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2022 — 2023. Image transfer, ink, rice paper and mixed media drawing., "How to Make a Golden State is a map that traces Asian farmworker history in California and links it to the broader geopolitical forces driving agricultural development in the U.S. The map is densely populated with a blend of media-media paper collage paintings of archival photographs, geological maps, and anecdotes describing Chinese, Japanese, Filipinx, Korean, South Asian, and Southeast Asian farmworkers’ crucial contributions to the development of agriculture in the Golden State. Consisting of multiple semi-translucent layers of imagery, this work aims to evoke a history painting set in an ecosystem alive with feeling, where history inhabits the space of myth, and vice versa. While the map finds its anchor in Asian farmworker history in California, it inhabits a dispersed and palimpsestic sense of time that threads the past through the present and aims to visualize the ways in which the history of Asian agricultural labor in California is tightly braided with environmental history, labor history, economic history, political history, and immigration history in not just the Golden State, but the U.S. as a whole." (Connie Zheng, 2023), This artwork is copyright by Connie Zheng. Please contact the artist for reproduction or exhibit. https://www.conniezheng.com

The map is a collage of over 70 different maps taken from David Rumsey's Map Collection and it depicts a map of David himself. It is the official poster of the film "A Stranger Quest" which sees David as a protagonist.

(2022-2023), oil on linen, 121.92 cm x 152.4 cm, "The definitions of beauty and significance are eternal and ever changing.   From antiquity to the modern day, the shaping of culture through tradition and philosophy is crucial in understanding what and why some art is preserved. Depicting recognized thinkers and their statements from the last three thousand years, this chronological diagram notes major contributions to the Western canon of “aesthetics”.  A cursory survey exposes glaring biases of race, class, gender and nationalism that raise doubt about the existence of a unified notion of a neutral “transcendental aesthetic.” " (Loren Munk, 2023), Artwork and image copyright by Loren Munk/James Kalm. For more information see http://www.lorenmunk.com/

Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

"Seven-class elevation map of California featuring famous peaks, valleys, islands, coastline, and areas below sea level. Created by layering combinations of nearly 2,500 keystrokes (I, H, X, and O) with a 1953 ROYAL Quiet De Luxe typewriter on Masa 77gsm paper from Japan. Based on a California Albers projection at approximately 1:5,000,000 scale. Custom quantization bins and cell-by-cell decisions were made to preserve the spectacular land flows of the Golden State." (RJ Andrews, 2023), For more information see https://infowetrust.com/

(2020-2022) 183.88 cm x 152.4 cm, oil on linen, "The Bowery has a long history in the folklore of New York City.  This rendering displays some of the notable artistic presences and establishments that have continued to evolve and engage with the arts community over the last century." (Loren Munk, 2023), Artwork and image copyright by Loren Munk/James Kalm. For more information see http://www.lorenmunk.com/

"Mixed media drawing and collage on cyanotype print. Land of Opportunity is a map that documents forty-three of the most well-documented toxic sites in the Bay Area, alongside local environmental justice protests and both federal and community-based remediation efforts. The tar-like blobs dripping down the paper are places notable for the amount of toxic material that has leaked into the soil and groundwater primarily as a result of high-tech industry, military activities, mercury mining during the gold rush era, and nuclear testing in the South Pacific during World War II. Despite its reputation for being one of the ‘greenest’ places in the United States, the Bay Area also has one of the highest concentrations of Superfund sites in the country, particularly in Silicon Valley, the techno-utopian capital of the United States. The map emphasizes community-based, grassroots organizing efforts, and shows both the kinds of poisons that have contaminated the land as well as the ways in which surrounding communities have protested the presence of these polluters and demanded their right to a clean, healthy environment. Land of Opportunity is a register of the ways in which the Bay Area has been shaped — both figuratively and literally — by dominant settler narratives of the landscape’s potential for wealth and resource extraction. But it is also more than the shadowland of settler, entrepreneurial greed, or the American imperial war machine: it’s also a place constituted and nourished by strong radical politics, care for community, and a trust in the power of local organizing. We live in a place of endless possibility — where the byproducts of greed and warmongering can be sublimated into other forms of power, and politics can be shaped in certain places by the will of the people." Connie Zheng, 2022 https://www.conniezheng.com, This artwork is copyright by Connie Zheng. Please contact the artist for reproduction or exhibit. https://www.conniezheng.com

(2020-2021), oil on linen, 121.92 cm x 152.4 cm, "While sociological change may happen on an epoch scale, within those periods artistic development might move more rapidly yet incrementally. This diagram attempts to depict art history and those forces influencing it in a more scientific, chronological and individualistic mode." (Loren Munk, 2023), Artwork and image copyright by Loren Munk/James Kalm. For more information see http://www.lorenmunk.com/

