Search

The article offers poetry criticism of the poem "Seattle Drift" by Jim Andrews. It explores the poetic reception, production and interpretation of the poem. The author's kinetic poem boosts its minimalist and experimental quality that characterizes the net art of the 1990s while examining the code functions' role on the development of web aesthetics. The significance of the poem in reminding the futility of literature in the period of digital writing is also mentioned.

The article reviews the book "Noise Channels: Glitch and Error in Digital Culture," by Peter Krapp.