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An in-depth look at one of the film industry's most audacious working actors In 1982, a gangly teenager named Nicolas Coppola made his film debut and changed his name to Nicolas Cage, determined to distance himself from his famous family. Once he achieved stardom as the rebel hunk of 1983's Valley Girl, Cage began a career defined by unorthodox risks and left turns that put him at odds with the stars of the Brat Pack era. How Coppola Became Cage takes readers behind the scenes of the beloved cult movies that transformed this unknown actor into an eccentric and uncompromising screen icon with a wild-eyed gift for portraying weirdos, outsiders, criminals-and even a romantic capable of seducing Cher. Author Zach Schonfeld traces Cage's rise through the world of independent cinema and chronicles the stories behind his career-making early performances, from the method masochism of Birdy to the operatic torment of Moonstruck and abrasive expressionism of Vampire's Kiss, culminating with the astonishing pathos of Leaving Las Vegas. Drawing on more than 100 new interviews with Cage's key collaborators--including David Lynch, Martha Coolidge, John Patrick Shanley, and Mike Figgis--How Coppola Became Cage offers a revealing portrait of Cage's wildly intense devotion to his performances behind the scenes and his creative self-discovery as he drew on influences as far-flung as silent cinema and German Expressionism. These were all crucial ingredients in the creation of a singular acting style that rejects the limits of realism. Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

Die Studie untersucht auf Grundlage der masonischen Publizistik die Geschichte der deutschen Freimaurerei in den Jahrzehnten der langen Jahrhundertwende. Sie rückt in diesem Zusammenhang die masonische Identität und die konfliktreichen innerfreimaurerischen Aushandlungsprozesse ins Zentrum. Damit werden bestehende Forschungslücken geschlossen, bisherige Einsichten erweitert und neue Perspektiven auf einen bedeutenden Teil des bürgerlichen Vereinswesens eröffnet.

Jan Snoek hat mit seinen Forschungen unsere Kenntnisse über die freimaurerischen Rituale entscheidend erweitert. Die fünfzehn ausgewählten Aufsätze zu Geschichte, Struktur und Funktionen dieser Rituale sind ein Querschnitt seines wissenschaftlichen Werkes, das nicht nur für die Erforschung der Freimaurerei von Bedeutung ist, sondern auch ein neues Licht auf die europäische Religionsgeschichte wirft. With his research Jan Snoek has broadened our knowledge about masonic rituals. This book has selected fifteen articles representative for his work on the history, structure and function of these rituals. Jan Snoeks thereby has not only made a valuable contribution to the understanding of freemasonry but has also shed new light on European religious history in general.

“A delightful and entertaining book about one of America's greatest humorists.”—Seth Meyers This “absorbing, illuminating” (Jon Meacham) biography of the legendary political humorist reveals the life behind his must-read Washington Post columns, featuring never-before-published photos, documents, and interviews.Before Jon Stewart, Stephen Colbert, Trevor Noah, and Doonesbury, there was Art Buchwald. For more than fifty years, from 1949 to 2006, Art Buchwald's Pulitzer Prize–winning column of political satire and biting wit made him one of the most widely read American humorists and a popular player in the Washington world of Ethel and Ted Kennedy, Ben Bradlee, and Katharine Graham. Dean Acheson, former U.S. Secretary of State, called Buchwald the “greatest satirist in the English language since Pope and Swift.”Drawing on Buchwald's most memorable columns and unpublished correspondence with other famous people, Funny Business shows how Art Buchwald became an American original. Like Mark Twain, Dorothy Parker, and James Thurber, he satirized political scoundrels, lampooned the powerful, and “worshipped the quicksand” that ten presidents walked on, as Buchwald joked. “The key to Buchwald's style of humor, he once stated, was to “treat light subjects seriously and serious subjects lightly.”But there was a darker, more serious side to Art Buchwald. A childhood spent in foster homes taught him to see comedy as a refuge. Buchwald also struggled with depression, a secret he kept from the public for nearly thirty years.This revealing book is studded with stories of Buchwald's friendships with Humphrey Bogart, John Steinbeck, Irwin Shaw, William Styron, Erma Bombeck, Frank Sinatra, Adam West ('Batman'), Robert Frost, and others. Throughout his career, Buchwald wrote about such historical events as the Vietnam War, the assassinations of John and Robert Kennedy, Watergate, and the 9/11 terrorist attack. Featured here are stories of Buchwald's nonstop one-liners, known in his day as “Buchshots.”Entertaining and absorbing, Funny Business looks back on Buchwald's brilliant gift for humor and satire, which will once again bring readers a comedic respite from troublesome times.

