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The article reviews two books "Coriolanus, William Shakespeare," edited by Lee Bliss and "An Index of Characters in Early Modern English Drama: Printed Plays," by Thomas L. Berger, William C. Bradford, Sidney L. Sondergard.

Reviews the books `Erotics and Politics: Gay Male Sexuality, Masculinity and Feminism,' by Tim Edwards, `Homosexual Desire,' by Guy Hocquenghem and `Love's Litany: The Writing of Modern Homoerotics,' by Kevin Kopelson.

Reviews the books `Double Talk: The Erotics of Male Literary Collaboration,' by Wayne Koestenbaum and `Between the Acts: Lives of Homosexual Men 1885-1967,' edited by Kevin Porter and Jeffrey Weeks.

Julia Epstein and Kristina Straub (eds), Bodyguards: The Cultural Politics of Gender Ambiguity (New York and London: Routledge, 1992), 400 pp., £40.00 (hardback), £12.90 (paperback) Marjorie Garber, Vested Interests: Cross‐dressing and Cultural Anxiety (New York and London: Routledge, 1992), 500 pp., £25.00 (hardback) Joseph Bristow (ed.), Sexual Sameness: Textual Differences in Lesbian and Gay Writing (London and New York: Routledge, 1992), 262 pp., £35.00 (hardback), £10.99 (paperback) Peter Middleton, The Inward Gaze: Masculinity and Subjectivity in Modern Culture (London and New York: Routledge, 1992), 250 pp., £35.00 (hardback), £10.99 (paperback) Sally Robinson, Engendering the Subject: Gender and Self‐Representation in Contemporary Women's Fiction (Albany, NY: SUNY Press, 1991), 248 pp., $14.95 (paperback) Sue Roe, Writing and Gender: Virginia Woolf's Writing Practice (Hemel Hempstead: Harvester Wheatsheaf/St Martin's Press, 1990), xii + 202 pp., £40.00 (hardback), £10.95 (paperback) Gilles Deleuze, Empiricism and Subjectivity: An Essay on Hume's Theory of Human Nature, translated by Constantin V. Boundas (New York: Columbia University Press, 1991), xv + 163 pp., $27.00 (hardback) John Bender and David E. Wellberry (eds), Chronotypes. The Construction of Time (Stanford: Stanford University Press, 1991), 258 pp., $39.90 (hardback) Anthony Giddens, Modernity and Self‐Identity: Self and Society in the Late Modern Age (Cambridge: Polity Press, 1991), 256 pp., £39.50 (hardback), £11.95 (paperback) Paisley Livingston, Literature and Rationality: Ideas of Agency in Theory and Fiction (Cambridge: Cambridge University Press, 1991), 256 pp., £30.00 (hardback) John B. Thompson, Ideology and Modern Culture: Critical Social Theory in the Era of Mass Communication (Cambridge: Polity Press, 1990), 362 pp., £10.95 (paperback) Albrecht Wellmer, The Persistence of Modernity: Essays on Aesthetics, Ethics and Postmodernism (Cambridge: Polity Press, 1991), 266 pp., £35.00 (hardback) Ralph Cohen (ed.), The Future of Literary Criticism (London and New York: Routledge, 1989), 445 pp., £14.99 (paperback) Joseph Grixti, Terrors of Uncertainty: The Cultural Contexts of Horror Fiction (London and New York: Routledge, 1989), xviii + 214 pp., £10.99 (paperback) Leslie Hill, Beckett's Fiction: In Different Words (Cambridge: Cambridge University Press, 1990), 224 pp., £29.95 (hardback) Carla Locatelli, Unwording the World: Samuel Beckett's Prose Works After the Nobel Prize (Pennsylvania: University of Pennsylvania Press, 1990), 288 pp., $29.95 (hardback) Jeremy Hawthorn: Joseph Conrad. Narrative Technique and Ideological Commitment (London: Edward Arnold, 1990), 271 pp., £30.00 (hardback) N. Coupland, H. Giles and J. M. Wiemann (eds), ’Miscommunication’ and Problematic Talk (Newbury Park: Sage Publications, 1991), 374 pp., £37.95 (hardback), £18.95 (paperback) [ABSTRACT FROM PUBLISHER]

Reviews the book "Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama," edited by David Scott Kastan and Peter Stallybrass.

The article reviews the book "Automata and Mimesis on the Stage of Theatre History," by Kara Reilly.

The article reviews the book "Dance and Dancers in the Victorian and Edwardian Music Hall Ballet," by Alexandra Carter.

Reviews the book "Theatre in Europe: A Documentary History: Romantic and Revolutionary Theatre, 1789-1860," by Donald Roy.

Reviews the book "Jonsonians: Living Traditions," edited by Brian Woolland.

Reviews the book 'Theatre in a Cool Climate,' edited by Vera Gottlieb and Colin Chambers.

Reviews the book 'Thomas Durfey and Restoration Drama: the Work of a Forgotten Writer,' by John McVeagh.

Reviews the book 'A Preface to Marlowe,' by Stevie Simkin.

Reviews books on the exploration of eroticism in Renaissance drama. 'Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible,' by Celia R. Daileader; 'The Homoerotics of Early Modern Drama,' by Mario DiGangi.

Reviews the book `Coming Out of Feminism?,' edited by Mandy Merck, Naomi Segal and Elizabeth Wright.

Reviews the book `Sexual Sameness: Textual Differences in Lesbian and Gay Writing,' edited by Joseph Bristow.

The article reviews the books "The Cambridge Introduction to Theatre Studies," by Christopher B. Balme, and "Theatre Studies: The Basics," by Robert Leach.

Reviews the book "The Drama Handbook: a Guide to Reading Plays," by John Lennard and Mary Luckhurst.

Reviews the book 'Making Theater: From Text to Performance,' by Peter Mudford.

Reviews the book 'Queer Virgins and Virgin Queans on the Early Modern Stage,' by Mary Bly.

Reviews the book `Stages of History: Shakespeare's English Chronicles,' by Phyllis Rackin.

Reviews the book `Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage,' edited by Nicole Boireau.