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本書是投考公務員試、應考DSE文憑試中文科的考生，以及從事文字出版、媒體編輯、廣告營銷、語文教育人士的必備參考書。 籌備歷時近十年，搜集近3000個一般人經常寫錯或讀錯的字，有系統地編排，更配以生動典故解釋，讀者易查易明！ 本書和2012年出版的初版比較，在內容及題材選取方面，增補了更多新的詞彙資料，重新整理，務求做到查考方便、實用全面。

痢疾、小兒麻痺、登革熱、結核病、愛滋病、安非他命、SARS等，都是臺灣近代重大的傳染病，對臺灣公共衛生的發展，亦有深遠的影響。 本書猶如公衛的福爾摩斯，為讀者抽絲剝繭，挖掘傳染病的真相，帶讀者了解防疫的過程……。

Staging Chinese Revolution surveys fifty years of theatrical propaganda performances in China, revealing a dynamic, commercial capacity in works often dismissed as artifacts of censorship. Spanning the 1960s through the 2010s, Xiaomei Chen reads films, plays, operas, and television shows from an interdisciplinary and comparative perspective, demonstrating how, in a socialist state with'capitalist characteristics,'propaganda performance turns biographies, memoirs, and war stories into mainstream ideological commodities, legitimizing the state and its right to rule. Analyzing propaganda performance also brings contradictions and inconsistencies to light that throw common understandings about propaganda's purpose into question.Chen focuses on revisionist histories that stage the lives of the'founding fathers'of the Communist Party, such as Chen Duxiu, Mao Zedong, and Deng Xiaoping, and the engaging mix of elite and ordinary characters that animate official propaganda in the private and public sphere. Taking the form of'personal'memories and representing star and youth culture and cyberspace, contemporary Chinese propaganda appeals through multiple perspectives, complicating relations among self, subject, agent, state building, and national identity. Chen treats Chinese performance as an extended form of political theater confronting critical issues of commemoration, nostalgia, state rituals, and contested history. It is through these reenactments that three generations of revolutionary leaders loom in extraordinary ways over Chinese politics and culture.

本書特色是以「小檔案」形式重點列出球王與名將的資料，然後以半記敍半訪談的手法鋪寫，既交待筆下主角的一生，又穿插一些昔日的精彩片斷，織入當事人的回愔與感悟，再配以多幀珍貴的圖片；可謂史料與趣味兼顧，文字與圖像並茂。

晚唐詩人司空圖，自道「第一功名只賞詩」，筆下詩品二十四則，以詩品詩，意境朦朧，餘情繚繞，猶如風姿花傳，別具幽玄之美。與其執是生非，視為習藝方術，寧是意會道術周流，無所不在。此書託名賞析，實乃援薪生火。 篇章析為十卷，聊序次第；筆法橫生蔓衍，以廣意象。全書秉談藝之旨，運解析之法，考據格物，禪喻心析，鉤玄上溯老莊，取譬不避武俠，諸文互涉相照，每似鏡月水花，淵澄取映，讀來輕快明朗，意境會心不遠。子曰「游於藝」，易云「說諸心，研諸慮」，作者漸積而久，此番象外試筆，悠而遊焉，興之所至矣萬象畢羅，意之所隨焉吹萬不同，詩藝所謂「味外之味，象外之象」者，於此可以觀玩而未可執焉。

Robin Hood–style revolutionary Wei Baqun is often described as one of China's'three great peasant leaders,'alongside Mao Zedong and Peng Pai. In his home county of Donglan, where he started organizing peasants in the early 1920s, Wei Baqun came to be considered a demigod after his death—a communist revolutionary with supernatural powers. So much legend has grown up around this fascinating figure that it is difficult to know the truth from the tale. Presenting Wei Baqun's life in light of interactions between his local community and the Chinese nation, Red God is organized around the journeys he made from his multiethnic frontier county to major cities where he picked up ideas, methods, and contacts, and around the three revolts he launched back home. Xiaorong Han explores the congruencies and conflicts of local, regional, and national forces at play during Wei Baqun's lifetime while examining his role as a link between his Zhuang people and the Han majority, between the village and the city, and between the periphery and the center.

於民國95年8月，本中心曾出版「人身保險理賠爭議調處案例彙編（第一輯）」，多年來廣泛為各界所閱讀。爰於100年再次蒐集具代表性案例，邀請保險、法律、醫師、學者等各界專家組成編輯委員會，彙集成「人身保險理賠爭議調處案例彙編（第二輯）」。本書之編撰係將每一案例分為：案例提要、事實經過、爭議點、當事人主張、審查依據、調處結果、案例名詞解析、參考條文等共八大部份，以利讀者查閱並理解。惟本案例彙編之內容與結論僅供參考。