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The [3]D[1] state of the deuteron was taken into account in the distorted-wave Born approximation theory of deuteron stripping reactions. An approximation was used for the radial part of the D-wave in momentum space and the local energy approximation for finite range effects in the S-state part of the reaction scattering amplitude was extended to the D-state part. The angular dependence of the D-wave is accounted for exactly in the formalism of the distorted-wave theory. The resulting calculations at deuteron energies below 20 MeV show that the D-state effect in the differential cross-section is strongly dependent on l and j and its magnitude increases with l. The j-dependence of the effect improves significantly the theoretical fit to the small angle j-dependence observed in l = 3 angular distributions. This is particularly noticeable when configuration mixing effects are relatively small in both the 5-/2and the 7-/2 transitions. The j-dependence of the effect is also in qualitative agreement with the small angle j-dependence observed in Id transitions. However the inclusion of the D-state does not improve the agreement with the large angle j-dependence in l = 1 angular distributions. Using a surface reaction model it is shown that the magnitude of the D-state effect, relative to the S-state, in the angular distribution increases with the Q-value of the reaction and decreases with an increase in the target nucleus mass and the reaction energy. It is proved that in the absence of spin-dependent distortion the proton polarization is more sensitive than the deuteron efficiency vector to those j-dependent effects, introduced by the D-state, which do not obey the simple sign rule valid for the S-state contribution.

Esta edición pone al alcance del lector, por vez primera en un texto cuidadosamente fijado y anotado, la novela Periquillo el de las gallineras (1668), del escritor madrileño Francisco Santos. Obra de carácter culto y erudito, y que a la vez muestra interesantes destellos de cultura popular, es mencionada en numerosas antologías y estudios críticos como una manifestación agónica de la novela picaresca, que se iniciara con el Lazarillo de Tormes. Su mezcla, además, con elementos alegóricos y costumbristas, así como su evidente didactismo, hacen que esta obra resulte interesante no solo para entender el proceso de decadencia que experimentó el género picaresco, sino la evolución de buena parte de la narrativa peninsular del siglo XVII.