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The article reviews the theater plays "Anger/Nation," starring Maggie Hoffman and the Radiohole, performed at the Kitchen in New York in October 2008, and "Architecting," starring the members of the Theater of the Emerging American Moment (TEAM), directed by Rachel Chavkin, performed in New York in January 2009.

Reviews the theatrical production of "medEia," by Dood Paard, performed at P.S. 122 in New York City in September 2007.

Reviews the play "OFF Stage: The East Village Fragments," by Jacob Gallagher-Ross, performed by the Peculiar Works Project in New York City.

Reviews the book "Weighing Lives," by John Broome.

Reviews two books. "Ibsen and Hitler: The Playwright, the Plagiarist, and the Plot for the Third Reich," by Steven F. Sage; "Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy," by Toril Moi.

The article reviews two plays "Child Hood," directed by Hume Baugh and "Downtown" managed by Julia Gray.

The article reviews the theatrical productions "The (curious case of the) Watson Intelligence," by Madeleine George and "Analog.Ue," by Daniel Kitson.

The article reviews the theatrical production of the play "Macbeth," starring Ethan Hawke, performed at the Vivian Beaumont Theater in New York City, New York.

The article reviews a theatrical production of Dennis Kelly's play "Taking Care of Baby," presented at MTC's City Center in New York.

The article reviews the play "Bronx Bombers," starring Lou Gehrig, Reggie Jackson and Derek Jeter, performed in New York.

The article reviews the theatrical production "All the Faces of the Moon," by Mike Daisey, performed at Joe's Pub at the Public Theater in New York City.

The article reviews the theatrical production "The Machine," by Matt Charman, directed by Josie Rourke and starring Hadley Fraser, performed at the Park Avenue Armory.

The article reviews the play "Let It Be," directed by John Maher, performed at the St. James Theatre in New York, NY until December 29, 2013.

The article reviews the theatrical production "The Island of Doctor Moreau," adapted by John P. McEneny, performed at 59E59 Theaters in New York City.

The article reviews the play "My Machine Is Powered by Clocks," written by B. Walker Sampson and directed by Calla Videt, performed at the New Ohio Theatre in New York City.

The article reviews the theatrical production of Gregory S. Moss' "La Brea," directed by Adam Greenfield and starring Rebecca Henderson and David Wilson Barnes, performed at The Wild Project in New York City through June 29, 2013.

The article reviews the play "Coney," directed by Gary Shrader performed at The New Ohio Theatre,154 Christopher Street, New York City.

The article discusses the American Realness Festival held in New York in January 2012 which featured the song-based performance of artists Meredith Monk, Laurie Anderson, and John Kelly.

The article reviews Lally Katz's play "Goodbye New York, Goodbye Heart," directed by Oliver Butler and starring Nicolle Bradford, at the Here Arts Center in New York City.

The article reviews the revival of the play "The Memorandum," written by V´clav Havel, starring James Prendergast, performed at the Beckett Theatre in New York City.

The article reviews the theatrical production "Bong Bong Bong Against the Walls, Ting Ting Ting in Our Heads," featuring Theresa Linnihan at the La MaMa E.T.C. in New York City.

A review of the New York City theatrical production "Three Pianos," by Rick Burkhardt, Alec Duffy, and Dave Malloy, and directed by Rachel Chavkin, at the Ontological Theater, is presented.

The article reviews the play "Dr. C (or How I Learned to Act in Eight Steps)" directed by Rubén Polendo and performed by Theater Mitu at 3LD Art and Technology Center in New York City.