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The article reports that the personal papers of civil rights leader Martin Luther King, Jr. will remain in Atlanta, Georgia. The papers were slated to be auctioned; however a civic coalition raised $32 million to keep the collection in King's hometown. Critics of the decision cite the stipulations on use of the collection imposed by King's heirs, and state that donating the materials would have been more in line with King's philosophy and legacy.

The article focuses on author Salman Rushdie joining the faculty of Emory University, Atlanta, Georgia, as Distinguished Writer in Residence. He will also place his journals in Emory's Woodruff Library. The Rushdie Archive at Emory will have his private journals about his life under the fatwa by Iran's Ayatollah Khomeini. Details are given for Rushdie's relationship with the university.

The article reviews an art exhibit featuring the works on paper by Alan Crite and Susan Thompson at the Crystal Britton Gallery in Atlanta, Georgia from October 16 to November 13, 1981.

The article reviews the International Conference & Exhibition of the American Association of Textile Chemists & Colorists (AATCC) in Atlanta, Georgia in October 1992.

Features the text of a paper presented as part of a panel entitled `Feminist Philosophy After Twenty Years' at the meeting of the American Philosophical Association (APA) on December 30, 1993 in Atlanta, Georgia. Factors that led to development of feminist philosophy; Indoctrination of women's inferiority to men in philosophical pursuits; Events leading to the birth of Hypatia journal.

The article reviews the art exhibition featuring the works of Jiha Moon at Saltworks Gallery in Atlanta, Georgia.

The article reviews an exhibition of the work of painter Whitney Stansell at the TEW Gallery in Atlanta, Georgia.

The article reviews an art exhibition by Stella Lai and Iona Rozeal Brown at the Saltworks Gallery in Atlanta, Georgia.

This article reviews the book "Imagineering Atlanta: The Politics of Place in the City of Dreams," by Charles Rutheiser.

A review of the book "Courage to Dissent: Atlanta and the Long History of the Civil Rights Movement," by Tomiko Brown-Nagin, is presented.

The article reviews an exhibition of the art installation "The Water and the Blood," by Micah Stansell, at the Museum of Contemporary Art of Georgia in Atlanta, Georgia, in 2011.

The article reviews an art exhibition by artist Andrew Ross at the Museum of Contemporary Art of Georgia in Atlanta, Georgia.

A description of the course "Investigating Art With Physics" being offered at Emory University in Atlanta, Georgia, is provided.

The article reviews the art exhibition by Marcus Kenney at the Marcia Wood gallery in Atlanta, Georgia.

Reviews the exhibit, `Metropolitan Frontier: Atlanta 1835-2000,' at the Atlanta History of Museum in Atlanta, Georgia.

A review of the book "The Culture of Property: Race, Class, and Housing Landscapes in Atlanta, 1880-1950," by Leann Lands, is presented.

Reviews the book "Imagineering Atlanta: The Politics of Place in the City of Dreams," by Charles Rutheiser.

The article reviews the book "Courage to Dissent: Atlanta and the Long History of the Civil Rights Movement," by Tomiko Brown-Nagin.

The article reviews the 2011 art exhibition "Witch's Brew," featuring the artwork of American artist Adrienne Outlaw, at the Whitespace gallery in Atlanta, Georgia.

The article reviews the book "The Bonfire: The Siege and Burning of Atlanta," by Marc Wortman.

The article reviews the book "Atlanta: Hip-Hop and the South," by Michael Schmelling.

The article previews the exhibition "Rising Up: Hale Woodruff's Murals" to be held at the High Museum of Art in Atlanta, Georgia from June 9, 2012 to September 12, 2012.

A review of the book "The Culture of Property: Race, Class & Housing Landscapes in Atlanta 1880-1950," Politics and Culture in the 20th-Century South, by Leeann Lands is presented.

The article reviews the exhibition "Revelations: Visionary Content in the Work of Southern Self-Trained Artists" held at the Atlanta College of Art Gallery in Georgia from November 10, 1986 to January 16, 1987.

