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Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. Imagine building mathematical models that make it possible to manage our world better, imagine solving great problems, imagine new problems never before thought of, imagine combining music, art, poetry, literature, architecture, theatre and cinema with mathematics. Imagine the unpredictable and sometimes counterintuitive applications of mathematics in all areas of human endeavour. This seventh volume starts with a homage to the Italian artist Mimmo Paladino who created exclusively for the Venice Conference 2019 ten original and unique works of art paper dedicated to the themes of the meeting. A large section is dedicated to the most recent Fields Medals including a Homage to Maryam Mirzakhani including a presentation of the exhibition on soap bubbles in art and science that took place in 2019. A section is dedicated to cinema and theatre including the performances by Claire Bardainne & Adrien Mondot. A part of the conference focused on the community of mathematicians, their role in literature and even in politics with the extraordinary example of Antanas Mockus Major of Bogotá. Mathematics in the constructions of bridges, in particular in Italy in the Sixties was presented by Tullia Iori. A very particular contribution on Origami by a mathematician, Marco Abate and an artist, Alessandro Beber. And many other topics. As usual the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture. The world, life, culture, everything has changed in a few weeks with the Coronavirus. Culture, science are the main ways to safeguard people's physical and social life. Trust in humanity's creativity and ability. The motto today in Italy is Everything will be fine.This work is addressed to all those who have an interest inMathematics.

This book presents a review of the work of the architect Michael Balz, pioneer of concrete-shell architecture. It discusses his projects, both realized and unbuilt, many being designed in collaboration with the renowned Swiss engineer Heinz Isler.Profusely illustrated with original drawings and photographs, Michael Balz: Shells and Visions caters to the increasing interest in the design and construction of free-form reinforced concrete shells consequent on the advent of 3D modelling and form-finding software. The book describes architectural designs and practical construction issues to motivate contemporary shell designers.Balz's experience of dealing with such difficulties as incompatibility with non-structural features and the insertion of windows into shells, and the assessment of buildings'long-term performance allow readers to learn more easily how to cope with such issues in their own work.The book introduces Michael Balz, his early workwith other architects, including his work on pneumatic forms with Frei Otto, and his evolution into an exponent of organic architecture. It then discusses completed projects, including the outdoor Theater unter den Kuppeln (1976), Ballettsaal (1979) and Balz House (1981). Competitions Balz entered and unrealized shell projects also receive attention, as does his work on the urban scale, highlighting conceptual designs of mega-cities. His visionary megastructures encourage the exploration of innovative solutions for city spaces by architects faced with today's increased urbanization. Michael Balz: Shells and Visions will be of interest to students and professionals in the fields of architecture, structural engineering, building and urban design. It's reflections on the cultural and contextual aspects of Balz's work will help the architectural historian to appreciate its long-term significance.

Out of Architecture is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways.Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors'own stories and routes out of architecture. The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a “calling.” Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself. Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable read. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the pages of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.

What can you do with a degree in architecture? Where might it take you? What kind of challenges could you address? Architects After Architecture reframes architecture as a uniquely versatile way of acting on the world, far beyond that of designing buildings. In this volume, we meet forty practitioners through profiles, case studies, and interviews, who have used their architectural training in new and resourceful ways to tackle the climate crisis, work with refugees, advocate for diversity, start tech companies, become leading museum curators, tackle homelessness, draft public policy, become developers, design videogames, shape public discourse, and much more. Together, they describe a future of architecture that is diverse and engaged, expanding the limits of the discipline, and offering new paths forward in times of crisis. Whether you are an architecture student or a practicing architect considering a change, you'll find this an encouraging and inspiring read. Please visit the Architects After Architecture website for more information, including future book launches and events: architectsafterarchitecture.com

Daddy Wouldn't Buy Me a Bauhaus collects the unparalleled writings of legendary British wordsmith Janet Abrams for the first time. From pivotal figures in international modernism to the pioneers of digital medium, Abrams explored the ideas, theories, and emotions that fueled their work.The book's twenty-six profiles, written in Abrams's signature, personal, often hilarious style, include Reyner Banham, Berthold Lubetkin, Philip Johnson, Paul Rand, Phyllis Lambert, Frank Gehry, Rem Koolhaas, Muriel Cooper, April Greiman, and Michael Bloomberg. Many of the profiles are back in print for the first time, having originally appeared in Blueprint, I.D. magazine, the Independent, and in books and catalogs from the 1980s through the early 2000s. A foreword by Blueprint's founding editor, Deyan Sudjic, and new reflections by Abrams set the stage.

