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The success of online creative communities depends on the will of participants to create and derive content in a collaborative environment. Despite their growing popularity, the factors that lead to remixing existing content in online creative communities are not entirely understood. In this paper, we focus on overdubbing, that is, a dyadic collaboration where one author mixes one new track with an audio recording previously uploaded by another. We study musicians who collaborate regularly, that is, frequently overdub each other's songs. Building on frequent pattern mining techniques, we develop an approach to seek instances of such recurring collaborations in the Songtree community. We identify 43 instances involving two or three members with a similar reputation in the community. Our findings highlight common and different remix factors in occasional and recurring collaborations. Specifically, fresh and less mature songs are generally overdubbed more; instead, exchanging messages and invitations to collaborate are significant factors only for songs generated through recurring collaborations whereas author reputation (ranking) and applying metadata tags to songs have a positive effect only in occasional collaborations.

Several Open Source Software (OSS) projects depend on the continuity of their development communities to remain sustainable. Understanding how developers become inactive or why they take breaks can help communities prevent abandonment and incentivize developers to come back. In this paper, we propose a novel method to identify developers' inactive periods by analyzing the individual rhythm of contributions to the projects. Using this method, we quantitatively analyze the inactivity of core developers in 18 OSS organizations hosted on GitHub. We also survey core developers to receive their feedback about the identified breaks and transitions. Our results show that our method was effective for identifying developers' breaks. About 94% of the surveyed core developers agreed with our state model of inactivity; 71% and 79% of them acknowledged their breaks and state transition, respectively. We also show that all core developers take breaks (at least once) and about a half of them (~45%}) have completely disengaged from a project for at least one year. We also analyzed the probability of transitions to/from inactivity and found that developers who pause their activity have a ~35-55\% chance to return to an active state; yet, if the break lasts for a year or longer, then the probability of resuming activities drops to ~21-26%, with a ~54% chance of complete disengagement. These results may support the creation of policies and mechanisms to make OSS community managers aware of breaks and potential project abandonment., Comment: Empirical Software Engineering, to appear

Creating a successful and sustainable Open Source Software (OSS) project often depends on the strength and the health of the community behind it. Current literature explains the contributors' lifecycle, starting with the motivations that drive people to contribute and barriers to joining OSS projects, covering developers' evolution until they become core members. However, the stages when developers leave the projects are still weakly explored and are not well-defined in existing developers' lifecycle models. In this position paper, we enrich the knowledge about the leaving stage by identifying sleeping and dead states, representing temporary and permanent brakes that developers take from contributing. We conducted a preliminary set of semi-structured interviews with active developers. We analyzed the answers by focusing on defining and understanding the reasons for the transitions to/from sleeping and dead states. This paper raises new questions that may guide further discussions and research, which may ultimately benefit OSS communities.

Crowd creativity is typically associated with peer-production communities focusing on artistic products like animations, video games, and music, but less frequently to Open Source Software (OSS), despite the fact that also developers must be creative to come up with new solutions to their technical challenges. In this paper, we conduct a study to further the understanding of which factors from prior work in both OSS and art communities are predictive of successful collaboration - defined as reuse of previous songs - in three different songwriting communities, namely Songtree, Splice, and ccMixter. The main findings from this study confirm that the success of collaborations is associated with high community status of recognizable authors and low degree of derivativity of songs., Comment: Proceedings of the ACM on Human-Computer Interaction, Vol. 2, No. CSCW, Article 27, Publication date: November 2018

Online creative communities have been able to develop large, open source software (OSS) projects like Linux and Firefox throughout the successful collaborations carried out over the Internet. These communities have also expanded to creative arts domains such as animation, video games, and music. Despite their growing popularity, the factors that lead to successful collaborations in these communities are not entirely understood. In the following, I describe my PhD research project aimed at improving communication, collaboration, and retention in creative arts communities, starting from the experience gained from the literature about OSS communities., Comment: GROUP 2018, Doctoral Colloquium, January 7-10, 2018, Sanibel Island, FL, USA

Large-scale distributed projects are typically the results of collective efforts performed by multiple developers, each one having a different personality. The study of developers' personalities has the potential of explaining their' behavior in various contexts. For example, the propensity to trust others, a critical factor to the success of global software engineering - has been found to influence positively the result of code reviews in distributed projects. In this paper, we perform a quantitative analysis of developers' personality in open source software projects, intended as an extreme form of distributed projects in which no single organization controls the project. We mine ecosystem-level data from the code commits and email messages contributed by the developers working on the Apache Software Foundation (ASF) projects, as representative of large scale-distributed projects. We find that developers become over time more conscientious, agreeable, and neurotic. Moreover, personality traits do not vary with their role, membership, and extent of contribution to the projects. We also find evidence that more open and more agreeable developers are more likely to become project contributors., Comment: In Proc. Int'l Conf. on Global Software Engineering (ICGSE'18), Gothenburg, Sweden, May 28-29, 2018

Online communities have been able to develop large, open-source software (OSS) projects like Linux and Firefox throughout the successful collaborations carried out by their members over the Internet. However, online communities also involve creative arts domains such as animation, video games, and music. Despite their growing popularity, the factors that lead to successful collaborations in these communities are not entirely understood. In this paper, we present a study on creative collaboration in a music community where authors write songs together by 'overdubbing,' that is, by mixing a new track with an existing audio recording. We analyzed the relationship between song- and author-related measures and the likelihood of a song being overdubbed. We found that recent songs, as well as songs with many reactions, are more likely to be overdubbed; authors with a high status in the community and a recognizable identity write songs that the community tends to build upon., Comment: GROUP 2018, January 7-10, 2018, Sanibel Island, FL, USA, 10 pages

Comments play an important role within online creative communities because they make it possible to foster the production and improvement of authors' artifacts. We investigate how comment-based communication help shape members' behavior within online creative communities. In this paper, we report the results of a preliminary study aimed at mining the communication network of a music community for collaborative songwriting, where users collaborate online by first uploading new songs and then by adding new tracks and providing feedback in forms of comments., Comment: In: Garrig\'os I., Wimmer M. (eds) Current Trends in Web Engineering. ICWE 2017. Lecture Notes in Computer Science, vol 10544. Springer, ISBN:978-3-319-74432-2