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The article highlights the interior design of the MDS Gallery in Tokyo, Japan, designed by architect Sigeru Ban. According to the author, the gallery is a showcase for the architect's experiments with cardboard tubes. Tall tubes of recycled paper form a peristyle on the south side, in front of a curving wall. The author claims the geometry is subtle, the arc set asymmetrically within the rectangle, and shapes a chiaroscuro that changes gradually throughout the day with the light.

The article features architects Monica Ponce de Leon and Nader Tehrani, founders of the Office dA. Their firm, known for its precision of presentation and methods of design and construction, employs digital modeling and computer numerical control (CNC) milling, together with hand drawing. According to Tehrani, he and Ponce de Leon used to draw everything before discussing with their team.

Looks at the plans for the presentation of documents pertaining regarding the work of 20th century architects to the Library of Congress by I.M. Pei. Information on the presentation; Information on Pei; Details on some of Pei's designs.

An essay is presented on patternmaker William Morris. It highlights the humble beginnings of William Morris as an architect, poet, and pattern designer and as an artist during his time. The author reflects on the works of Morris and the legacy that he leaves which inspires young generation of artists.

The article describes the paper wares of architect Liming Rao. He transforms a paper from a two-dimensional material to a three-dimensional product. He uses a heavy synthetic paper that is 100 percent waterproof. He has made trays, bowls and vases. His wares have garnered many awards including the OAA Artifact Award, the Best of Canada Award, and an Honourable Mention in the 2006 National Post Design Exchange Awards.

The article describes some of the city structure designed by Switzerland-based architect Santiago Calatrava. His works featured in the paper includes the roof for the Heritage Square and Mall in Toronto, Ontario, a sports hall in Geneva and a housing project in Wurenlingen. The paper also provides relevant photographs and architectural drawings.

This article presents information on Technology in Construction conference in Orlando, Florida, in January 2004. designers posed that question to each other about building information modeling (BIM), long billed as the technological sine qua non for efficient and cost-effective design and construction. But most designers, it seems, are taking a wait-and-see attitude about BIM--interested in its benefits, but hesitant to adopt it unless assured of Building information modeling (BIM) is the latest rebranding of a 25-year-old idea that architects should create intelligent 3D models instead of paper drawings to communicate design ideas and guide construction.

Archiving project information was once merely a matter of collecting, organizing, and filing away paper drawings, each one created anew as design progressed. Chicago, Illlinois based architect Kristine Fallon, president of Kristine Fallon Associates, heads the project, which involves a team of architects, academics, museum curators, and technology experts who are reviewing the challenges of maintaining digital archives and will ultimately provide recommendations for best practices. To combat obsolescence of archival documents, a proposed global registry could alert architects to digital file types that are in danger of disappearing and provide a way for architects to reformat their files.

The article describes the vernacular architectural design projects of American architect Deborah Berke. The first houses designed by Berke are linked with the rise of the new beachfront town of Seaside, Florida. She designs vernacular housing rather than vernacular-style houses. The paper provides relevant photographs, floor plans and architectural renderings of her projects.

The article describes the architectural design projects of American architectural firm Krueck and Olsen, including the Meitus House and the Marriott Painted Apartment in Chicago, Illinois. The firm's projects are manifestation of latent expressionism. The paper provides relevant photographs, floor plans and architectural renderings of the projects.

The article describes the architectural design projects of American architect Steven Holl. Holl believes that architectural principles form a fulcrum between codified practices and free intervention. The paper also provides relevant photographs, floor plans and architectural renderings of his projects.

The article reports on the evolving discipline of workplace design in Australia in 2013, which aims to benefit business operations. It notes that architects must understand a business's priorities, such as combining a need for fixed-desk accommodation with fluid movement of people in and out. The ASB Bank's move to a purpose-built office reportedly caused a respective reduction of 25, 30 and 70 percent in its email traffic, number of formal meetings, and use of paper.

The article discusses the work of architect Christian Unverzagt of the architectural and graphic design studio M1/dtw in Detroit, Michigan. His education at the University of Michigan College of Architecture and Urban Planning is discusses as is his work on the "Michigan Architecture Papers" (MAP) journal. His interdisciplinary approach to architecture, graphic design, and typography is discussed.