“Derham Groves has written this illuminating story of an exceptional but hitherto unsung Australian architect whose distinctive designs in China as well as his homeland may still be seen and enjoyed. In this book Groves has for the first time revealed some characteristic strands of Arthur Purnell's talents, whereby his subject's remarkable creativity is now clear for us to enjoy.” - Robert Irving, architecture historian and pupil of Arthur PurnellArthur Purnell's ‘Forgotten'Architecture: Canton and Cars focuses on two early phases in the career of the much overlooked and underrated Australian architect, Arthur Purnell (1878–1964). In 1903, Purnell teamed up with the American engineer, Charles Paget (1874–1933) in Canton, China. Between 1903 and 1910, Purnell and Paget designed many important and impressive buildings, including the Arnhold, Karberg & Co. building (1907), one of the first reinforced concrete buildings in Southern China, and the South China Cement Factory (1907), which would later become the headquarters of Dr. Sun Yatsen (1866–1925), the first president of the Republic of China. Not many architects can design a cement factory fit for a president's palace! When Purnell returned to Australia in 1910, he had to start again from scratch. As cars were taking over from horses in a big way, he saw that designing for cars would be the next big thing in architecture. The fledgling Australian car industry was full of colourful, larger-than-life characters like Col. Harley Tarrant (1860–1949), who built his first car in 1897 and Australia's first petrol-fuelled car in 1901, and Alec Barlow Sr. (1880–1937), the archetypal dodgy car salesman. Purnell wanted in, designing many buildings for both men, including early car factories and car showrooms. In this unique book, Groves asks: why isn't Arthur Purnell more famous?

Terry Farrell is one of Britain's most influential architects of the twenty-first century. Offering a compelling personal account of his life in architecture as an influential postmodern designer, architect-planner and principal of a leading global practice, this autobiography includes anecdotes and invaluable insights into Terry's life and work from the 1940s to the present day. An inside view of what it's like to be an architect at the top of his profession, this book also highlights what it takes to develop a successful international practice. Offers the inside view of what it is like to be an architect at the top of his profession, including insights into the defining projects and watershed moments of Sir Terry Farrell's career Provides the inside story on some of Terry Farrell's most significant buildings and projects, including Charing Cross Station, The MI6 Building, Alban Gate and Beijing South Railway Station Abundantly illustrated with over 80 images, including personal photos and images of key buildings.

Narratives of Architectural Education provides an overview of life as an architecture student, detailing how a layperson may develop an architectural identity. This book proposes becoming an architect as a personal narrative of professional development structured around various stages and challenges associated with identity transformation. Using a case study of aspiring architects along multiple time points of their professional education, Thompson investigates the occupational identity of architects; how individuals construct a sense of themselves as future architects and position themselves within the architectural community. This book provides previously unexamined insights into not just the academic development of an architect, but also the holistic and experiential aspects of architectural education. It would be ideal for those in the educational field of architecture, to include students, educators, interns, and mentors.

This book is a series of curated essays by high-profile architecture and design leaders and educators on the topic of professionalism. The book first sets out the current agenda - defining professionalism for the architecture sector - before moving on to focus on delivering the increased professional skills curriculum content within architecture schools as set by the RIBA. With an introduction and conclusion by the Editors, this book explores what contemporary professionalism within architecture is, and its future, encouraging the current and future profession to address professionalism across the industry.

Werner Blaser ist einer der renommiertesten Architekturpublizisten der letzten Jahrzehnte mit Kontakten zu nahezu allen wichtigen Architekten wie Mies, Foster, Piano oder Calatrava. In „Synthesis'erzählt er nicht nur von seinen Begegnungen mit diesen und von seinen Erfahrungen mit ihrer Architektur. Er macht in Collagen auch gestalterische Zusammenhänge zwischen Ost und West, zwischen traditioneller und zeitgenössischer Architektur anschaulich.