From her idyllic childhood in the American Midwest to her Oscar–nominated performance in Sunset Boulevard (1950) and the social circles of New York and Los Angeles, actress Nancy Olson Livingston has lived abundantly. In her memoir, A Front Row Seat, Livingston treats readers to an intimate, charming chronicle of her life as an actress, wife, and mother, and her memories of many of the most notable figures and moments of her time. Livingston shares reminiscences of her marriages to lyricist and librettist Alan Jay Lerner, creator of award-winning musicals Paint Your Wagon, Gigi, and My Fair Lady (which was dedicated to her), and to Alan Wendell Livingston, former president of Capitol Records, who created Bozo the Clown and worked with legendary musical artists, including Nat King Cole, Frank Sinatra, Judy Garland, the Beach Boys, the Beatles, the Band, and Don McLean. One of the last living actors of the Golden Age of Hollywood, Livingston shares memorable encounters with countless celebrities—William Holden, Billy Wilder, Bing Crosby, Marilyn Monroe, and John Wayne, to name a few—and less pleasant experiences with Howard Hughes and John F. Kennedy that act as reminders of women's long struggle for equality. Entertaining and engrossing, A Front Row Seat deftly interweaves Livingston's life with her observations of the artists, celebrities, and luminaries with whom she came in contact—a paean to the twentieth century and a treasure for readers enamored with a bygone era.

Discourse are coherent statements about a subject matter. A discourse is generated by rules for making declaration that produce consistency and uniformity across different assertions. When the matter of discourse is blended with the matter of signifiers and signified in a post-structuralism approach, we can have a net of connected materials that can bring about meanings associated with a sign. And as Baudrillard has stated previously, the signifiers and signified have lost their true meanings through the lapse of time due to capitalistic and globalizing concerns. For instance, the sign'BLACK'is based on a 1950s -up -to -now -discourse, finds its identity in relation with matters like: fraud, sexual harassment and anarchism; and that is directly a result of an imposed political point of view and approach on the society.

Außenstehende wissen über die Freimaurerei in der Regel nichts, wenig oder Falsches. Die Freimaurerei war immer und ist auch heute noch eine Projektionsfläche für Falschbehauptungen oder Verschwörungstheorien, während ihr Einfluss auf die Geschichte der Schweiz und die moderne Gestalt des Bundesstaates nur äußerst selten ins Bewusstsein tritt. Dieses Buch ermöglicht einen neutralen Einblick in diese über 300 Jahre alte Bruderschaft, indem ihre Wesensmerkmale, ihre reiche Geschichte, ihre Wertvorstellungen und Grundlagen vorgestellt werden. Faktenbasiert werden die politischen Prozesse in der Schweiz vom Ancien Régime bis zum Sonderbundskrieg 1847 beschrieben. Der Einfluss der Freimaurerei war erheblich und im Kulminationspunkt - der Erarbeitung und Verabschiedung der ersten Bundesverfassung 1848 - unübersehbar. Freimaurer haben einen maßgeblichen Beitrag zu einem politischen System geleistet, das dem ressourcenarmen neuen Bundesstaat durch theoretisch klare und zugleich pragmatisch taugliche Gedankenführung eine beispiellose und rasche Entwicklung zu einem der geachtetsten und reichsten Länder der Welt ermöglichte.