Search

馮耀明 = Fung Yiu-ming., Thesis (Ph. D.)--香港中文大學硏究院中國文化硏究學部, 1984., Manuscript., Includes bibliographical references (p. 575-578)., Feng Yaoming = Fung Yiu-ming., Thesis (Ph. D.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo wen hua yan jiu xue bu, 1984., 論文提要 --- p.(I), Chapter 第一章 --- 《公孫龍》的名實觀與離藏論 --- p.1, Chapter 1 --- 引言 --- p.1, Chapter 2 --- 《白馬論》的邏輯結構 --- p.4, Chapter 3 --- 謂詞與個體名之區分 --- p.31, Chapter 4 --- 唯名論還是實在論？ --- p.40, Chapter 5 --- 固定意指與偶然意指之區分 --- p.57, Chapter 6 --- 指、物指與物 --- p.88, Chapter 7 --- 《指物論》的存有論論旨 --- p.107, Chapter 8 --- 離藏論與名實觀 --- p.133, Chapter 第二章 --- 《墨辯》的知識論與名辯觀 --- p.149, Chapter 1 --- 引言 --- p.149, Chapter 2 --- 知之條件、方式、內容及對象 --- p.152, Chapter 3 --- 言辯和真理的問題 --- p.172, Chapter 4 --- 名實的問題 --- p.198, Chapter 5 --- 辯¨®Ơ方式之限制 --- p.235, Chapter 6 --- 加詞、變詞的問題 --- p.244, Chapter 第三章 --- 《莊子》的不可¨®Ơ論與實踐哲學 --- p.289, Chapter 1 --- 引言 --- p.289, Chapter 2 --- 積極的懷疑論 --- p.293, Chapter 3 --- 辯無勝與是非未可定的問題 --- p.302, Chapter 4 --- 言與知之極限問題 --- p.319, Chapter 5 --- 物與道之區分：可¨®Ơ與不可¨®Ơ --- p.333, Chapter 6 --- 道真的不可言¨®Ơ嗎？ --- p.345, Chapter 7 --- 實踐的超越進路 --- p.376, Chapter 第四章 --- 《荀子》的實踐之知與正名論 --- p.394, Chapter 1 --- 引言 --- p.394, Chapter 2 --- 學與知 --- p.398, Chapter 3 --- 認知心與統類心 --- p.309, Chapter 4 --- 以仁識心和以智識心 --- p.419, Chapter 5 --- 心與道之関係 --- p.429, Chapter 6 --- 正名與正言 --- p.458, Chapter 7 --- 制名的原則與方法 --- p.474, Chapter 8 --- 破三惑 --- p.496, Chapter 第五章 --- 結論 --- p.508, Chapter 1 --- 四家的思想進路與理論宗趣 --- p.508, Chapter 2 --- 四家學¨®Ơ在哲學和哲學文上的意義 --- p.516, Chapter 3 --- 方法學的問題 --- p.525, 附註 --- p.537, 參考書目 --- p.575, http://library.cuhk.edu.hk/record=b5895515, Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/)

Since its national debut in 1987, Fresh Air with Terry Gross has been a highly acclaimed and much adored weekday magazine among public radio listeners. Each week, nearly 4.8 million people turn to Peabody Award-winning host Terry Gross for insightful conversations with the leading voices in contemporary arts and issues. The renowned program reaches a global audience, with over 620 public radio stations broadcasting Fresh Air, and 3 million podcast downloads each week. Fresh Air has broken the mold of 'talk show' by weaving together superior journalism and intimate storytelling from modern-day intellectuals, politicians and artists alike. Through probing questions and careful research, Gross's interviews are lauded for revealing a fresh perspective on cultural icons and trends. Her thorough conversations are often complemented by commentary from well-known contributors. Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR., INT.1: Nien Cheng. A former executive for Shell Oil in Beijing, Cheng was imprisoned and tortured for six and-a-half years during the Cultural Revolution. Her book, Life and Death in Shanghai, recounts her experience and the turmoil that gripped China from 1966 to 1976. REV.1: Rock historian Ed Ward profiles The Remains, a Boston-based rock group he says combined the virtuosity of folk with the toughness of rock and roll. INT.2: Carl Finch, founder of Brave Combo, a polka group that uses the polka beat to drive all their music, be it a rendition of "Purple Haze" or a traditional polka standard. They have a new album out called "Polkatharsis." REV.2: Book Critic John Leonard reviews two biographies of the French philosopher John Paul Sarte.

