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Lisa Jackson-Schebetta’s book considers Spain as an idea and an imaginary that circulated through theatre, radio, and images of war in the 1930s in ways that scrambled the codes of coloniality/modernity in the Americas. Traveller, There Is No Road will be of interest for those teaching US theatre from transatlantic and hemispheric perspectives. [ABSTRACT FROM AUTHOR]

We will point out some of the fundamental aspects of Transatlantic Poetics. Basically, what we want to address here is the poetic writing in Spanish of the last three or four decades, coming from the geographic triangle of Latin America, Spain and USA. Our perspective is based upon the examination of this new tendency, a phenomenon through which Latin American Poetry (although the phenomenon is not limited to this genre) is read in new and never addressed before contexts of production and reception, therefore its always heterogeneous identity might become unrecognizable. [ABSTRACT FROM AUTHOR]