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[ES] El presente trabajo procura abordar el proceso completo para la creación e integración realista de un elemento generado por ordenador sobre un vídeo. Abordaremos la creación del objeto 3D, que comprende su modelado en un software de modelado 3D, su despliegue en mapas UV y posterior texturización mediante técnicas PBR, luego pasaremos a la técnica de matchmoving para el rastreo de cámara y por el proceso de iluminación del objeto mediante el uso de imágenes HDRi tomadas del entorno real y su renderizado mediante motor de render, para finalmente, pasar a la etapa de composición e integración con el vídeo haciendo uso de técnicas de postproducción con After Effetcs., [EN] The present work tries to approach the complete process for the creation and realistic integration of a computer-generated element on a video. We will address the creation of the 3D object, which includes its modeling in a 3D modeling software, its display in UV maps and subsequent texturing using PBR techniques, then we will move on to the matchmoving technique for camera tracking and the object's illumination process. by using HDRi images taken from the real environment and rendering them using a rendering engine, to finally move on to the stage of composition and integration with the video using post-production techniques with After Effetcs.

[ES] El presente trabajo procura abordar el proceso completo para la creación e integración realista de un elemento generado por ordenador sobre un vídeo. Abordaremos la creación del objeto 3D, que comprende su modelado en un software de modelado 3D, su despliegue en mapas UV y posterior texturización mediante técnicas PBR, luego pasaremos a la técnica de matchmoving para el rastreo de cámara y por el proceso de iluminación del objeto mediante el uso de imágenes HDRi tomadas del entorno real y su renderizado mediante motor de render, para finalmente, pasar a la etapa de composición e integración con el vídeo haciendo uso de técnicas de postproducción con After Effetcs., [EN] The present work tries to approach the complete process for the creation and realistic integration of a computer-generated element on a video. We will address the creation of the 3D object, which includes its modeling in a 3D modeling software, its display in UV maps and subsequent texturing using PBR techniques, then we will move on to the matchmoving technique for camera tracking and the object's illumination process. by using HDRi images taken from the real environment and rendering them using a rendering engine, to finally move on to the stage of composition and integration with the video using post-production techniques with After Effetcs.

[ES] El presente trabajo procura abordar el proceso completo para la creación e integración realista de un elemento generado por ordenador sobre un vídeo. Abordaremos la creación del objeto 3D, que comprende su modelado en un software de modelado 3D, su despliegue en mapas UV y posterior texturización mediante técnicas PBR, luego pasaremos a la técnica de matchmoving para el rastreo de cámara y por el proceso de iluminación del objeto mediante el uso de imágenes HDRi tomadas del entorno real y su renderizado mediante motor de render, para finalmente, pasar a la etapa de composición e integración con el vídeo haciendo uso de técnicas de postproducción con After Effetcs., [EN] The present work tries to approach the complete process for the creation and realistic integration of a computer-generated element on a video. We will address the creation of the 3D object, which includes its modeling in a 3D modeling software, its display in UV maps and subsequent texturing using PBR techniques, then we will move on to the matchmoving technique for camera tracking and the object's illumination process. by using HDRi images taken from the real environment and rendering them using a rendering engine, to finally move on to the stage of composition and integration with the video using post-production techniques with After Effetcs.

[ES] El presente trabajo procura abordar el proceso completo para la creación e integración realista de un elemento generado por ordenador sobre un vídeo. Abordaremos la creación del objeto 3D, que comprende su modelado en un software de modelado 3D, su despliegue en mapas UV y posterior texturización mediante técnicas PBR, luego pasaremos a la técnica de matchmoving para el rastreo de cámara y por el proceso de iluminación del objeto mediante el uso de imágenes HDRi tomadas del entorno real y su renderizado mediante motor de render, para finalmente, pasar a la etapa de composición e integración con el vídeo haciendo uso de técnicas de postproducción con After Effetcs., [EN] The present work tries to approach the complete process for the creation and realistic integration of a computer-generated element on a video. We will address the creation of the 3D object, which includes its modeling in a 3D modeling software, its display in UV maps and subsequent texturing using PBR techniques, then we will move on to the matchmoving technique for camera tracking and the object's illumination process. by using HDRi images taken from the real environment and rendering them using a rendering engine, to finally move on to the stage of composition and integration with the video using post-production techniques with After Effetcs.

With John Wilson, percussion.; Includes brief program notes., Series LII, Number 103., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With John Wilson, percussion.; Includes brief program notes., Series LII, Number 103., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by Ingrid Sevy, harp, Holly Hanauer, piano, Keith Scheer, soprano saxophone, Kevin Flanagan, alto saxophone, and John Wilson, tenor saxophone., Series L, Number 84., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

Assisted by Ingrid Sevy, harp, Holly Hanauer, piano, Keith Scheer, soprano saxophone, Kevin Flanagan, alto saxophone, and John Wilson, tenor saxophone., Series L, Number 84., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Kevin Vanosdol, trumpet, Mike Wilson, piano, Elise Bradway, trumpet, Steve Fogle, trumpet, Dean Goedde, trumpet, Steve Kessler, trumpet, Kristie Carter, french horn, and Kristine Netznik, piano., Series XLV, Number 106B., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

With Kevin Vanosdol, trumpet, Mike Wilson, piano, Elise Bradway, trumpet, Steve Fogle, trumpet, Dean Goedde, trumpet, Steve Kessler, trumpet, Kristie Carter, french horn, and Kristine Netznik, piano., Series XLV, Number 106B., This archival material has been provided for educational purposes. Ball State University Libraries recognizes that some historic items may include offensive content. Our statement regarding objectionable content is available at: https://dmr.bsu.edu/digital/about

The requirements for a general purpose, interactive graphics software system were investigated and led to the development of a graphics library of subroutines which can be used as a graphics research tool or for applications development. The design objectives for software environments and software tools established the strategy for developing the graphics software library. It was determined that the ACM Core standard graphics specification satisfied many of the requirements. An output-only implementation of the Core by George Washington University was extended to include a device driver for a color display device and the synchronous input primitives. The graphics system was used to develop an application program to demonstrate the design of an effective user-tool interface. The program is an interactive graphics editor that allows preparation of two-dimensional pictures and includes capabilities for picture storage and retrieval, segment addition and deletion, attribute control, error handling and on-line help. The graphics software library implemented to the specification of the Core standard proposal provides an effective tool for interactive computer graphics education, research, and applications development. (Author)