Since its national debut in 1987, Fresh Air with Terry Gross has been a highly acclaimed and much adored weekday magazine among public radio listeners. Each week, nearly 4.8 million people turn to Peabody Award-winning host Terry Gross for insightful conversations with the leading voices in contemporary arts and issues. The renowned program reaches a global audience, with over 620 public radio stations broadcasting Fresh Air, and 3 million podcast downloads each week. Fresh Air has broken the mold of 'talk show' by weaving together superior journalism and intimate storytelling from modern-day intellectuals, politicians and artists alike. Through probing questions and careful research, Gross's interviews are lauded for revealing a fresh perspective on cultural icons and trends. Her thorough conversations are often complemented by commentary from well-known contributors. Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR., INT.1: Lawyer Martin Garbus, who has written of serving as a witness at trials in South Africa, Chile and the Soviet Union. Gorbus is known for his work on First Amendment issues. REV.1: Rock historian Ed Ward listens back to the first recording session of Elvis Presley, which mixed Blues with Country twang. INT.2: Artist Jenny Holzer, who takes her `sculptures' into public places through electronic display signs on which she broadcasts snippets of text, which she calls `truisms.' REV.2: Book Critic John Leonard will review Bruce Duffy's novel "The World As I Know It."

Pages of research draft notes by Mae Wynne McFarland on the life of 'Portuguese nobleman', Uriel Acosta.

Pages of research draft notes by Mae Wynne McFarland on the life of 'Portuguese nobleman', Uriel Acosta.

Pages of research draft notes by Mae Wynne McFarland on the life of 'Portuguese nobleman', Uriel Acosta.

Pages of research draft notes by Mae Wynne McFarland on the life of 'Portuguese nobleman', Uriel Acosta.

Pages of research draft notes by Mae Wynne McFarland on the life of 'Portuguese nobleman', Uriel Acosta.

Pages of research draft notes by Mae Wynne McFarland on the life of 'Portuguese nobleman', Uriel Acosta.

The problem which this thesis considers is the adequacy of Toulmin's layout of arguments as an accurate representation of the process of argumentation. This adequacy will be determined in view of four criteria, derived from the implications of Toulmin’s own concept of argumentation, which an accurate model of argumentation should meet: (1) It should be adequate to allow for the consideration of claims of fact, value, and policy. (2) It should accurately differentiate between neutral data and inferential statements. (3) It should allow for a clear correlation between data and claim. (4) It should operate as a flexible system. The central hypothesis is that Toulmin’s layout is not wholly valid: (1) that it is in many respects merely a semantic and schematic innovation derived from more traditional forms of 4 logic, (2) that it erroneously structures the argumentation process, and (3) that there is a tendency toward inconsistency and confusion regarding Toulmin's definition of argumentation and his model of it. Within the development of this hypothesis several additional purposes will be achieved.

The purpose of the writing Literary Paradoxes in the Philosophical Fragments of Soren Aabye Kierkegaardis to exhibit the paradoxes used in the Philosophical Fragments as well as to indicate techniques of deception employed by Kierkegaard for the purpose of shocking the reader into contemplation. Philosophical Fragments was chosen to point out the use of paradoxes in Kierkegaard's authorship because it is indicative of the whole Kierkegaardian problem of what it means to become a Christian. Data was gathered by reading the primary writings of the author as well as commentaries on his life and work by his translators and biographers. Quotations from Kierkegaard's Point of View were used to establish instances in which Kierkegaard admitted of the technique of deception. It was assumed that, since he was capable of admitted deception, he was very likely to have used deception which was not admitted but indicated by the nature of his authorship and personal mode of existence. In order to exhibit the paradoxes in a manner which would indicate to the reader the relationship of paradoxes, deception techniques used to attract attention, and the point of the authorship as a whole, Philosophical Fragments was summarized. Major paradoxes were quoted and apparent deceptions were pointed out as they appeared in context. A pattern was observed in the paradoxical relationships of three which Kierkegaard made use of in his discourse. The progression of the relationship pattern was indicated and found to be important in the exhibition of the paradoxes and in the relationship of Kierkegaard to his reader. In conclusion it was affirmed that Kierkegaard in approaching his reader used the method of shock by means other than those which he admitted being author to and that he was capable of deception as a deliberate technique. It was reiterated that the method of deceit was carried farther than his admission and remained for the reader to discover. Diagrams which exhibit the pattern of K

Dr. Durant (right), philosopher and historian, speaks at the University of Minnesota event. He is greeted by Dr. Teeter, director of the summer session.

