1. Redefining feminism in Myanmar : documentary photography as an activist tool
- Author
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Soe, Teza Eimom, Fox, Anna, Knorr, Karen, Barber, George, and Newbury, Darren
- Subjects
305.42 - Abstract
The women of Myanmar lead particularly regimented and controlled lives compared to women in the West. This project takes, as it’s central drive, the claim that photography can be used as a feminist tool to enact meaningful social change. Myanmar is a particularly conservative and paternalistic society and needs careful and specific approaches in helping change. For this project, both in the thesis and the practice, I have devised in Myanmar various socially engaged projects that show and explore how photography can be effective as a tool for liberation, democracy, and equality. The thesis chapters also pursue this feminist lens, seeing how photography, in a third world country, can help women to re-think, re-conceive, and better their lives. In essence, the research provides a new way to investigate women’s situations in Myanmar using photography. The ethnographic research techniques such as observation and in-depth interviews with Myanmar women photographers, incorporated with the researcher’s experience as a Myanmar woman, enriched the research findings and, together, they offer a rare account of Myanmar women’s identity, narrative, and representations. Feminism is the key method here in helping to create a new interpretation and sense of possibility about life and female expression in Myanmar. To inform and inspire the practice, this study also investigates the reasons behind the lack of women photographers in Myanmar and the way that photography can contribute to the debate concerning the emancipation of women in Myanmar. In doing so, the research was able to develop educational strategies for women, where free photography training was offered to Myanmar women for the first time in Myanmar’s history. Consequently, this research offers a new and original perspective of Myanmar women who are rarely seen or given voice. These research steps also contributed to two bodies of work, a self-portrait series which challenges traditional concepts of identity and gender along with a documentary project that aims to raise awareness of outdated gender stereotypes in Myanmar culture, the two distinct bodies of work seen together provide a critical commentary on the societal expectations that most women experience growing up in Myanmar. The practice entwines with the thesis and together they offer a unique perspective and foreground stories of Myanmar women that have never been before told. The written thesis supports the creative component of the research and also provides an understanding of the use of photography in this research, which is a powerfully effective method in bringing about change especially in the thinking of both men and women who live in Myanmar.
- Published
- 2020