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The two-dimensional (2D) numerical approaches for vocal tract (VT) modelling can afford a better balance between the low computational cost and accurate rendering of acoustic wave propagation. However, they require a high spatio-temporal resolution in the numerical scheme for a precise estimation of acoustic formants at the simulation run-time expense. We have recently proposed a new VT acoustic modelling technique, known as the 2.5D Finite-Difference Time-Domain (2.5D FDTD), which extends the existing 2D FDTD approach by adding tube depth to its acoustic wave solver. In this work, first, the simulated acoustic outputs of our new model are shown to be comparable with the 2D FDTD and a realistic 3D FEM VT model at a low spatio-temporal resolution. Next, a radiation model is developed by including a circular baffle around the VT as head geometry. The transfer functions of the radiation model are analyzed using five different vocal tract shapes for vowel sounds /a/, /e/, /i/, /o/ and /u/., Comment: 4 pages, 3 figures

This work presents our advancements in controlling an articulatory speech synthesis engine, \textit{viz.}, Pink Trombone, with hand gestures. Our interface translates continuous finger movements and wrist flexion into continuous speech using vocal tract area-function based articulatory speech synthesis. We use Cyberglove II with 18 sensors to capture the kinematic information of the wrist and the individual fingers, in order to control a virtual tongue. The coordinates and the bending values of the sensors are then utilized to fit a spline tongue model that smoothens out the noisy values and outliers. Considering the upper palate as fixed and the spline model as the dynamically moving lower surface (tongue) of the vocal tract, we compute 1D area functional values that are fed to the Pink Trombone, generating continuous speech sounds. Therefore, by learning to manipulate one's wrist and fingers, one can learn to produce speech sounds just through one's hands, without the need for using the vocal tract., Comment: 2 pages, 1 figure

The simulation of two-dimensional (2D) wave propagation is an affordable computational task and its use can potentially improve time performance in vocal tracts' acoustic analysis. Several models have been designed that rely on 2D wave solvers and include 2D representations of three-dimensional (3D) vocal tract-like geometries. However, until now, only the acoustics of straight 3D tubes with circular cross-sections have been successfully replicated with this approach. Furthermore, the simulation of the resulting 2D shapes requires extremely high spatio-temporal resolutions, dramatically reducing the speed boost deriving from the usage of a 2D wave solver. In this paper, we introduce an in-progress novel vocal tract model that extends the 2D Finite-Difference Time-Domain wave solver (2.5D FDTD) by adding tube depth, derived from the area functions, to the acoustic solver. The model combines the speed of a light 2D numerical scheme with the ability to natively simulate 3D tubes that are symmetric in one dimension, hence relaxing previous resolution requirements. An implementation of the 2.5D FDTD is presented, along with evaluation of its performance in the case of static vowel modeling. The paper discusses the current features and limits of the approach, and the potential impact on computational acoustics applications., Comment: 5 pages, 2 figures, Interspeech 2019 submission

We present an interface involving four degrees-of-freedom (DOF) mechanical control of a two dimensional, mid-sagittal tongue through a biomechanical toolkit called ArtiSynth and a sound synthesis engine called JASS towards articulatory sound synthesis. As a demonstration of the project, the user will learn to produce a range of JASS vocal sounds, by varying the shape and position of the ArtiSynth tongue in 2D space through a set of four force-based sensors. In other words, the user will be able to physically play around with these four sensors, thereby virtually controlling the magnitude of four selected muscle excitations of the tongue to vary articulatory structure. This variation is computed in terms of Area Functions in ArtiSynth environment and communicated to the JASS based audio-synthesizer coupled with two-mass glottal excitation model to complete this end-to-end gesture-to-sound mapping.

The coupling of vocal fold (source) and vocal tract (filter) is one of the most critical factors in source-filter articulation theory. The traditional linear source-filter theory has been challenged by current research which clearly shows the impact of acoustic loading on the dynamic behavior of the vocal fold vibration as well as the variations in the glottal flow pulses shape. This paper outlines the underlying mechanism of source-filter interactions; demonstrates the design and working principles of coupling for the various existing vocal cord and vocal tract biomechanical models. For our study, we have considered self-oscillating lumped-element models of the acoustic source and computational models of the vocal tract as articulators. To understand the limitations of source-filter interactions which are associated with each of those models, we compare them concerning their mechanical design, acoustic and physiological characteristics and aerodynamic simulation., Comment: 2 pages, 2 figures