color barrier with the Brooklyn Dodgers, was undergoing a harrowing dress rehearsal for integration—his first spring training as a minor league prospect with the Montreal Royals, Brooklyn's AAA team. In Blackout, Chris Lamb tells what happened during these six weeks in segregated Florida—six weeks that would become a critical juncture for the national pastime and for an American society on the threshold of a civil rights revolution. Blackout chronicles Robinson's tremendous ordeal during that crucial spring training—how he struggled on the field and off. The restaurants and hotels that welcomed his white teammates were closed to him, and in one city after another he was prohibited from taking the field. Steeping his story in its complex cultural context, Lamb describes Robinson's determination and anxiety, the reaction of the black and white communities to his appearance, and the unique and influential role of the press—mainstream reporting, the alternative black weeklies, and the Communist Daily Worker—in the integration of baseball. Told here in detail for the first time, this story brilliantly encapsulates the larger history of a man, a sport, and a nation on the verge of great and enduring change.