Mixed media on silkscreen and cyanotype print. Map of migratory routes of major food plants from the past several millennia. "Routes/Roots traces the ways in which major food plants — from peppers to watermelons to coffee — have traversed the world over the past several millennia, along with the human activities that have enabled or necessitated their movement. An incomplete register shaped by the interests and biases of its author, this map nevertheless attempts to record the manifold ways in which colonialism, slavery and capitalistic enterprise have shaped not only what foods we eat and consider ‘native’ to a place, but also how seeds and their fruits can make hostile new landscapes feel like home — or transform fertile soil into unrecognizable fields for industry. When we consider the brutal histories behind many of our favorite foods, what is the true cost of a bag of sugar or a sack of oranges? This work was originally made for inclusion in my solo exhibition new yamfish seed exchange (nyse). Routes/Roots is scaled according to the Gall-Peters map projection, which maps all areas such that they have the correct sizes relative to one another. Many maps today continue to use the Mercator projection, which was originally used for colonial navigation and incorrectly inflates the size of regions according to their distance from the equator, making regions such as Greenland disproportionately large and continents such as Africa disproportionately small." Connie Zheng, 2021 https://www.conniezheng.com, This artwork is copyright by Connie Zheng. Please contact the artist for reproduction or exhibit. https://www.conniezheng.com

Biographical text on the artist., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Back cover to The liquid border. Perfect bound. Features a photo of the artist. Includes praise, a description of the artist's work and biography. With publisher's imprint, ISBN and barcode., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Colophon to The liquid border. (Page number inferred.), The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Half title page to The liquid border. Includes title and statement of responsibility. (Page number inferred.), The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Critical praise for the artist's work., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Text by the artist describing formal and conceptual qualities that characterize his work., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Introductory text to The Liquid Border. Continued from previous page. Ends: I want to give your eyes the pleasure of repeated visual tours, and, along the way, to lighten your spirits with tiny beautiful sparks., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Introductory text to The Liquid Border. Begins: I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Table of contents to The liquid border. Text continued from previous page., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Table of contents to The liquid border. Text continues on next page., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Copyright page to The liquid border., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Title page to The liquid border. Includes title and statement of responsibility. (Page number inferred.), The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Internet addresses for the artist's imprint Museum Zero., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Front cover to The liquid border. Perfect bound. Features a digital collage, including maps, by the artist. Includes title and statement of responsibility., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

(2020), oil on linen 137.16 cm x 106.68 cm, "A “work of art” is more than just the artifact. To achieve completion, it also requires the participation of a beholder as well as the artist.  As culture evolves, these dispositions also progress and change according to religion, geography, hegemony, technology, and economics. This diagram lists ten levels of progressive states through which the “work of art” develops along with the concurrent states of the artist and beholder. " (Loren Munk, 2023), Artwork and image copyright by Loren Munk/James Kalm. For more information see http://www.lorenmunk.com/

This map was a collaboration between author Ted Widmer and Connie Brown to create map end papers for Widmer's Book "Lincoln on the Verge: Thirteen Days to Washington," published in 2020., Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

Covers to Map projection IX : Stereographic, Africa, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Ninth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection X : Stereographic, S. America, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Tenth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection II : Interrupted sinusoidal, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Second in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection VII : Stereographic, Antarctica, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Seventh in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection VI : Stereographic (North America surrounds), by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Sixth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection V : Stereographic, (Eurasia surrounds), by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Fifth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection VIII : Stereographic, Australia, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Eighth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection IV : Gnomonic butterfly, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Fourth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection III : Interrupted polyconic, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Third in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection I : Azimuthal equidistant, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., First in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of Africa, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Ninth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of Antarctica, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Seventh in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic. Shows all the world's oceans inside the shoreline of a single continent, North America, which stretches around the peripheries. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Sixth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of Australia, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Eighth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of South America, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Tenth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic. Shows all the world's oceans inside the shoreline of a single continental mass, Eurasia, which stretches around the peripheries. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Fifth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: gnomonic butterfly. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Fourth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: interrupted sinusoidal. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Second in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: interrupted polyconic. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Third in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: azimuthal equidistant. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., First in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Reproduction of aluminum print representing the Rio Grande at the Pecos River. Includes a poem on facing page. Image is 15 x 15 cm on double sheet 26 x 40 cm., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border

Reproduction of aluminum print representing a rendering of a building and the Rio Grande at Big Bend. Includes a poem on facing page. Image is 15 x 15 cm on double sheet 26 x 40 cm., The Liquid Border, by Jonathan Reeve Price. Published by The Communication Circle in Albuquerque; 2020, printed in Las Vegas, Nevada. Second edition. Artist book featuring reproductions of digitally collaged photographs and images of the Rio Grande region, accompanied by poems. Front cover features a color reproduction of a work by the artist - Little Box Canyon. Work comprised of 33 reproductions. With a portrait of the artist on the back cover. Perfect bound, [80] pages. Includes a title page and table of contents, as well as an introduction, a text describing formal and conceptual qualities that characterize the artist’s work, a biography, and critical praise. In the introduction, the artist writes, "I am exploring the liquid border - the imaginary line drawn down the middle of the Rio Grande as it passes between Texas and Mexico. Real, but invisible, the border floats away." See our 14486.000 for the first edition 2019. The David Rumsey Art Book Collection comprises artists’ books that explore shared terrain with cartography: place, space, time., https://www.museumzero.art/the-liquid-border