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"Seven-class elevation map of California featuring famous peaks, valleys, islands, coastline, and areas below sea level. Created by layering combinations of nearly 2,500 keystrokes (I, H, X, and O) with a 1953 ROYAL Quiet De Luxe typewriter on Masa 77gsm paper from Japan. Based on a California Albers projection at approximately 1:5,000,000 scale. Custom quantization bins and cell-by-cell decisions were made to preserve the spectacular land flows of the Golden State." (RJ Andrews, 2023), For more information see https://infowetrust.com/

"Mixed media drawing and collage on cyanotype print. Land of Opportunity is a map that documents forty-three of the most well-documented toxic sites in the Bay Area, alongside local environmental justice protests and both federal and community-based remediation efforts. The tar-like blobs dripping down the paper are places notable for the amount of toxic material that has leaked into the soil and groundwater primarily as a result of high-tech industry, military activities, mercury mining during the gold rush era, and nuclear testing in the South Pacific during World War II. Despite its reputation for being one of the ‘greenest’ places in the United States, the Bay Area also has one of the highest concentrations of Superfund sites in the country, particularly in Silicon Valley, the techno-utopian capital of the United States. The map emphasizes community-based, grassroots organizing efforts, and shows both the kinds of poisons that have contaminated the land as well as the ways in which surrounding communities have protested the presence of these polluters and demanded their right to a clean, healthy environment. Land of Opportunity is a register of the ways in which the Bay Area has been shaped — both figuratively and literally — by dominant settler narratives of the landscape’s potential for wealth and resource extraction. But it is also more than the shadowland of settler, entrepreneurial greed, or the American imperial war machine: it’s also a place constituted and nourished by strong radical politics, care for community, and a trust in the power of local organizing. We live in a place of endless possibility — where the byproducts of greed and warmongering can be sublimated into other forms of power, and politics can be shaped in certain places by the will of the people." Connie Zheng, 2022 https://www.conniezheng.com, This artwork is copyright by Connie Zheng. Please contact the artist for reproduction or exhibit. https://www.conniezheng.com

Covers to Map projection I : Azimuthal equidistant, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., First in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection II : Interrupted sinusoidal, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Second in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection III : Interrupted polyconic, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Third in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection IV : Gnomonic butterfly, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Fourth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection IX : Stereographic, Africa, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Ninth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection V : Stereographic, (Eurasia surrounds), by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Fifth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection VI : Stereographic (North America surrounds), by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Sixth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection VII : Stereographic, Antarctica, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Seventh in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Covers to Map projection X : Stereographic, S. America, by artist Tauba Auerbach. Includes title, statement of responsibility and imprint. Offset printed letters in fluorescent green on white paper. Information appears on one exterior panel of the map, which is presented in an accordion fold., Tenth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

This map was a collaboration between author Ted Widmer and Connie Brown to create map end papers for Widmer's Book "Lincoln on the Verge: Thirteen Days to Washington," published in 2020., Image copyright Constance Brown., For more information on Connie Brown and Redstone Studios, see https://www.redstonestudios.com/studio

World map by artist Tauba Auerbach, featuring an alternative projection: azimuthal equidistant. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., First in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: interrupted sinusoidal. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Second in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: interrupted polyconic. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Third in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: gnomonic butterfly. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Fourth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of Africa, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Ninth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic. Shows all the world's oceans inside the shoreline of a single continental mass, Eurasia, which stretches around the peripheries. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Fifth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic. Shows all the world's oceans inside the shoreline of a single continent, North America, which stretches around the peripheries. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Sixth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of Antarctica, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Seventh in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

World map by artist Tauba Auerbach, featuring an alternative projection: stereographic, from the perspective of South America, which stretches around the peripheries. Shows an unusual rotation of the earth within its familiar frames. Made using custom software created for Auerbach by programmer Jason Davies. The tool allows one to rotate the earth in any direction and flatten it using a wide array of projections, producing unfamiliar but mathematically accurate models of the earth. In this application, the gaze is focused on the oceans and the Southern Hemisphere. The software was originally created to generate source material for a series of paintings and GIFs, as part of the exhibition Panthalassa at Standard (Oslo) in October 2020. Title, date, artist's initials and publisher included within the exterior border of the image, each on one of four sides. Offset print in black and fluorescent green on white paper. Map is 68 x 98 cm, on sheet 69 x 99 cm, folded to 13 x 35., Tenth in a series of ten unusual maps made using custom software created for artist Tauba Auerbach by programmer Jason Davies. For full series, see PLNs 14307.000 through 14316.000. All images and works copyright Diagonal Press. Posters available via the Diagonal Press website (see link in Pub Reference). Earnings from these posters will contribute to the Indigenous Language Institute, Critical Resistance and Indigenous Environmental Network., https://diagonalpress.com/collections

Data visualization of the structure of philosophy from the 1950s to Today. Singed by Noichl, 4/5'19 in lower right corner. Looking like a map, the visualization is based on 55,327 papers in philosophy. Designed by Maximilian Noichl. “In the graphic below, 50000 articles from various philosophy journals were spatially distributed according to their citation-patterns. Every point represents one of these papers. The papers were grouped by a clustering-algorithm into 42 clusters which are represented by the colored shapes, and which are labeled around the graphic.

