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The article presents the parametric design of a pedestrian bridge between plots 1 and 2 of the Rodrigo Facio Campus in Costa Rica. The author explains that the parametric design is based on understanding all design elements as correlated variables that adapt to each other. Specialized software was used to establish geometric parameters and model conceptual masses that determined the primary form of the structure. The result was an organic and complex architectural proposal that adapted to the conditions and requirements of the project. [Extracted from the article]

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the current work we will try to analyse the characteristics and evolution of the space in pornographic movies. In order to achieve our goal, we will propose some reflections related to how the time and space narrative parameters work, and their ideological implications. After that, we will compare the concrete characteristics of the professional porn and the amateur porn [ABSTRACT FROM AUTHOR]

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Avant-garde artists took the more solid thinking of Nietzsche, which is represented by Zaratustra, and tried to look for new rules of Art. It was a way to overcome what critics and experts in History had wanted to make belief until that moment. For this, the artist had to beat the saturation of forms common in Art in the Nineteenth Century. No Eclecticism; new Art must start from scratch. [ABSTRACT FROM AUTHOR]

Copyright of Ausa is the property of Patronat d'Estudis Osonencs and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)