1. Suing for grace : the early modern rhetoric of petition
- Author
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Veronese-Clucas, Leah and McCullough, Peter
- Subjects
Poetry ,Ireland ,Epistolary poetry, English ,Prayer in literature ,Authors and patrons ,English poetry--Early modern, 1500-1700--History and criticism ,Patron and client ,Manuscripts ,Petitions ,Sonnets ,Early modern, 1500-1700 ,Meditation ,Verse satire ,Rhetoric ,Spenser, Edmund, 1552?-1599--Characters - Abstract
Early modern petition was both a secular and spiritual mode. It was a distinct epistolary form, and a type of prayer. Both secular and spiritual petition share the same function: a request. This dual meaning did not escape early modern writers, who frequently exploited it for rhetorical effect. The thesis explores how early modern writers elaborated on petitionary metaphor, and to what ends; it considers the transfer between the formal characteristics of petition and literary forms which drew upon these conventions. The thesis compromises four chapters. Chapter One provides an example of real petitionary rhetoric in action in two petitions written in 1567 by John Appleyard of Bracon Ash (1529 - c.1574) to the Privy Council. The following chapters explore how early modern writers both employed, and put pressure on, the petitionary strategies Appleyard exemplifies. Chapter Two examines how Edmund Spenser exploits the connection between political, martial, religious, and romantic petition in the Amoretti. Paying greater heed to the political connotations of petition, especially in relation to the Smerwick massacre of 1580, enables a greater understanding of the Amoretti's colonial context. Chapter Three compares how Donne uses religious metaphor to negotiate hierarchy and petition for access in his verse-letters with his petitions to God in the Devotions Upon Emergent Occasions. In the Devotions, in his withdrawal from the world in his illness, he seems to expose and dismantle the patronage process; yet simultaneously the text itself is embroiled in patronage negotiations. Chapter Four studies the 'mock petition' for the first time. Tracing the circulation of the Jacobean verse-libel 'The Commons Petition to St Eliza' reveals an emerging tradition of mock-petitions running from the Spanish Match crisis to the Long Parliament. They highlight the prevalence and increasingly dramatic political significance of petitions during this period, and concomitantly how petitions directly inspired poetry.
- Published
- 2022