Hand drawn colorful pictorial bird's eye view map of downtown Los Angeles, California. Humorously created and signed by the artist Tom Lamb, printed on photographic matte paper. Depicts business district skyscrapers at the center, with landmarks such as Bunker Hill, Little Tokyo, and Olvera Street. Showing downtown Los Angeles has undergone significant change during recent years, with buildings, roads, streets, landmarks with notations associated with buildings and areas. Includes the soon-to-be-completed 73-floor Wilshire Grand, the Metropolis Towers, and Fig Central Towers. Date estimated., For copies of this map see http://www.tomlambmaps.com/

Hand drawn colorful pictorial map of Echo Park, in Central Los Angeles. Created and signed by the artist Tom Lamb, printed on photographic matte paper. Shows streets and hills, points of interest and historical and contemporary notations associated with buildings and areas, including the old silent movie industry area of Echo Park and the more recent loss of the popular Pioneer Market. Dodger Stadium and Echo Park Lake. Date estimated. Relief shown by gradient tints., For copies of this map see http://www.tomlambmaps.com/

Hand drawn colorful pictorial bird's eye view map of Elysian Valley, often referred to as Frogtown, South of Los Angeles River. Humorously created and signed by the artist Tom Lamb, printed on photographic matte paper. Showing streets, city blocks, parks, and recreational facilities. Date estimated., For copies of this map see http://www.tomlambmaps.com/

Hand drawn colorful pictorial bird's eye view map of Highland Park north of downtown Los Angeles, California. Humorously created in 2017, printed on photographic matte paper and signed by the artist Tom Lamb. Depicts many of the landmarks of this historic neighborhood just north of downtown Los Angeles and California's first freeway, the 110. Shows buildings, railways, streets, landmarks with historical and contemporary characters, and notations associated with buildings and areas of the city as well as the Occidental College, the northeastern section of Mt. Washington, and at the top, the edge of neighboring Eagle Rock., For copies of this map see http://www.tomlambmaps.com/

Hand drawn colorful pictorial map of Mount Washington, Northeast Los Angeles. Created and signed by the artist Tom Lamb, printed on photographic matte paper. Founded in 1909. Shows streets and hills, hiking trails, points of interest and historical and contemporary notations associated with buildings and areas. Date estimated. Relief shown by gradient tints., For copies of this map see http://www.tomlambmaps.com/

"Based on sensory-mapping concepts developed by UK artist Kate McLean - Diane Borsato, JP King and Amish Morrell led a group of artists and tea-sommeliers from the Toronto Tea Guild in a walk along Sterling Road, Toronto. Together we recorded smells in a commissary kitchen, a brewery, a chocolate factory, a publisher, a government employment office, former aluminum manufacturing sites, a railpath and more - to make a portrait of a gentrifying industrial neighbourhood at a transitional moment in its development. Concept and artistic direction by Diane Borsato. Field materials and Olfactory Map of Sterling Road designed by Paper Pusher/JP King.  Images by Hiba Abdallah and Diane Borsato.  Thank you to the Mia Nielson for curating the project, chef Jonas Grupiljonas for the generous hospitality at the Commissary, and to Victoria Taylor of ====\\DeRAIL for contextual references. Project supported in part by the Toronto Arts Council and the Ontario Arts Council." (Borsato, 2017) Also see: https://www.dianeborsato.net/#/olfactorymapping/, Artist's statement and images, see https://rumsey3.s3.amazonaws.com/Olfactory_Map_of_Sterling_Road_D.Borsato.pdf

Hand drawn colorful pictorial bird's eye view map of Venice, Los Angeles, California. Humorously created in 2017, printed on photographic matte paper and signed by the artist Tom Lamb. Depicts the famous boardwalk, the pier, a slice of the Pacific, and the Marina. Shows buildings, landmarks, streets, with historical and contemporary characters, and notations associated with buildings and areas of the city., For copies of this map see http://www.tomlambmaps.com/

