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The article reviews the National Annual Prep Schools' Art Exhibition of the Support and Training in Prep Schools (SATIPS) held at The Downs Malvern College Preparatory School in Malvern, England on May 5-16, 2012.

The article reviews the exhibition "History from Coins" at the Wisbech & Fenland Museum in Great Britain on January 14, 1995.

The paper discusses an exhibition currently hosted by the Royal Academy of Arts and devoted to over one thousand years of Byzantine art, featuring the most important and wide-reaching collection of artifacts from the Byzantine period displayed in Britain over the last fifty years. The exhibition is revealing not merely because of the objects on display but also because of what it says in connection to our contemporary understanding of Europe itself. The study suggests that the exhibition is indicative of a shift in the images of East and West. This is not to say that we are witnessing an end to the intra-European divide between East and West, but rather that the current geopolitical context has accentuated the notion of a division between Europe and Islam. Thus, the public are inadvertently presented with the false yet dominant idea that Islam represented and still represents the end or at the very least a caesura of European culture. A deeper insight into history, however, reveals a very different picture, as the persistence and legacy of Byzantine art and religious life were more or less guaranteed under Ottoman rule. great britain [ABSTRACT FROM AUTHOR]

The article reviews an exhibition of work by artist George Henry Longly, at the Dicksmith Gallery in London, Great Britain.

The article interprets the symbol of death in the creations of Damein Hirst, the celebrated hooligan genius of British Art. Hirst uses death as a way of expressing thoughts about death. His most celebrated work, according to a press release, has never shied away from the terrible beauty that lies in death and the inevitable decay contained in beauty. The theme of death, at least as expressed through animals and animal parts, is muted in "Theories, Models, Methods, Approaches, Assumptions, Results, and Find," as Hirst has titled the Gagosian show.

The article reviews the art exhibitions "Degas' Method" at the Ny Carlsberg Glyptotek gallery in Copenhagen, Denmark of artist Edgar Degas curated by Line Clausen Pedersen through September 1, 2013, and an exhibit of Welsh painter Merlin James at Parasol unit in London, England through August 10.

The article reviews several exhibitions in Great Britain on view until 2008 including "Emile Gallé and the Origins of Art Nouveau," at the Bowes Museum in Barnard Castle, Northern England until January 20, "Joseph Wright of Derby in Liverpool," at the Walker Art Gallery until February 24 and "Theatres of Life: Drawings from the Rothschild Collection," at the Wallace Collection until January 27.

The article reviews the exhibition "Robert Gober exhibition," at the Tate Gallery in Liverpool, England from June 19 to August 22, 1993.

The article reviews the 2012 art exhibition "Intuition and Ingenuity" to celebrate the life of mathematician and computer scientist Alan Turing in Great Britain.

The article reviews an exhibition at the Royal Geographical Society in Great Britain.

Reviews the exhibition of contemporary Polish art in Hatfield, England, showing the works of 13 Polish neo-avant-garde artists in diverse mediums.

The article reviews several exhibitions in Great Britain including "Eskimo Art in the British Museum" at the New Museum of Mankind, "Sacred Circles: Two Thousand Years of North American Indian Art" at the British Museum, and "Towards the Pole: The Eskimo" at the Exeter City Museum.

The article reviews the exhibition "The Return of the Gods: Neoclassical Sculpture in Britain," at the Duveen Gallery in Great Britain from January 28-June 8, 2008.

The article reviews the exhibition "Italian Art in the 20th Century" at the Royal Academy in London, England from January 14 to April 9, 1989.

The article reviews the exhibition "Picasso: Scultptor/Painter" at the Tate Gallery in London, England in early 1994.

The article reviews global art exhibitions including the Lyon Biennale titled "A Terrible Beauty is Born" at multiple venues throughout Great Britain from September 15 to December 31, 2011, the Yokohama Triennale titled "Our Magic Hour: How Much of the World Can We Know?" at the Yokohama Museum of Art and the BankART Studio in Yokohama, Japan, from August 6 to November 6, 2011 and the Athens Biennale titled "Monodrome" at multiple venues throughout Athens, Greece, from October 23 to December 11, 2011.

The article reviews the exhibition "Robert Gober," at the Tate Gallery in Liverpool, England from June 19 to August 22, 1993.

The article reviews the exhibition "Georges Rouault, The Early Years, " at the Royal Academy in London, England on June 6, 1993.

The article reviews several exhibitions on view in New Zealand and Great Britain in 2012 including "Situation White Hole" at Sadie Coles, "A Fist Full of Air" at the Saint Pauls Street Gallery, and "He Korero Purakau mo Te Awanui o Te Motu: Story of a New Zealand River" at the Te Papa Tongarewa, Museum of New Zealand.

The article reviews the exhibition "Unpopular Culture," by Grayson Perry at De La Warr Pavilion in Great Britain.

The article reviews several art exhibitions held in Great Britain in 1843 including the Society of British Artists at the Suffolk Street Gallery, the exhibition of New Society in Water Colours and the South Room.