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Since the World Health Organization (WHO, February 2, 2020) reported that the spread of coronavirus disease has been accompanied by a “massive infodemic,” the COVID-19 outbreak has become a national and international battleground of a struggle against misinformation. Fact-checking outlets around the world have been actively counteracting false and misleading information surrounding the pandemic. In this article, we conceptualize fact checkers in terms of the “interpretative power” that journalism holds in processes of political performances (Alexander in Soc Theory 22(4): 527–573, 2004, in: The performance of politics. Obama’s victory and the struggle for democratic power. Oxford University Press, Oxford/New York, 2010). Drawing on virus-related fact checks from Poynter’s International Fact-Checking Network (IFCN) database, we make two arguments. First, we argue that the new phenomenon of specialized “fact checking” might be considered as a further explicitly differentiated element of Alexander’s model of cultural performance, which fulfills a double duty: trying to contribute to further “de-fusion” (separating audiences from actors when the latter lack authenticity and credibility) on the one hand, and working to overcome it on the other. Second, we explain how new fact-checking practices have become a reflexive supplement to the news media of the civil sphere that might be able to help the civil sphere’s communicative institutions to defend truthfulness in a manner that contributes to democracy.