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Yet the literature on Internet addiction fails to establish the agent of this presumptive malady, Friedman points out, as well as what it is that users are actually doing or desiring that constitutes an addiction. In her new book, I Internet Addiction: A Critical Psychology of Users i (Routledge, 2021), Emaline Friedman takes on an enormous and weighty task. [Extracted from the article]

Interactivity as performance allows Nash to draw attention to affect and emotion, considering the different forms that interactive documentary engages with embodied performances such as augmented and virtual reality documentary and gaming. Nash acknowledges the fragility of the interactive documentary because of its experimental approach adopting software platforms that are still in development limiting the audience reach, but she remains hopeful throughout the book that the future for the interactive documentary lies ahead, and we have perhaps only scratched the surface. This book shows how interactive documentary appropriates digital technologies in order to find new methods of engaging with realities that often confront contemporary social concerns and the intricacies of truth. [Extracted from the article]

Philip Cushman's collection of papers showcased in his recent book, "Travels with the Self: Interpreting Psychology as Cultural History" coalesce to form a strong critique of psychotherapist/psychoanalytic practitioners, and their compliance with socio-political norms and expectations. As Cushman sees it, psychotherapists and psychoanalysts have gone from being critics of the system to being agents of the system, pushing patients to adjust to social norms. Since Cushman is a hermeneutic philosopher, Heidegger - the founder of ontological hermeneutics - is important to Cushman. [Extracted from the article]

The Invention of Public Space: Designing for Inclusion in Lindsay's New York documents a transformative period of experimentation in public space design in New York City from 1966 through 1973, under the mayoralty of John Lindsay. Combining rich archival research with captivating storytelling, the book sheds light on this time in which emerging ideas about psychology, participation, and politics were integrated into the design of public environments. It makes a compelling argument for the importance of this time and place in spurring a broad rethinking of the very concept of public space as a site of democracy, participation, and self-actualization. [ABSTRACT FROM AUTHOR]