The article reviews the exhibitions of architectural drawings at two Buckhead galleries, Kipnis and Olympia in Atlanta, Georgia featuring works of artists Aldo Rossi, Peter Eisenman and Tony Ames.

The article reviews the exhibitions "Expressions in Craft Media" at the Spelman College Rockefeller Fine Arts Building in Atlanta, Georgia from March 6-30, 1991, "Silver: New Forms and Expressions" at the Atlanta International Museum of Art and Design from March 13-May 1, 1991 and "The Idea of Furniture: A Point of Departure" at the Chastain Gallery from April 13-June 8, 1991.

The article reviews the art exhibition "Site Sculptures, The Human Figure, Glass Art, Video Art" during the Arts Festival of Atlanta in Atlanta, Georgia from September 9 to 17, 1989.

The article reviews the exhibition "Floor Fifty" at the One Atlantic Center in Atlanta, Georgia from June 2 to 17, 1989.

The article reviews the exhibition "Southern Expressions: Points of View" at the High Museum at Georgia-Pacific Center in Atlanta, Georgia from April 19 to June 23, 1989.

The article reviews the exhibition "Site Sculptures, Words, Georgia Roots" at the Arts Festival of Atlanta in Atlanta, Georgia from September 10-18, 1988.

The article reviews the exhibition "A Political Art Show" held by the group Art Pluribus Unum in Atlanta, Georgia From July 18-21, 1988.

The article reviews several exhibitions in Atlanta, Georgia including "Undercurrents: Cheryl Burgess, Barbara Daupert, Margaret ReVille" at Agnes Scott College from January 24-March 2, 1988, "Will Henry Stevens" at the Emory Museum of Art and Archaeology from January 27-March 12, 1988, and "Don Cooper" at the Eve Mannes Gallery from March 11-April 30, 1988.

The article reviews the exhibitions "Small Scale Sculpture/Large Scale Sculpture" at the Colony Square of Atlanta College of Art in Atlanta, Georgia, from October 10 to November 14, 1987, and "Hard Work" at Fay Gold Gallery in Atlanta October 9 to November 4, 1987.

The article reviews the exhibitions "Selections From Corporate Collections" at the Atlanta City Club in Atlanta, Georgia from September 11 to October 31, 1987 and "New Directions: Contemporary Art From Atlanta Collections" at the Emory University Museum of Art and Archaeology in Atlanta, Georgia from September 2 to October 17, 1987.

The article reviews several exhibitions in Atlanta, Georgia featuring works by various artists including Beth Bolgia at the Municipal Gallery from January 23-February 8, 1987, GUMA at the Blue Rat Gallery from February 13-28, 1987 and Evan Levy at the Egg Factory in December 1986.

The article reviews the exhibition "Are You Sure What You See Is Me?," by Tony Dilco at the Nexus Contemporary Art Center in Atlanta, Georgia from February 20 to March 21, 1987.

The article reviews the exhibition "Graphic Art by Afro-American Artists: The Tougaloo Collection" at the Neighborhood Arts Center in Atlanta, Georgia from March 8- April 5, 1987.

The article reviews the exhibition "For Fun and Profit/The Mattress Factory Show," held at the Performance Gallery in Atlanta, Georgia on November 1 to 23, 1986.

The article reviews the exhibition "Cutting 'Em Off at the Pass Experiments, Diversions and Lies" at the Arts Festival of Atlanta in Georgia from September 20 to 28, 1986.

The article reviews the exhibition "The 10th Atlanta Film and Video Festival" at the High Museum of Art in Atlanta, Georgia from May 14 to 18, 1986.

The article reviews the exhibition "Georgia Printmakers" at the High Museum of Art in Atlanta, Georgia from March 4 to May 11, 1986.

The article reviews the exhibition "Blacks in America" at the Robert W. Woodruff Library at the Atlanta University in Atlanta, Georgia from April 19 to May 16, 1986.