Pictorial poster map of more than 600 metallic icons of Manhattan at night. Created and signed by Rafael Esquer, founder of Soho’s Alfalfa Studio in 2018. Printed and stamped on velvety black paper using gold and silver foils and four metallic inks that represent the lights and noise of the Island after dark. Borders with drawings of the city landmarks. Showing bridges, landmarks, tourist attractions and place names., For copies of this maps see https://alfalfastudio.com/

Hand drawn colored pictorial map of the Los Angeles River. Created in March 2014, printed on photographic matte paper and signed by the artist Tom Lamb. Depicts the river winding by Griffith Park in the north, through the Elysian Valley, and east of Downtown, Shows many of the latest changes this well-known Los Angeles landmark. includes freeways, highways, street names, railroads, landmarks, buildings, bridges, and parks. Custom text added, such as: "Home Sweet Home," "The Wilsons live here," "Amy was born here," etc., For copies of this map see http://www.tomlambmaps.com/

Reissue in 2012 by the Jo Mora Trust. 98% original size. For more information on Jo Mora's life and works, see http://www.jomoratrust.com

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

From the 04. March 2010 iA blog: "It’s one year since our last Web Trend Map. A lot has happened, but there are not enough changes in the landscape of domains in the last 12 months to create another domain-based Web Trend Map. The big changes happened one level higher, on the social layer, that is: On Twitter and Facebook. Since Twitter is becoming an alternative web protocol that—together with Facebook—gets closer and closer to replacing the domain/search paradigm, we decided to make an info graphic that shows how, and through whom, Twitter developed into what it is now, close to its 4th birthday. What Is It? We call it Big Bang. It shows the explosive development of Twitter since the beginning from its center (birth) with two people, to its edges (today) with 75 million people. Well aware that a big paper thin disc is probably going to be a bitch to print and a big pain to put on the wall—we are still going to try to print it circle round. Please don’t faint just yet. Here is the logic: The main circle represents the amount of people within twitter. Instead of North-South-East-West, we divided the circle in different content categories. We tried to arrange the content areas so that similar categories are neighboring, and contrary categories are opposite. The circles within the circle represent the followers of a selection of the most relevant twitterers. The circles represent on a 1:1 scale what piece of the pie each twitterer covers. They have a spread (follower score) and a core (list score). Each bubble will feature the first tweet of that user. For some high activity accounts we might need some help to determine what the first tweet was." More at https://ia.net/topics/meet-big-bang-our-next-trend-map/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

"Auerbach has created an oversized pop-up book, [2,3], featuring six die-cut paper sculptures that unfold into wonderful, elaborate forms. While much of Auerbach’s work has previously dealt with compositions staged in the flux state between 2D and 3D, [2,3] represents an expansion for the artist towards a more sculptural medium. Engineered by the artist, each “page” opens into a beautifully constructed object, intricately conceived so that the large-scale paper works—some up to 18” tall—can be collapsed totally flat. The six sculptures in [2,3] take their cue from a range of geometric forms—the pyramid, sphere, ziggurat, octagonal bipyramid (gem), arc, and möbius-strip. The use of a bright, contrasting palette is familiar from Auerbach’s previous work across a range of materials, including acrylics, etchings and C-type prints. This groundbreaking project stands as an astonishing art-object, part bookwork and part sculpture, and represents an advance in the field of pop-up technology. The six volumes will be housed in a specially designed slipcase, and each folio will measure 20” x 32” when open. [2,3] is in a signed and numbered edition of 1,000 plus 100 proofs. Tauba Auerbach is an American artist (b. 1981 San Francisco) best known for her integrated use of painting, printmaking, photography, and installation to examine the underlying structures of language and perception. Auerbach received her BA in Visual Arts from Stanford University in 2003. Her first solo exhibition, “Yes and Not Yes,” was held at Deitch Projects in 2006, and propelled her to the forefront of contemporary art. She has been featured in group exhibitions at the New Museum, The Museum of Modern Art, and the Whitney Museum of American Art, and her works are held in the collections of the San Francisco Museum of Modern Art, the Albright-Knox Art Gallery in Buffalo, and the Moderna Museet in Stockholm, among others." (Printed Matter, 2011), All images copyright by Tauba Auerbach. For more information see https://taubaauerbach.com/

This carte was found in the papers of Jo Mora's son and printed by the Jo Mora Trust in a limited edition of 40 in 2007. It provides a rare look at Jo Mora's artistic process in that the carte was likely unfinished, even though it is very fine in its current state. For more information on Jo Mora's life and works, see http://www.jomoratrust.com, Gilmore M9F.