This article describes the work of architect Steven Holl. Some of his sketches were on display at the China International Gallery Exposition while other are contained at New York's Museum of Modern Art. His sketches offer Holl a way to get ideas down on paper. They may or may not be incorporated into his work but he enjoys the process.

This article reports that Japanese architect Shigeru Ban shared plans for a temporary museum on a historic West Side pier in New York City. The Nomadic Museum, opening in spring 2005, is designed to be easily transportable. It will display the photographic works of Gregory Colbert, whose show, Ashes and Snow, features large-scale photography and film projections on the subject of nature and man. The first museum of its kind, the Nomadic Museum's perimeter will be composed of 148 steel cargo containers constructed in a checkerboard pattern. Waterproof paper tubes will create roof and trusses. The museum's content will be able to be broken down and shipped in 37 cargo containers, while the remaining containers will be borrowed at the museum's future locations.

The look of natural stone, weathered oxidized steel, and even simulated wood grain were big trends among the Spanish ceramic tile showcased at the annual Cevisima trade forum in Valencia, Spain. More than 1,500 exhibitors attracted over 86,000 visitors from 140 countries to view a wide array of tile for commercial and residential use. Uchi from Saloni is inspired by the texture of Japanese rice paper. This ceramic tile series encompasses coordinating wall and floor tiles. The wall tile is produced in a 12" x 24" format, while the floor tile comes in 12" squares. Uchi offers light tones of ivory, cream, and gray. The series is complemented by a woven-rattan relief tile named Tatami, offered in 12" x 12" and 3" x 12" formats. Saloni, San Juan de Moro, Spain. www.saloni.com CIRCLE 206

Several stellar Japanese architects recently converged on Manhattan, New York, for a symposium at the Japan Society called "Technology and Tradition in Contemporary Japanese Architecture," co-organized by the periodical "Architectural Record." The conference was launched with a lecture by Fumihiko Maki, recently appointed architect for a new United Nations building and a tower at Ground Zero. The focus then passed to younger architects, including Ware Kishi , Kengo Kuma, and the ebullient Jun Aoki. Aoki, Shigeru Ban and Kazuyo Sejima are rising architects. Each has built or is about to build in Manhattan: Aoki's work for Vuitton on Fifth Avenue, Ban's Paper Arch at the Museum of Modern Art in 2000, and Sejima's New Museum envisaged for the Bowery.

Hewlett-Packard Co. has aimed new line of color printers at companies that occasionally need to print large-format documents but can't justify the cost of purchasing a machine. The DesignJet 100 model is a color multiformat printer targeted to the AEC market. It can print 4-color documents ranging from letter-size to D-size (24 inches by 36 inches), at a speed of up to 11 pages per minute for letter-size paper in draft mode. Though it is targeted to the graphic-design market, architects who need to print highly accurate color renderings and presentation photographs will find it useful.

Focuses on the changes in the architectural profession during its transition from a paper profession to a digital one. Generation gap which emerged between senior architects and junior staff; Concerns on the failure of younger architects to experience designing and drawing buildings by hand.

The article describes the architectural design projects of American architects Liz Diller and Ric Scofidio. Their projects explore the latency of actions in architectural forms and their investigations go beyond conventional expectations of forms. The \ paper provides relevant photographs, floor plans and architectural renderings of the project.

The article describes the architectural design projects of American architect Steven Harris. His projects vary considerably, usually taking cues from local characteristics of siting, lot configuration or landscaping. The paper provides relevant photographs, floor plans and architectural renderings of the project.

The article describes the architectural design projects of American architect Lars Lerup. His projects are all attempt to strip away the overlay of stale associations which intervene between man and the brute facts of his architecture. The paper provides relevant photographs, floor plans and architectural renderings of his projects.

The article describes the architectural design projects of American architects Jesse Reiser and Nanako Umemoto. Their design of the Mnemonic Theater is an attempt to emulate the directness of hope and ambition in reconnecting the language, gesture and form with a spirit of vitality equal to the past. The paper provides relevant photographs, floor plans and architectural renderings of the project.

The article describes the two architectural design projects of American architect Neil Denari. The first is tabletop demonstration engineering while the second is an extensive diagram that conventionally includes airbrush illustrations with keyed lists and tables of components. The paper provides relevant photographs, floor plans and architectural renderings of the project.

The article reports on architectural projects of the Altbau section of the Internationale Bauausstellung (IBA) in West Berlin, Germany. The Altbau section works in areas which were much destroyed by World War 2, but existing and occupied by vigorous but deprived communities. The paper explains the approach taken by the Altbau architects in their projects.

