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Like Snowdon's later coffee-table art book, Russell's docu-film, I Pop Goes the Easel i (1962) I , i turned the lens on the artists themselves, more so than their art (Chapter 1, 23-57). The collagic and self-referential quality of Russell's innovative film also mirrors Antonioni's experimental feature-length film, I Blow Up i (1966), which reinforced the "Swinging London" image before a world-wide audience (Chapter 5, 163-97). Russell's photograph is an apt metaphor for the structure of Tickner's book. [Extracted from the article]

The article reviews the book "Global Finance and Social Europe," edited by John Grahl.

The article reviews the book "Global Political Economy: A Marxist Critique," by Bill Dunn.

The article reviews the book "The Agony of Survival," by Spyros Vrettos, translated by Harikleia Georgiou Sirmans.

Reviews the book "Marianne Faithfull's Cigarette," by Gerry Gomez Pearlberg.