2 p. l., iii-xxxiv, 801 p. 22 cm., Making of America (MOA), (dlps) AFW9076.0001.001, (lccallno) B 74 .L669 1857, http://quod.lib.umich.edu/t/text/accesspolicy.html

Tributes to a recently deceased Roman physician and philosopher written by his colleagues., Contents: [Inscription by Pietro Lupi, Domenico Morichini, and Luigi Metaxà] -- [Inscription by Pietro Santandrea and Luigi Righetti] -- [Inscription by Giovanni Corsi and Benigno Epifani]

https://patrimoniodigital.ucm.es/r/thumbnail/692487, https://books.google.com/books/ucm?vid=UCM5323610305&printsec=frontcover&img=1, Ingresó en la Biblioteca Histórica procedente de la Facultad de Filología en 2000. - Encuadernado con otras obras. Encuadernación de pergamino., Nota a la edición: Marca tipográfica en portada, Nota a la descripción física: Sign.: A-B4, A-B4.

https://patrimoniodigital.ucm.es/r/thumbnail/692498, https://books.google.com/books/ucm?vid=UCM5324252170&printsec=frontcover&img=1, Ingresó en la Biblioteca Histórica procedente de la Facultad de Filología en 2000. - Encuadernación de pergamino, Nota a la edición: Marca tipográfica en portada, Nota a la descripción física: Sign.: A-B4, A-B4.

https://patrimoniodigital.ucm.es/r/thumbnail/626479, https://patrimoniodigital.ucm.es/r/item/5327135130

https://patrimoniodigital.ucm.es/r/thumbnail/626478, https://patrimoniodigital.ucm.es/r/item/5327670538

https://patrimoniodigital.ucm.es/r/thumbnail/724481, https://patrimoniodigital.ucm.es/r/item/5323849225

https://patrimoniodigital.ucm.es/r/thumbnail/693041, https://patrimoniodigital.ucm.es/r/item/5327670547

Tributes to a recently deceased Roman physician and philosopher written by his colleagues., Contents: [Inscription by Pietro Lupi, Domenico Morichini, and Luigi Metaxà] -- [Inscription by Pietro Santandrea and Luigi Righetti] -- [Inscription by Giovanni Corsi and Benigno Epifani]

Print shows the "Light of Reason" shining from the upper right, illuminating bust portraits of "Johannes Kepler, I. Kant, Th. Paine, Jefferson, B. de Spinoza, Franklin, Voltaire, E. H. Haeckel, Tyndall, Huxley, [and] Darwin." The light is blocked by a large umbrella labeled "Bigotry, Supernaturalism, [and] Fanaticism," behind which are hiding various members of the clergy, including the Pope, Henry Ward Beecher, and Thomas De Witt Talmage. In the upper left, a vignette shows three female figures around an infant in a crib, with caption "God made Man and Endowed him with Free Will, Memory, and Understanding." In the lower right is another vignette showing the Pope and other members of the clergy torturing a man, filling him with "Superstition," with caption, "But it took a Deal of Altering in the Man before he could be made a 'Good Citizen'."

2 p. l., iii-xxxiv, 801 p. 22 cm., Making of America (MOA), (dlps) AFW9076.0001.001, (lccallno) B 74 .L669 1857, http://quod.lib.umich.edu/t/text/accesspolicy.html

Photocopies of library cards., David Farr, research assistant., Spine title.

Professor David Swenson (left) listens while Professor Norman Wilde (center), chairman of the philosophy department of the University of Minnesota, speaks to the club at the West hotel. The man on the right is unidentified.

Le croisement entre la diffusion de la libre pensée à Naples (notamment les nouveaux modèles scientifiques et philosophiques introduits par la pensée de Descartes) et la présence d’une bourgeoisie émergente et engagée, à travers les professions juridiques, dans une lutte contre les privilèges féodaux, a donné au début des Lumières napolitaines des caractéristiques très particulières tout autant dans le domaine de l’histoire culturelle que dans les dynamiques institutionnelles du royaume. Pietro Giannone et Costantino Grimaldi ont été deux protagonistes, également malheureux, de cette époque., At the beginning of 17th century, in Naples there was a peculiar intersection between the development of free thinking (based on the diffusion of the Cartesian thought both in philosophy and in the scientific researches) and the issue of a powerful middle class that engaged a successful battle against the feudals prerogatives, thanks to their juridical skills. This situation gave to the Neapolitan Enlightenment a peculiarity both in the cultural life and in the politics of the kingdom. Pietro Giannone and Costantino Grimaldi was two protagonists of this age and they had the same misfortune.

Ehrmann was born in Terre Haute, Indiana. He attended DePauw University and edited the DePauw Weekly. He later studied law and philosophy at Harvard. He worked as a lawyer at his brother's overall factory in Terre Haute, but really wanted to be a writer. He wrote "A Prayer" in 1903. It was displayed at the 1904 World's Fair, and published in the Congressional Record in 1909. He wrote the prose poem "Desiderata" in 1927. In 1971 a recording of the poem Desiderata made it to the Top 10 chart, and won a Grammy Award the following year., An artist wearing a smock and holding a palette with dabs of paint on it stands in front of a painted portrait of Max Ehrmann. Mr. Ehrmann is posed in a chair slightly behind the artist's easel. Another canvas depicting a dog is on the floor.