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The term ‘banter’ refers to a specific type of jocular interaction that is playful in nature, but characterised by it’s often impolite, offensive, and abusive tone. An interactive practice that permeates many spheres of the social world, it is particularly prevalent within male-dominated sporting arenas. Indeed, banter is often an inevitable part of masculine rugby settings, and the people and interactions that help to construct them. Drawing on data from a three-year ethnographic study of a Northern Rugby Club, this thesis is concerned with how men experience and negotiate the gendered structures which underpin such sporting sites. In doing so, it provides an empirical examination of the ways in which banter is used to engage with hegemonic masculinities in practice. Moving beyond current conceptions of ‘the rugby lad’ to introduce the idea of ‘mischievous masculinities’, the thesis offers a nuanced way of theorising the relationship between masculinity and humour that enables greater flexibility in our understanding how men construct, deconstruct and negotiate the boundaries of their gendered identities. Indeed, by examining how banter is used within contemporary sporting communities, we can begin to be more productively account for, and problematize, the agency and diversity that characterises lived experiences of hegemonic masculinity.

This thesis explores the relationship between fin-de-siècle anti-emigration propaganda and fiction written by upper middle-class Irish women. Specifically, it examines the ways in which Catholic authors used the medium of fiction to propound an anti-emigration message analogous to that found in Catholic and nationalist press. Often at stake in their work is the degree to which the peasant female emigrant is to blame for the act of emigration, and the degree of agency she possesses in relation to the events or conditions that lead to this event. Class is a dominant determinant of agency in the depiction of the emigrants’ actions and decisions, as peasant and gentry emigrants are treated differently; the authors’ own class is also key in determining the stance they take on these decisions. In all of these treatments, the common themes throughout the study are the construction of Ireland as ‘Holy Ireland’, a haven of moral safety and spiritual regeneration, the ways in which the difference in authors’ political intent affects their treatment of the emigrant female, and the degree of realism with which the protagonist and her context are addressed. The authors under discussion, Mary Butler, Katharine Tynan, Rosa Mulholland, and Geraldine Cummins, though well-known in their time, have been almost completely forgotten, along with their literary and cultural contribution to Ireland’s history. Aside from contemporary criticism and reviews of their work, relatively little information exists about the authors under discussion. Consequently, this study seeks to initiate a conversation about the authors and the way their adaptation of Catholic nationalist discourse participated in emigration debates. This thesis is the first full-length study to examine the works of authors who adapted literary themes in order to create a discourse that actively discouraged young women from leaving Ireland during a period of female-dominated emigration.

The objective of this research was to implement an `intelligent' silicon compiler that provides the ability to automatically explore the design space and optimise a design, given as a behavioural description, with respect to multiple objectives. The objective has been met by the implementation of the MOODS Silicon Compiler. The user submits goals or objectives to the system which automatically finds near optimal solutions. As objectives may be conflicting, trade-offs between synthesis tasks are essential and consequently their simultaneous execution must occur. Tasks are decomposed into behaviour preserving transformations which, due to their completeness, can be applied in any sequence to a multi-level representation of the design. An accurate evaluation of the design is ensured by feeding up technology dependent information to a cost function. The cost function guides the simulated annealing algorithm in applying transformations to iteratively optimise the design. The simulated annealing algorithm provides an abstractness from the transformations and designer's objectives. This abstractness avoids the construction of tailored heuristics which pre-program trade-offs into a system. Pre-programmed trade-offs are used in most systems by assuming a particular shape to the trade-off curve and are inappropriate as trade-offs are technology dependent. The lack of pre-programmed trade-offs in the MOODS system allows it to adapt to changes in technology or library cells. The choice of cells and their subsequent sharing are based on the user's criteria expressed in the cost function, rather than being pre-programmed into the system. The results show that implementations created by MOODS are better than or equal to those achieved by other systems. Comparisons with other systems highlighted the importance of specifying all of a design's data as the lack of data misrepresents the design leading to misleading comparisons. The MOODS synthesis system includes an efficient method for automated design space exploration where a varied set of near optimal implementations can be produced from a single behavioural specification. Design space exploration is an important aspect of designing by high-level synthesis and in the development of synthesis systems. It allows the designer to obtain a perspicuous characterization of a design's design space allowing him to investigate alternative designs.