1. Rhetoric, poetics, and the devotional lyric in early modern England
- Author
-
Sharp, Zachary Daniel
- Subjects
- Rhetoric, Poetics, Lyric, Epideictic, Renaissance rhetoric, Renaissance poetry
- Abstract
Recently, scholars have argued that poetry provided the foundations for the development of rhetoric in antiquity. Lyric poetry in particular functioned as epideictic performance, a public, generalized art able to encompass a range of rhetorical motives. I propose that poetry played a similar role in early modern England, especially in the development of the devotional lyric. This contrasts with the prevailing view, that poetry served a primarily dialectical role in humanistic classroom and, more broadly, acted as a propaedeutic to ethical and philosophical instruction. I argue that these different uses of poetry actually represent two coevolving traditions centered on two competing ideas about the goal of poetry: "performative" poetics sees poetry as a situationally-defined, rhetorical art of invention; "paideutic" poetics sees poetry as a hermeneutic art that trains ethical and philosophical judgment. I examine how these traditions manifest themselves in Renaissance poetics, particularly in George Puttenham's Art of English Poesy and in William Scott's Model of Poesy. The former imagines poetry to be a performative, courtly art, where rhetoric and poetry are fundamentally alike; the latter sees poetry as a theoretical art of moral instruction defined by an Aristotelian criterion of mimesis. I argue that these traditions also influence the religious lyrics of George Herbert and John Donne. Herbert and Donne, I suggest, innovate within these two very different paradigms: Herbert treats his lyrics as public, liturgical performances, while Donne sees his as "literary critical" artifacts meant to exercise practical judgment and train aristocratic taste.
- Published
- 2020