On July 20, the developer of the World Trade Center's planned 1,776-ft-tall Freedom Tower filed papers in opposition to a motion by Studio Daniel Libeskind, in which the architect claims it is owed $843,750 in design fees for the tower. In the papers, Silverstein Properties Inc. requests a court order for the parties to mediate the fee dispute. Daniel Libeskind is WTC master planner and design collaborator for the Freedom Tower. Before being sued, Silverstein had thought SDL had agreed to mediation, according to its spokesman, Howard J. Rubenstein.

The article features a call for papers for the 2013 Ontario Association of Architects (OAA) Conference: Reimagining the Business of Architecture and that the Canadian Architectural Licensing Authorities (CALA) announce the start of a program called Broadly Experienced Foreign Architects (BEFA.)

The article highlights a paper featured in the August 1905 issue of the periodical about the public profile of architects. The paper claims that even the most responsible daily newspapers give a long description of important buildings without a word about the designer. The paper continues that architects have no great quarrel with this, for the light of publicity that beats about the other arts is not a desirable or helpful thing to serious workers.

The article focuses on the travels and works of architect Terrence J. Brown. Brown has documented his travels and experiences since student days at Montana State. In 1981, before returning to the U.S. from Central America, he spent more than a month traveling throughout the region, including in Honduras and Guatamala. In Mexico's Yucatan peninsula, he visited and sketched Uxmal and Chichen-Itza, Mayan urban centers. He captured the jungle-laced temples and steles with a crow-quill pen and India ink.

The article focuses on a pen design project of Cleto Munari in collaboration with architects and designers. Munari has invited architects Toyo Ito, Alessandro Mendini, Álvaro Siza Vieira and Oscar Tusquets to design a pen dedicated to any Nobel Laureate in Literature awardee. As part of the project's promotional campaign, a purchase of any limited-edition fountain or roller ball pen comes with the book "The Book of the 5 Pens," which shows the bond that writers and designers share with their use of ink.

Known for his spare, austere forms, Dutch architect Wiel Arets's work has been referred to as" industrial poetry." Lensvelt, the Dutch manufacturer of office furniture dedicated to contemporary design and production methods, enlisted Arets to design both its headquarters and a new product line. Echoing the rigid geometric forms of his buildings, the Stealth collection incorporates conference furniture, storage, and benches. The storage system was specifically designed to divide space while maintaining acoustic integrity to the open plan.

The article describes the architectural design projects of American architects Ken Kaplan and Ted Krueger. Their projects aim to reclaim the mechanical articulacy, the potent imagery found in old machines and in their former dock-front neighborhood. The paper provides relevant photographs, floor plans and architectural renderings of the project.

The article describes the architectural design of American architect Ben Nicholson's Appliance House project. The house is like a long hall lined by facades of cells dedicated to elementary operations of its occupants. The paper provides relevant photographs, floor plans and architectural renderings of the project.

The article presents the perspective of architect Kisho Kurokawa on the definition of diagrams and its importance to architecture. According to Kurokawa, diagrams are more than just two-dimensional and must exist in the mind well before sketching it on the paper. The diagrams lay out how things start, and in itself an essential part of the architecture process. Without the diagram that serves as a framework, the design of the project will not be realized.

The article evaluates the architectural project by Tokyo based architects Satoshi Matsuoka and Yuki Tamura in Vancouver, British Columbia. Entitled "Balloon Caught," the project are translucent, glowing orbs wedged between buildings in the alley like runaway balloons or delicate paper lampshades. The project is the outcome of an initiative to reanimate public space in Vancouver.

Offers information on a workshop at the Royal Danish Academy of Fine Arts in Copenhagen, Denmark in November 2004 which focuses on the phenomenological to the integration of technology and production in the design studios. Presentation of papers by the finalists vying for the 2003-2005 European Association for Architectural Education Prize; Issues concerning the demands of preparing future architects; Role of roof windows and skylights manufacturer VELUX in the competition.

The article presents information on the flexible document holder, DokuMount, from Innovative Office Products Inc. The document holder is the first of its kind to help engineers, architects and industrial designers liberate their workspace from oversized blueprints and drawings. It features a floating radial arm that suspends large documents above the desk, freeing up desk space.